Visitors to the town often remark about the valley’s peace and beauty—both of which are plentiful. Unlocked doors, front porches, pies cooling in the windows—this is country life at its finest. But visitors don’t always see what lies at the heart of a community. Or just beyond…Deep in the ValleyThe daughter of the town doctor, June Hudson left only to get her medical training, then returned home and followed in her father’s footsteps. Some might say she chose the easy, comfortable route…but June knows better. Her emergency room is wherever she’s needed—or wherever a patient finds her. She is always on call, her work is her life, and these people are her extended family. Which is a good thing, since this is a town where you should have picked your husband in the ninth grade. It’s not exactly the place to meet eligible men—until an undercover DEA agent suddenly starts appearing at all sorts of strange hours. Everybody has secrets down in the valley. Now June has one of her own.Just Over the MountainIn this peaceful community, it’s hard to keep a secret—but Dr. June Hudson has managed to keep one heck of a humdinger. Though visits from undercover DEA agent Jim Post are as clandestine as they are passionate, somehow it fits with her demanding schedule. But how can a secret lover compete with a flesh-and-blood heartthrob from her past? June’s old flame has just returned after twenty years—and he’s divorced. June is seriously rattled. So when the town’s most devoted wife takes buckshot to her husband and some human bones turn up in her aunt Myrna’s backyard, June is almost happy for the distraction. Sooner or later, love will have its way in Grace Valley. It always does.Down by the RiverPeople in town are beginning to notice the bloom in Dr. June Hudson’s cheeks—and the swell of her belly. Happily, DEA agent Jim Post is back in June’s arms for good, newly retired from undercover work and ready for new beginnings. And the community is overflowing with gossip right now. Who is the secret paramour June’s aunt Myrna is hiding? Does the town’s poker-playing pastor have too many aces up his sleeve? But when dangers, from man and nature, rise up with a vengeance to threaten June and the town, this community pulls together and shows what it’s made of. And Jim discovers the true meaning of happiness here in Grace Valley: there really is no place like home.

       In 1945, Erle Stanley Gardner, noted attorney and author of the popular Perry Mason mysteries, was contacted by an overwhelmed California public defender who believed his doomed client was innocent. William Marvin Lindley had been convicted of the rape and murder of a young girl along the banks of the Yuba River, and was awaiting execution at San Quentin. After reviewing the case, Gardner agreed to help—it seemed the fate of the “Red-Headed Killer” hinged on the testimony of a colorblind witness.   Gardner’s intervention sparked the Court of Last Resort. The Innocence Project of its day, this ambitious and ultimately successful undertaking was devoted to investigating, reviewing, and reversing wrongful convictions owing to poor legal representation, prosecutorial abuses, biased police activity, bench corruption, unreliable witnesses, and careless forensic-evidence testimony. The crimes: rape, murder, kidnapping, and manslaughter. The prisoners: underprivileged and vulnerable men wrongly convicted and condemned to life sentences or death row with only one hope—the devotion of Erle Stanley Gardner and the Court of Last Resort.   Featuring Gardner’s most damning cases of injustice from across the country, The Court of Last Resort won the Edgar Award for Best Fact Crime. Originating as a monthly column in Argosy magazine, it was produced as a dramatized court TV show for NBC.

    Best known as the author of Only Yesterday, Allen originated a model of what is sometimes called instant history, the reconstruction of past eras through vivid commentary on the news, fashions, customs, and artifacts that altered the pace and forms of American life. The Big Change was Allen's last and most ambitious book. In it he attempted to chart and explain the progressive evolution of American life over half a century. Written at a time of unprecedented optimism and prosperity, The Big Change defines a transformative moment in American history and provides an implicit and illuminating perspective on what has taken place in the second half of the twentieth century.Allen's theme is the realization, in large measure, of the promise of democracy. As against the strain of social criticism that saw America as enfeebled by affluence and conformity, Allen wrote in praise of an economic system that had ushered in a new age of well being for the American people. He divides his inquiry into three major sections. The first, 'The Old Order, ' portrays the turn-of-the-century plutocracy in which the federal government was largely subservient to business interests and the gap between rich and poor portended a real possibility of bloody rebellion. 'The Momentum of Change' graphically describes the various forces that gradually transformed the country in the new century: mass production, the automobile, the Great Depression and the coming of big government, World War II and America's emergence as a world power. Against this background, Allen shows how the economic system was reformed without being ruined, and how social gaps began to steadily close.The concluding section, 'The New America, ' is a hopeful assessment of postwar American culture. Allen's analysis takes critical issue with many common perceptions, both foreign and domestic, of American life and places remaining social problems in careful perspective. As William O'Neill remarks in his introduction to this new edition, The Big Change is both a deep and wonderfully readable work of social commentary, a book that gains rather than loses with the year

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    We address general design principles as well as specific best practices and guidance in five conceptual areas that we define as the pillars of the Well-Architected Framework. This documentation is offered for free here as a Kindle book, or you can read it in PDF format at https://aws.amazon.com/whitepapers/.

        Growing up on a ranch in Sterling, Colorado, Frederick Libby mastered the cowboy arts of roping, punching cattle, and taming horses. As a young man he exercised his skills in the mountains and on the ranges of Arizona and New Mexico as well as the Colorado prairie. When World War I broke out, he found himself in Calgary, Alberta, and joined the Canadian army. In France, he transferred to the Royal Flying Corps as an "observer," the gunner in a two-person biplane. Libby shot down an enemy plane on his first day in battle over the Somme, which was also the first day he flew in a plane or fired a machine gun. He went on to become a pilot. He fought against the legendary German aces Oswald Boelcke and Manfred von Richthofen, and became the first American to down five enemy planes. He won the Military Cross for conspicuous gallantry in action.   Libby's memoir of his cowboy days in the last years of the Old West evokes a real-life Cormac McCarthy novel. His description of World War I combines a rattling good account of the air war over France with captivating and sometimes poignant depictions of wartime London, the sorrow for friends lost in combat, and the courage and camaraderie of the Royal Flying Corps. Told in charming, straightforward vernacular, Horses Don't Fly is an unforgettable piece of Americana.

    All this is torn apart with the arrival of the Holocaust, beginning a crucible fraught with twists and turns so unpredictable and surprising that they defy any attempt to find reason within them. From work camps to the partisans of the Nowogrudek forests, from the Mauthausen concentration camp to life as a displaced person in Italy, and from fighting the Egyptian army in a tiny Israeli kibbutz in 1948 to starting a new life in a new world in New York, this book encompasses the mythical “hero’s journey” in very real historical events. Through the eyes of 91-year-old Holocaust survivor Martin Small, we learn that these priceless memories that are too painful to remember are also too painful to forget.

     Nate Arturi isn't a knight in shining armor. He sure as hell isn't a king. And the last time someone called him heroic, it was because he fetched his neighbor's corgi off the roof. But when an ancient alien beacon awakens on Earth, sounding the call to enemies near and far, the Merlin is left with little choice. Any Knight in a Doomsday, or so the saying goes. Ambushed by a hulking alien brute and tricked into accepting a foul-mouthed sword from a homeless wizard, Nate suddenly finds his senior year at Penn State more than a little out of hand. But when an armada of butt-ugly troglodans and exotic gorgon killers starts raining from the sky, one thing becomes inescapably clear: Unless he mans up and gets that damned beacon off of his planet, everything he knows is about to be burned to a crisp. Can Nate master the Excalibur in time to stop the trogs? Buy The Eighth Excalibur to find your freakin’ destiny today!

    The book contains Churchill's letters written as a child, as a boy at Harrow, as a cadet at Sandhurst, and later as a subaltern in India.

    The first of a three-volume history of the United States of America, The Vineyard of Liberty covers the period from the framing of the Constitutions in 1787 to Lincoln's signing of the Emancipation Proclamation in 1863 & offers a brilliant interpretation of the American attempt to preserve liberty.

    Henty's previous book, "With Moore at Corunna," to which this is really a sequel. He is still at the head of the "Minho" Portuguese regiment. Being detached on independent and guerilla duty with his regiment, he renders invaluable service in gaining information and in harassing the French. His command, being constantly on the edge of the army, is engaged in frequent skirmishes and some most important battles.

    Constitution. Famously, the Constitution never mentions slavery. And yet, of its eighty-four clauses, six were directly concerned with slaves and the interests of their owners. Five other clauses had implications for slavery that were considered and debated by the delegates to the 1787 Constitutional Convention and the citizens of the states during ratification. This “peculiar institution” was not a moral blind spot for America’s otherwise enlightened framers, nor was it the expression of a mere economic interest. Slavery was as important to the making of the Constitution as the Constitution was to the survival of slavery. By tracing slavery from before the revolution, through the Constitution’s framing, and into the public debate that followed, Waldstreicher rigorously shows that slavery was not only actively discussed behind the closed and locked doors of the Constitutional Convention, but that it was also deftly woven into the Constitution itself. For one thing, slavery was central to the American economy, and since the document set the stage for a national economy, the Constitution could not avoid having implications for slavery. Even more, since the government defined sovereignty over individuals, as well as property in them, discussion of sovereignty led directly to debate over slavery’s place in the new republic. Finding meaning in silences that have long been ignored, Slavery’s Constitution is a vital and sorely needed contribution to the conversation about the origins, impact, and meaning of our nation’s founding document.

    They originated with pioneer women using up precious scraps of yarn to make blankets for their families, and over the years, many recognized, named patterns have been handed down from one generation to the next. Beyond this treasury of 75 different granny square motifs, Margaret Hubert shows the evolution of the granny square, how it can be used and interpreted in different ways with different yarns, and how today's crocheter can design her own projects using the granny squares of her choice with the yarn choices of today. Just as Margaret learned from her grandmother and mother and then passed the skill down to her daughter and granddaughter, each generation finds new uses and artistic ways to interpret granny squares.

    I see no possible way in which you can escape with us; and now, brother, you are on a steamboat where there is some chance for you to escape to a land of liberty. I beseech you not to let us hinder you. If we cannot get our liberty, we do not wish to be the means of keeping you from a land of freedom.

    The provocative sequel to At Dawn We Slept that continues Prange's masterful analysis of the attack on Pearl Harbor, delving further to examine the underlying causes and to ask whether the event that plunged America into World War II was really a surprise to President Roosevelt.