Delia, an opera singer robbed of her voice by illness; George, an idealistic scientist who cannot face what his skills have created; Marjorie, desperately poor and unable to dislodge her writer’s block; and Lucius, ostensibly in control but whose personal life is in chaos. All are summoned to the Villa Dante, home of the late Beatrice Malaspina. But who was she?While they wait to find out, the villa begins to work its seductive magic. With its faded frescoes, overgrown garden and magnificent mediaeval tower, it is unlike anywhere they have been before. Slowly, four characters who have gone to great lengths to hide their troubles find that change – and even hope – is possible after all. But the mysterious Beatrice has a devastating secret to reveal that will affect them all…A beautiful evocation of Italy in the aftermath of World War Two, the personal consequences of living through such a time, and a celebration of humankind’s ability to heal and learn to love again, this most absorbing novel will win Elizabeth Edmondson a host of new fans.

    Everyone in town, even her best friend, Andy, thinks grief keeps her locked inside, and Evvie doesn’t correct them.Meanwhile, in New York City, Dean Tenney, former Major League pitcher and Andy’s childhood best friend, is wrestling with what miserable athletes living out their worst nightmares call the “yips”: he can’t throw straight anymore, and, even worse, he can’t figure out why. As the media storm heats up, an invitation from Andy to stay in Maine seems like the perfect chance to hit the reset button on Dean’s future.When he moves into an apartment at the back of Evvie’s house, the two make a deal: Dean won’t ask about Evvie’s late husband, and Evvie won’t ask about Dean’s baseball career. Rules, though, have a funny way of being broken—and what starts as an unexpected friendship soon turns into something more. To move forward, Evvie and Dean will have to reckon with their pasts—the friendships they’ve damaged, the secrets they’ve kept—but in life, as in baseball, there’s always a chance—up until the last out.

    When Quinn Cruz receives that cryptic text message from her older sister Nora, she doesn’t think much of it. They haven’t seen each other in nearly a year and thanks to Nora’s fierce aloofness, their relationship consists mostly of infrequent phone calls and an occasional email or text. But when a haunted Nora shows up at the lake near Quinn's house just hours later, a chain reaction is set into motion that will change both of their lives forever. Nora’s “something” is more shocking than Quinn could have ever imagined: a little girl, cowering, wide-eyed, and tight-lipped. Nora hands her over to Quinn with instructions to keep her safe, and not to utter a word about the child to anyone, especially not their buttoned-up mother who seems determined to pretend everything is perfect. But before Quinn can ask even one of the million questions swirling around her head, Nora disappears, and Quinn finds herself the unlikely caretaker of a girl introduced simply as Lucy. While Quinn struggles to honor her sister’s desperate request and care for the lost, scared Lucy, she fears that Nora may have gotten involved in something way over her head—something that will threaten them all. But Quinn’s worries are nothing compared to the firestorm that Nora is facing. It’s a matter of life and death, of family and freedom, and ultimately, about the lengths a woman will go to protect the ones she loves.

    Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    But she wasn’t always that way.Duncan Carpenter is the new school principal who lives by rules and regulations, guided by the knowledge that bad things can happen. But he wasn’t always that way.And Sam knows it. Because she knew him before—at another school, in a different life. Back then, she loved him—but she was invisible. To him. To everyone. Even to herself. She escaped to a new school, a new job, a new chance at living. But when Duncan, of all people, gets hired as the new principal there, it feels like the best thing that could possibly happen to the school—and the worst thing that could possibly happen to Sam. Until the opposite turns out to be true. The lovable Duncan she’d known is now a suit-and-tie wearing, rule-enforcing tough guy so hell-bent on protecting the school that he’s willing to destroy it.As the school community spirals into chaos, and danger from all corners looms large, Sam and Duncan must find their way to who they really are, what it means to be brave, and how to take a chance on love—which is the riskiest move of all.With Katherine Center’s sparkling dialogue, unforgettable characters, heart, hope, and humanity, What You Wish For is the author at her most compelling best.

    The Memory of Butterflies is a poignant story of family and forgiveness--of knowing when to let go and when to hold each other close.Hannah Cooper's daughter is leaving for college soon. The change is bittersweet. A single mother since the age of eighteen, Hannah isn't eager to confront the pain of being alone, but she's determined not to let her own hang-ups keep Ellen from the future she deserves. As Ellen's high school graduation approaches, Hannah decides it's time to return to her roots in Cooper's Hollow along Virginia's beautiful and rustic Cub Creek.With the help of longtime friend Roger Westray, Hannah devotes her energies to building a new house on the site of the old family home, destroyed in a fire more than a decade ago. But Hannah's entire adult life has revolved around one very big secret. And her new beginning comes with unanticipated risks that will cost her far more than she could have imagined--perhaps more than she can survive.When a confrontation forces Hannah to expose her secret, the truth may destroy her beloved daughter. Hannah is prepared to sacrifice everything to protect her family, but can their lives and their bond withstand the seismic shift that's coming?

    They are sisters by marriage with an impenetrable bond forged before and during that dramatic night; but as the years progress, small cracks start to appear and their once deep friendship begins to unravel. No one knows why, and no one can stop it. One misguided choice; one moment of tragedy. Heartbreak wars with happiness and almost but not quite wins.From debut novelist Lynda Cohen Loigman comes The Two-Family House, a moving family saga filled with heart, emotion, longing, love, and mystery."Two families, both living in one house, drive an exquisitely written novel of love, alliances, the messiness of life and long buried secrets. Loigman's debut is just shatteringly wonderful and I can't wait to see what she does next." - Caroline Leavitt, New York Times bestselling author of Is This Tomorrow and Pictures of You"No good deed goes unpunished. In a single, intensely charged moment, two women come to a private agreement meant to assure each other's happiness. But as Lynda Cohen Loigman deftly reveals, life is not so simple, especially when it involves two families, tightly intertwined. The Two-Family House is sympathetically observed and surely plotted all the way through to its deeply satisfying conclusion." - Christina Schwarz, author of Drowning Ruth (an Oprah's Book Club pick) and national bestseller The Edge of the Earth

    On a balmy July night in New Hampshire a shot rings out in a garden, and a man falls to the ground, terribly wounded. The wounded man is Spencer McCullough, the shot that hit him was fired–accidentally?–by his adolescent daughter Charlotte. With this shattering moment of violence, Chris Bohjalian launches the best kind of literate page-turner: suspenseful, wryly funny, and humane.

    Once an aspiring art photographer, she now makes ends meet taking portraits of school children and working for a caterer. Recovering from her addiction, she spends lonely evenings checking out profiles on an online dating site. Weekend visits with her son are awkward. He’s drifting away from her, fast.When she meets Ava and Swift Havilland, the vulnerable Helen is instantly enchanted. Wealthy, connected philanthropists, they have their own charity devoted to rescuing dogs. Their home is filled with fabulous friends, edgy art, and dazzling parties.Then Helen meets Elliott, a kind, quiet accountant who offers loyalty and love with none of her newfound friends’ fireworks. To Swift and Ava, he’s boring. But even worse than that, he’s unimpressed by them.As Helen increasingly falls under the Havillands’ influence—running errands, doing random chores, questioning her relationship with Elliott—Ava and Swift hold out the most seductive gift: their influence and help to regain custody of her son. But the debt Helen owes them is about to come due.Ollie witnesses an accident involving Swift, his grown son, and the daughter of the Havillands’ housekeeper. With her young son’s future in the balance, Helen must choose between the truth and the friends who have given her everything.