After years of trying, and failing, to become parents, they are in the final stages of adopting four-year-old Milly. Though she already feels like their daughter, they just have to get through the 'settling in' period: three months of living as a family before they can make it official.But then Eve's mother, Joan, comes to stay.Joan has never liked her son-in-law. He isn't right for Eve; too controlling, too opinionated. She knows Eve has always wanted a family, but is Neil the best man to build one with? Then Joan uncovers something that could smash Eve's family to pieces...

    When a baby is snatched from her mother’s arms, the whole country knows about it. I knew about the parents left lying by the swimming pool, the open window in the nursery. But I never dreamed it had anything to do with me.Today, my beautiful daughter turned one. We were unwrapping gifts and blowing out candles when the knock came at the door, and they took my mother away.The police say she’s not really my mother. That she stole me, thirty years ago.When I visit her, desperate for answers, she looks me in the eye, and says nothing. I can barely breathe. Is my whole life a lie?I have to find out, but the more I learn, the more scared I become. And soon I start to wonder, am I losing my grip on reality or is my own daughter in terrible danger?An absolutely gripping psychological thriller, perfect for fans of Gillian Flynn, Ruth Ware and Lisa Jewell.

    The countryside is a welcome change from the trauma they know back home in the city; a chance to make the world a joyful playground again. But in the shadowy woods at the edge of the forest hide secrets that will bring their innocence to a distressing end and make this a summer they will never forget.There was a dark, dark houseYears later, a shocking act of violence sends Joanna back to Witchwood. In her great aunt's lonely and dilapidating cottage, she will attempt to unearth the secrets of that terrifying summer and come to terms with the haunting effects it has left on her life. But in her quest to find answers, who can she trust? And will she be able to survive the impending danger from those trying to bury the truth?

    On moving into a new flat, she is befriended by her landlady, Ella, who seems like the perfect friend and confidante.But, unbeknown to Charley, Ella is fighting her own dark and dirty demons as the fallout from a horrific childhood sends her spiralling down into madness—and unspeakable obsessions.As Ella’s mind splinters, her increasingly bizarre attentions make Charley uneasy. But with every step Charley tries to take to distance herself, Ella moves in a tightening lockstep with her, closer and closer and closer…From the bestselling author of Taunting the Dead comes a raw, intense, relentless, and darkly claustrophobic psychological thriller that grabs you by the back of the neck and never lets you go.

    The sky is clear, the waters calm, and the veneered, select guests jovial as the exclusive cruise ship, the Aurora, begins her voyage in the picturesque North Sea. At first, Lo's stay is nothing but pleasant: the cabins are plush, the dinner parties are sparkling, and the guests are elegant. But as the week wears on, frigid winds whip the deck, gray skies fall, and Lo witnesses what she can only describe as a dark and terrifying nightmare: a woman being thrown overboard. The problem? All passengers remain accounted for and so, the ship sails on as if nothing has happened, despite Lo's desperate attempts to convey that something (or someone) has gone terribly, terribly wrong.

    But tragedy strikes when their two-day-old baby, Isobel, is stolen. Distraught and bewildered, they must cope with the media frenzy that follows. As hope of finding her fades, their marriage disintegrates under the strain and they divorce. Robert moves to Australia and Carla, who had been a successful model, becomes reclusive and retreats into anonymity in order to escape the glare of publicity.Meanwhile, many miles away in a small town, Joy Dowling, miracle baby, is the adored only child of Susanne and David. Her mother is over protective and attempts to rear Joy in isolation, but as a willful and headstrong child, Joy will not be held back and comes into conflict with her mother. Susanne Dowling has her reasons for wanting to keep Joy out of sight but some things can't stay hidden forever.As the years pass, hopes of finding Isobel fade, but Carla Kelly never gives up her search. Her love for her Stolen Child burns fiercely and soon, secrets long kept will be brought into the light.Stolen Child is a love story about two families who are torn apart by deception and the consequences of a reckless act that shaped their futures.

    Bree rejected that fearful outlook, and life has proved her right. Having married into a family with wealth, power, and connections, Bree now has all a woman could ever dream of.Until the day she awakens and sees someone peering into her bedroom window--an old gray-haired woman dressed all in black who vanishes as quickly as she appears. It must be a play of the early morning light or the remnant of a waking dream, Bree tells herself, shaking off the bad feeling that overcomes her.Later that day though, she spies the old woman again, in the parking lot of her daughters' private school . . . just minutes before Bree's infant son, asleep in his car seat only a few feet away, vanishes. It happened so quickly--Bree looked away only for a second. There is a note left in his place, warning her that she is being is being watched; if she wants her baby back, she must not call the police or deviate in any way from the instructions that will follow.The mysterious woman makes contact, and Bree learns she, too, is a mother. Why would another mother do this? What does she want? And why has she targeted Bree? Of course Bree will pay anything, do anything. It's her child.To get her baby back, Bree must complete one small--but critical--task. It seems harmless enough, but her action comes with a devastating price.Bree will do whatever it takes to protect her family--but what if the cost tears their world apart?

    Men ruthless enough to threaten their baby daughter, Evie. This is no burglary gone wrong. The intruders know who they’re looking for – a man called Edward Renshaw. And they are prepared to kill to get to him. When the men leave empty handed, little do Alice and Harry realise that their nightmare is just beginning. Is it a case of mistaken identity? Who is Renshaw? And what is he hiding? One thing is clear – they already know too much. As Alice and Harry are separated in the run for their lives, there is no time to breathe in their fight to be reunited. And with their attackers closing in, there is only one choice: STAY ALIVE. OR DON’T. Terrifying, unputdownable and full of twists and turns, this stunning thriller will have you on the edge of your seat right to the very last page.

    Suddenly the town, with its peaceful streets and excellent public schools, finds itself at the mercy of a serial killer who slips through windows and screen doors, shattering illusions of safety. As Ben and forensic specialist Natasha Betencourt struggle to stay one step ahead of the killer, Ben’s own world is rocked again by a teen’s suicide. Ben must decide how far he is willing to go, and how much he will risk, to rescue the town from a long-buried secret, as well as from a psychotic murderer. With eerie, chilling, fine prose, Alan Drew brings us into the treacherous underbelly of a suburban California town in this brilliant novel of suspense about a man, and a community, confronted with the heart of human darkness.

    The local police claim it was an accident, but the FBI and State Department seem far less certain—and they won’t tell Matt why.The tragedy makes headlines everywhere because this isn’t the first time the Pine family has been thrust into the media spotlight. Matt’s older brother, Danny—currently serving a life sentence for the murder of his teenage girlfriend Charlotte—was the subject of a viral true crime documentary suggesting that Danny was wrongfully convicted. Though the country has rallied behind Danny, Matt holds a secret about his brother that he’s never told anyone: the night Charlotte was killed Matt saw something that makes him believe his brother is guilty of the crime.When Matt returns to his small hometown to bury his parents and siblings, he’s faced with a hostile community that was villainized by the documentary, a frenzied media, and memories he’d hoped to leave behind forever. Now, as the deaths in Mexico appear increasingly suspicious and connected to Danny’s case, Matt must unearth the truth behind the crime that sent his brother to prison—putting his own life in peril—and forcing him to confront his every last fear.Told through multiple points-of-view and alternating between past and present, Alex Finlay's Every Last Fear is not only a page-turning thriller, it’s also a poignant story about a family managing heartbreak and tragedy, and living through a fame they never wanted.

    Ellie has been the victim of a professional con artist, one who stole her savings, then disappeared from her life. Driven by her own history of failed relationships, Lyddie vows revenge on the man who broke her sister’s heart. Soon she assumes a false identity and begins her hunt for a man she knows to be cold, calculating and ruthless. But who is fooling whom? And can Lyddie find the justice she seeks and heal her damaged sister?

    With the past now behind them, the warmth they once shared quickly returns and before long Jess has moved into Emily's comfortable island home. Life couldn't be better. But when baby Daisy disappears while in Jess's care, the perfect life Emily has so carefully built starts to fall apart.Was Emily right to trust her sister after everything that happened before?If you like Clare Mackintosh, Katie Marsh, Kerry Fisher, Jenny Blackhurst, Rachel Abbott, Laura Marshall, Elle Croft, Cara Hunter or Lisa Jewell then you will be utterly gripped by this psychological thriller with a shocking sting in the tale.

    Everybody’s got a drawer somewhere with something hidden in it.On June 28, 1980—the hottest night of the year—Kelly Michelle Lund shoots and kills Oscar-nominated director John McFadden at a party in his home. . . . And instantly becomes a media sensation, her chilling smile fodder for national nightmares. For years, speculation swirls over the enigmatic seventeen-year-old’s motives, information she’s refused to share. Convicted of the murder, she loses her youth and her freedom—but keeps her secrets to herself.Thirty years later—and five years after her release from prison—the past has come back to haunt Kelly. Her father-in-law, movie legend Sterling Marshall, is found in a pool of blood in his home in the Hollywood Hills—dead from a shot to the head, just like his old friend John McFadden.Once again, Kelly is suspected of the high profile murder. But this time, she’s got some unexpected allies who believe she’s innocent—of both killings—and want to help her clear her name. But is she?Written with masterful precision and control, What Remains of Me brilliantly moves forward and back in time, playing out the murders side by side—interweaving subtle connections and peeling away layers of events to reveal the shocking truth.

    Together they write and illustrate award-winning children’s books; their life together one of enviable privilege and ease—until, one evening after a delightful dinner, Oliver delivers a blow to Alice that renders her unconscious, and subsequently beats her into a coma.In the aftermath of such an unthinkable event, as Alice hovers between life and death, the couple’s friends, neighbours, and acquaintances try to understand what could have driven Oliver to commit such a horrific act. As his story unfolds, layers are peeled away to reveal a life of shame, envy, deception, and masterful manipulation.

    Now she wants justice. But is she blind to the truth?Christopher J. Yates’s cult hit Black Chalk introduced that rare writerly talent: a literary writer who could write a plot with the intricacy of a brilliant mental puzzle, and with characters so absorbing that readers are immediately gripped. Yates’s new book does not disappoint. Grist Mill Road is a dark, twisted, and expertly plotted Rashomon-style tale. The year is 1982; the setting, an Edenic hamlet some ninety miles north of New York City. There, among the craggy rock cliffs and glacial ponds of timeworn mountains, three friends—Patrick, Matthew, and Hannah—are bound together by a terrible and seemingly senseless crime. Twenty-six years later, in New York City, living lives their younger selves never could have predicted, the three meet again—with even more devastating results.