Roosevelt, Winston Churchill, and the capitalist West.            At the Big Three conferences of World War II, Stalin persuasively played the role of a great world leader. Even astute observers like George F. Kennan concluded that the United States and Great Britain should view Stalin as a modern-day tsarist-like figure whose primary concerns lay in international strategy and power politics, not in ideology. Now Robert Gellately uses recently uncovered documents to make clear that, in fact, the dictator was an unwavering revolutionary merely biding his time, determined as ever to establish Communist regimes across Europe and beyond, and that his actions during these years (and the poorly calculated Western responses) set in motion what would eventually become the Cold War. Gellately takes us behind the scenes. We see the dictator disguising his political ambitions and prioritizing the future of Communism, even as he pursued the war against Hitler. Along the way, the ascetic dictator’s Machiavellian moves and bouts of irrationality kept the Western leaders on their toes, in a world that became more dangerous and divided year by year.               Exciting, deeply engaging, and shrewdly perceptive, Stalin’s Curse is an unprecedented revelation of the sinister machinations of the Soviet dictator.

    The late Soviet physicist, activist, and Nobel laureate describes his upbringing, scientific work, rejection of Soviet repression, peace and human rights concerns, marriage and family, and persecution by the KGB.

    But had this bold and spirited beauty really descended into prostitution, drunkenness, and early death--or did her life, hidden from history, take a different course altogether? Eunice Lipton's search for the answer combines the suspense of a detective story with the revelatory power of art, peeling off layers of lies to reveal startling truths about Victorine Meurent--and about Lipton herself.

    Suvorov takes the reader through the mind-freezing savagery of a penal glass-house and the extravagant idiocy of army maneuvers on the grandest scale. He shows how an officer is trained, and how the hierarchy of the Soviet army is achieved and maintained. He gives brutally frank portraits of the senior commanders and politicians, and of the petty bureaucrats and Party informers. There is much satiric humor in his Suvorov's vivid narrative, which includes his experiences not only in training and garrison but in action, such as the infamous crushing of the Czech uprising.

    Valuable as a historical document for its first-hand account of the events during the period of 1917-1922, A Sentimental Journey is also an important experimental literary work—a memoir in the form of a novel.At times lyrical, disturbing, ironic, and erudite, A Sentimental Journey is a singular book from one of the most recognizable and influential voices of twentieth-century Russian literature.

    In the course of the essay, Tolstoy shows different attempts to find answers on the examples of science, philosophy, eastern wisdom, and the opinions of his fellow novelists. . . . finding no workable solution in any of these, Tolstoy recognizes the deep religious convictions of ordinary people as containing the key to true answers. The first attempt at its publication took place in 1882 (Russkaya Mysl, No 5), but Tolstoy's work was removed virtually from the whole edition of the journal by Orthodox Church censorship. The text was later published in Geneva (1884), in Russia as late as 1906 (Vsemirnyj Vestnik, No 1).

    Among his papers was found a series of sheets in a special cover with the inscription: "Themes, thoughts, notes, and fragments." Madame L.O. Knipper-Chekhov, Chekhov's wife, also possesses his note-book, in which he entered separate themes for his future work, quotations which he liked, etc. If he used any material, he used to strike it out in the note-book. The significance which Chekhov attributed to this material may be judged from the fact that he recopied most of it into a special copy book."

    His eldest child, Olga Nikolaevna, great-granddaughter of Queen Victoria, had begun a diary in 1905 when she was 10 years old and kept writing her thoughts and impressions of day-to-day life as a Grand Duchess until abruptly ending her entries when her father abdicated his throne in March 1917. Held at the State Archives of the Russian Federation in Moscow, Olga’s diaries during the wartime period have never been translated into English until this volume. At the outset of the war, Olga and her sister, Tatiana, worked as nurses in a military hospital along with their mother, Tsarina Alexandra. Olga’s younger sisters, Maria and Anastasia, visited their own infirmaries to help raise the morale of the wounded and sick soldiers. The strain was indeed great as Olga records her impressions of tending to the officers who had been injured and maimed in the fighting on the Russian front. Concerns about her sickly brother, Aleksei abound, as well those for her father who is seen attempting to manage the ongoing war. Gregori Rasputin appears in entries too, in an affectionate manner as one would expect of a family friend. While the diaries reflect the interests of a young woman, her tone increases in seriousness as the Russian army suffers setbacks, Rasputin is ultimately murdered, and a popular movement against her family begins to grow. At the point Olga ends her writing in 1917, the author continues the story by translating letters and impressions from family intimates, such as Anna Vyrubova, as well as the diary kept by Nicholas II himself. Finally, once the Imperial family has been put under house arrest by the revolutionaries, observations by Alexander Kerensky, head of the Provisional Government, are provided, these too in English translation for the first time. Olga would offer no further personal writings as she and the rest of her family were crowded into a basement of a house in the Urals and shot to death in July 1918.The Diary of Olga Romanov: RoyalWitness to the Russian Revolution, translated and introduced by scientist and librarian Helen Azar, and supplemented with additional primary source material, is a remarkable document of a young woman who did not choose to be part of a royal family and never exploited her own position, but lost her life simply because of what her family represented.

    They ruled. They invented. They cured people. They killed people. They ran cities and businesses. The won races, athletic and political. They explored. They bankrolled explorers. They even bankrolled religions. Almost every organized religion, from Christianity to Buddhism to Quaker, has gotten off the ground thanks to the hard work and cold cash of women!Most traditional histories written by men ignore, obscure, or erase the role of women, especially those who challenge the status quo. But the evidence of their achievements exists everywhere: in writings, coins, artifacts, graffiti, music, portraits, legal transcripts, love notes, and hate mail. For more than twenty years, Vicki Leon has been examining this evidence, chasing clues however faint and unconventional, and reporting her findings in numerous books, including the delightful four volume Uppity Women series.4,000 Years of Uppity Women features the best of that series, chosen by Leon herself. It focuses not on legendary goddesses or literary characters but on real women (though many of them did become the subjects of poems, plays, and stories).

    Many of the legends you grew up with no longer apply, so whatever you've heard probably does not reflect the reality of service today. Evan McGorman explains in detail how to apply to get into this elite corps, what to expect if accepted, and how to make the most of the experience.

    In The Girl from the Metropol Hotel, her prizewinning memoir, she recounts her childhood of extreme deprivation—of wandering the streets like a young Edith Piaf, singing for alms, and living by her wits like Oliver Twist, a diminutive figure far removed from the heights she would attain as an internationally celebrated writer. As she unravels the threads of her itinerant upbringing—of feigned orphandom, of sleeping in freight cars and beneath the dining tables of communal apartments, of the fugitive pleasures of scraps of food—we see, both in her remarkable lack of self-pity and in the two dozen photographs throughout the text, her feral instinct and the crucible in which her gift for giving voice to a nation of survivors was forged.

    Petersburg, pulled a revolver from underneath her shawl, and shot General Fedor Trepov point blank.  “Revenge!,” she cried, for the governor's brutal treatment of a political prisoner. Her trial for murder later that year became Russia's "trial of the century," closely followed by people all across Europe and America. On the day of the trial, huge crowds packed the courtroom.  The cream of Russian society, attired in the finery of the day, arrived to witness the theatrical testimony and deliberations in the case of the young angel of vengeance.  After the trial, Vera became a celebrated martyr for all social classes in Russia and became the public face of a burgeoning revolutionary fervor. Dostoyevsky (who attended the trial), Turgenev, Engels, and even Oscar Wilde all wrote about her extraordinary case. Her astonishing acquittal was celebrated across Europe, crowds filled the streets and the decision marked the changing face of Russia. After fleeing to Switzerland, Vera Zasulich became Russia's most famous "terroristka," inspiring a whole generation of Russian and European revolutionaries to embrace violence and martyrdom.  Her influence led to a series of acts that collectively became part of “the age of assassinations.” In the now-forgotten story of Russia's most notorious terrorist, Ana Siljak captures Vera's extraordinary life story--from privileged child of nobility to revolutionary conspirator, from assassin to martyr to socialist icon and saint-- while colorfully evoking the drama of one of the world’s most closely watched trials and a Russia where political celebrities held sway.

    In a country where the headquarters of the secret police can become a museum literally overnight, and one in 50 East Germans were informing on their countrymen and women, there are a thousand stories just waiting to get out. Anna Funder tells extraordinary tales from the underbelly of the former East Germany - she meets Miriam, who as a 16-year-old might have started World War III, visits the man who painted the line which became the Berlin Wall and gets drunk with the legendary 'Mik Jegger' of the East, once declared by the authorities to his face to 'no longer to exist'. Written with wit and literary flair, Stasiland provides a rivetting insight into life behind the wall.

    Aside from Gorbachev, Pozner is the most widely known Russian personality in America, and he earns his fame with these controversial commentaries that reveal his strongly humanistic philosophy.

    Field, once a well-meaning and privileged American, spied for Stalin during the 1930s and '40s. Then, a pawn in Stalin’s sinister master strategy, Field was kidnapped and tortured by the KGB and forced to testify against his own Communist comrades.How does an Ivy League-educated, US State Department employee, deeply rooted in American culture and history, become a hardcore Stalinist? The 1930s, when Noel Field joined the secret underground of the International Communist Movement, were a time of national collapse: ten million Americans unemployed, rampant racism, retreat from the world just as fascism was gaining ground, and Washington—pre FDR—parched of fresh ideas. Communism promised the righting of social and political wrongs and many in Field’s generation were seduced by its siren song. Few, however, went as far as Noel Field in betraying their own country.With a reporter’s eye for detail, and a historian’s grasp of the cataclysmic events of the twentieth century, Kati Marton captures Field’s riveting quest for a life of meaning that went horribly wrong. True Believer is supported by unprecedented access to Field family correspondence, Soviet Secret Police records, and reporting on key players from Alger Hiss, CIA Director Allen Dulles, and World War II spy master, “Wild Bill” Donovan—to the most sinister of all: Josef Stalin. A story of another time, this is a tale relevant for all times.