Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.“The best single memoir of Old Vienna by any of the city’s native artists.” — Clive James“A book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives, the possibility of culture and, quite simply, what it meant to be alive between 1881 and 1942.” — The Guardian“It is not so much a memoir of a life as it is the memento of an age.” — The New Republic

    But for much of the rest of Europe this was a day with no meaning, as a continuing, nightmarish series of conflicts engulfed country after country.In The Vanquished, a highly original and gripping work of history, Robert Gerwarth asks us to think again about the true legacy of the First World War. In large part it was not the fighting on the Western Front that proved so ruinous to Europe's future, but the devastating aftermath, as countries on both sides of the original conflict were savaged by revolutions, pogroms, mass expulsions, and further major military clashes. In the years immediately after the armistice, millions would die across central, eastern, and southeastern Europe before the Soviet Union and a series of rickety and exhausted small new states would come into being. It was here, in the ruins of Europe, that extreme ideologies such as fascism would take shape and ultimately emerge triumphant.As absorbing in its drama as it is unsettling in its analysis, The Vanquished is destined to transform our understanding of not just the First World War but the twentieth century as a whole.

    The Third Reich has been studied in more depth than virtually any other period in history, and yet until now there has been no history of the camp system that tells the full story of its broad development and the everyday experiences of its inhabitants, both perpetrators and victims, and all those living in what Primo Levi called "the gray zone." In KL, Wachsmann fills this glaring gap in our understanding. He not only synthesizes a new generation of scholarly work, much of it untranslated and unknown outside of Germany, but also presents startling revelations, based on many years of archival research, about the functioning and scope of the camp system. Examining, close up, life and death inside the camps, and adopting a wider lens to show how the camp system was shaped by changing political, legal, social, economic, and military forces, Wachsmann produces a unified picture of the Nazi regime and its camps that we have never seen before. A boldly ambitious work of deep importance, KL is destined to be a classic in the history of the twentieth century.

    Most Iraqis were barred from entering the Emerald City for fear they would blow it up. Drawing on hundreds of interviews and internal documents, Chandrasekaran tells the story of the people and ideas that inhabited the Green Zone during the occupation, from the imperial viceroy L. Paul Bremer III to the fleet of twentysomethings hired to implement the idea that Americans could build a Jeffersonian democracy in an embattled Middle Eastern country. In the vacuum of postwar planning, Bremer ignores what Iraqis tell him they want or need and instead pursues irrelevant neoconservative solutions—a flat tax, a sell-off of Iraqi government assets, and an end to food rationing. His underlings spend their days drawing up pie-in-the-sky policies, among them a new traffic code and a law protecting microchip designs, instead of rebuilding looted buildings and restoring electricity production. His almost comic initiatives anger the locals and help fuel the insurgency. Chandrasekaran details Bernard Kerik’s ludicrous attempt to train the Iraqi police and brings to light lesser known but typical travesties: the case of the twenty-four-year-old who had never worked in finance put in charge of reestablishing Baghdad’s stock exchange; a contractor with no previous experience paid millions to guard a closed airport; a State Department employee forced to bribe Americans to enlist their help in preventing Iraqi weapons scientists from defecting to Iran; Americans willing to serve in Iraq screened by White House officials for their views on Roe v. Wade; people with prior expertise in the Middle East excluded in favor of lesser-qualified Republican Party loyalists. Finally, he describes Bremer’s ignominious departure in 2004, fleeing secretly in a helicopter two days ahead of schedule. This is a startling portrait of an Oz-like place where a vital aspect of our government’s folly in Iraq played out. It is a book certain to be talked about for years to come.

    Scientist and bestselling nature writer Bill Streever goes to any extreme to explore wind -- the winds that built empires, the storms that wreck them -- by traveling right through it. Narrating from a fifty-year-old sailboat, Streever leads readers through the world's first forecasts, Chaos Theory, and a future affected by climate change. Along the way, he shares stories of wind-riding spiders, wind-sculpted landscapes, wind-generated power, wind-tossed airplanes, and the uncomfortable interactions between wind and wars, drawing from natural science, history, business, travel, as well as from his own travels. And Soon I Heard a Roaring Wind is an effortless personal narrative featuring the keen observations, scientific rigor, and whimsy that readers love. You'll never see a breeze in the same light again.

    Donovan began his walk toward the center of the Glienicke Bridge, the famous “Bridge of Spies” which then linked West Berlin to East. With him, walked Rudolf Ivanovich Abel, master spy and for years the chief of Soviet espionage in the United States. Approaching them from the other side, under equally heavy guard, was Francis Gary Powers, the American U-2 spy plane pilot famously shot down by the Soviets, whose exchange for Abel Donovan had negotiated. These were the strangers on a bridge, men of East and West, representatives of two opposed worlds meeting in a moment of high drama.Abel was the most gifted, the most mysterious, the most effective spy in his time. His trial, which began in a Brooklyn United States District Court and ended in the Supreme Court of the United States, chillingly revealed the methods and successes of Soviet espionage.No one was better equipped to tell the whole absorbing history than James B. Donovan, who was appointed to defend one of his country’s enemies and did so with scrupulous skill. In Strangers on a Bridge, the lead prosecutor in the Nuremburg Trials offers a clear-eyed and fast-paced memoir that is part procedural drama, part dark character study and reads like a noirish espionage thriller. From the first interview with Abel to the exchange on the bridge in Berlin—and featuring unseen photographs of Donovan and Abel as well as trial notes and sketches drawn from Abel’s prison cell—here is an important historical narrative that is “as fascinating as it is exciting” (The Houston Chronicle).

     Based on a true story, MY MOTHER'S SECRET is a profound, captivating, and ultimately uplifting tale intertwining the lives of two Jewish families in hiding from the Nazis, a fleeing German soldier, and the clever and "righteous" mother and daughter who teamed up to save them. Franciszka and her daughter, Helena, are unlikely heroines. They are simple people who mind their own business and don't stand out from the crowd. Until 1939, when crisis strikes. The Nazis have invaded Poland and they are starting to persecute the Jews. Providing shelter to a Jew has become a death sentence. And yet, Franciszka and Helena decide to do just that. In their tiny, two-bedroom home in Sokal, Poland, they cleverly hide a Jewish family of two brothers and their wives in their pigsty out back, a Jewish doctor with his wife and son in a makeshift cellar under the kitchen floorboards, and a defecting German soldier in the attic--each group completely unbeknownst to the others. For everyone to survive, Franciszka will have to outsmart her neighbors and the German commanders standing guard right outside her yard. Told simply and succinctly from four different perspectives, MY MOTHER'S SECRET is a reminder that there are, in fact, no profiles of courage and each individual's character is a personal choice. This book was inspired by the true story of Franciszka Halamajowa, who, with her daughter, saved the lives of fifteen Jews in Poland during the Second World War. She also hid a young German soldier in her attic at the same time. Before the war, there were six thousand Jews in Sokal, Poland. Only thirty survived the war and half of those did so because of Franciszka.

    This city on the Adriatic has always tantalized Jan Morris with its moodiness and changeability. After visiting Trieste for more than half a century, she has come to see it as a touchstone for her interests and preoccupations: cities, seas, empires. It has even come to reflect her own life in its loves, disillusionments, and memories. Her meditation on the place is characteristically layered with history and sprinkled with stories of famous visitors from James Joyce to Sigmund Freud. A lyrical travelogue, Trieste and the Meaning of Nowhere is also superb cultural history and the culmination of a singular career-"an elegant and bittersweet farewell" (Boston Globe).

    Today Aaron Burr is remembered more for the fatal duel that killed rival Alexander Hamilton. But long before that single shot destroyed Burr's political career, there were other dark whispers about him: that he was untrustworthy, a libertine, a man unafraid of claiming whatever he believed should be his.Sold into slavery as a child in India, Mary Emmons was brought to an America torn by war. Toughened by the experiences of her young life, Mary is intelligent, resourceful, and strong. She quickly gains the trust of her new mistress, Theodosia Prevost, and becomes indispensable in a complicated household filled with intrigue--especially when the now-widowed Theodosia marries Colonel Aaron Burr. As Theodosia sickens with the fatal disease that will finally kill her, Mary and Burr are drawn together into a private world of power and passion, and a secret, tangled union that would have shocked the nation . . . Praise for I, Eliza Hamilton "Scott's devotion to research is evident . . . a rewarding take on a fascinating historical couple." --Library Journal "Readers will be captivated." --Publishers Weekly (starred review) "Packed with political and historical as well as domestic details." --Booklist

    Surrounded by men and women whose skills–as doctors, nurses, and therapists–seemed eminently more practical than her own, Rodriguez, a hairdresser and mother of two from Michigan, despaired of being of any real use. Yet she soon found she had a gift for befriending Afghans, and once her profession became known she was eagerly sought out by Westerners desperate for a good haircut and by Afghan women, who have a long and proud tradition of running their own beauty salons. Thus an idea was born. With the help of corporate and international sponsors, the Kabul Beauty School welcomed its first class in 2003. Well meaning but sometimes brazen, Rodriguez stumbled through language barriers, overstepped cultural customs, and constantly juggled the challenges of a postwar nation even as she learned how to empower her students to become their families’ breadwinners by learning the fundamentals of coloring techniques, haircutting, and makeup.Yet within the small haven of the beauty school, the line between teacher and student quickly blurred as these vibrant women shared with Rodriguez their stories and their hearts: the newlywed who faked her virginity on her wedding night, the twelve-year-old bride sold into marriage to pay her family’s debts, the Taliban member’s wife who pursued her training despite her husband’s constant beatings. Through these and other stories, Rodriguez found the strength to leave her own unhealthy marriage and allow herself to love again, Afghan style.With warmth and humor, Rodriguez details the lushness of a seemingly desolate region and reveals the magnificence behind the burqa. Kabul Beauty School is a remarkable tale of an extraordinary community of women who come together and learn the arts of perms, friendship, and freedom.From the Hardcover edition.

    Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (" ... fighting for our freedom, we are free") to the anguish and anger of the later work (where "hope, with furtive eyes and grappling fists / Flounders in mud ... "), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting. Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those " ... old men who died / Slow, natural deaths--old men with ugly souls") were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not "the war to end all wars": the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: "Grant us the power to prove, by poison gases, / The needlessness of shedding human blood." Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --Burhan Tufail

    The daughter of a strong-willed midwife, she is determined to define her own destiny. But when her brother emigrates to America, she promises her mother to never leave.When childhood friend Pietro Pante briefly returns to their mountain town, passion between them ignites while Mussolini forces political tensions to rise. Just as their romance deepens, Pietro must leave again for work in the coal mines of America. Nina is torn between joining him and her commitment to Italy and her mother.As Mussolini’s fascists throw the country into chaos and Hitler’s Nazis terrorise their town, each day becomes a struggle to survive greater atrocities. A future with Pietro seems impossible when they lose contact and Nina’s dreams of a life together are threatened by Nazi occupation and an enemy she must face alone…A gripping historical fiction novel, based on a true story and heartbreaking real events.Spanning over two decades, Under the Light of the Italian Moon is an epic, emotional and triumphant tale of one woman’s incredible resilience during the rise of fascism and Italy’s collapse into WWII.

    The killing that has been done and is being done is a crucial aspect of war and an integral part of the memories servicemen bring home with them. And yet, with few exceptions, it’s only rarely discussed in public and largely left to the veterans themselves to process, wrestle with, and carry.This is unfortunate because to understand what war is and what war does, it is necessary to understand what killing is and what killing does. In “The Kill Switch,” writer Phil Zabriskie, who covered both Iraq and Afghanistan for Time and other magazines, reconnects with two Marines and other veterans he met in Iraq and finds them ready to talk about it and willing to examine soberly and honestly what they’ve done and were asked to do. From boot camp through the initial invasion to the crucible of Ramadi, the siege of Fallujah, and beyond, they recount firefights, ambushes, suicide car bombers, hand-to-hand combat, and the life and death decisions they made about Saddam’s soldiers, battle-hardened insurgents, and people, even children, who were in the wrong place at the wrong time. Unflinching and as important today as it was at the height of these wars, “The Kill Switch” will stay with you long after you’re finished, just as the wars these men fought—and the killing they did—have stayed with them. Phil Zabriskie is a New York-based writer who spent many years working across Asia and the Middle East. He reported extensively on America’s wars in Afghanistan and Iraq for Time magazine and has also written about conflict and its impact on the people who live through it for National Geographic, Fortune, the Washington Post Magazine, and other publications. Cover design by Kristen Radtke.

    He died mysteriously soon thereafter, his eccentric and beautiful castles his only legacy.When an encoded diary by one of Ludwig’s confidants falls into the hands of rare book dealer Steven Lukas, he soon realizes that the diary may bring him more misery than money. Others want the diary as well—and they will kill to get it. Believing the diary to contain the secret truth behind Ludwig’s death, Steven and the detective Sara Lengfeld go on the run, investigating each of Ludwig’s three famous castles for clues. Just what in the diary could be so explosive that Ludwig's deranged modern-day followers will do whatever it takes to keep it hidden?Combining contemporary mystery and a gripping historical saga, putting computers and smartphones alongside derringers and palace intrigue, The Ludwig Conspiracy is a bold new thriller from the best-selling author of The Hangman’s Daughter series.

    The two don’t coexist easily. We value individuality and self-reliance, yet are utterly dependent on community for our most basic needs. In this intricately crafted and thought-provoking book, Sebastian Junger examines the tension that lies at the heart of what it means to be human. For much of a year, Junger and three friends—a conflict photographer and two Afghan War vets—walked the railroad lines of the East Coast. It was an experiment in personal autonomy, but also in interdependence. Dodging railroad cops, sleeping under bridges, cooking over fires, and drinking from creeks and rivers, the four men forged a unique reliance on one another. In Freedom, Junger weaves his account of this journey together with primatology and boxing strategy, the history of labor strikes and Apache raiders, the role of women in resistance movements, and the brutal reality of life on the Pennsylvania frontier. Written in exquisite, razor-sharp prose, the result is a powerful examination of the primary desire that defines us.