. . where nothing is as magical and terrifying as a girl.Princess Guinevere has come to Camelot to wed a stranger: the charismatic King Arthur. With magic clawing at the kingdom's borders, the great wizard Merlin conjured a solution--send in Guinevere to be Arthur's wife . . . and his protector from those who want to see the young king's idyllic city fail. The catch? Guinevere's real name--and her true identity--is a secret. She is a changeling, a girl who has given up everything to protect Camelot.To keep Arthur safe, Guinevere must navigate a court in which the old--including Arthur's own family--demand things continue as they have been, and the new--those drawn by the dream of Camelot--fight for a better way to live. And always, in the green hearts of forests and the black depths of lakes, magic lies in wait to reclaim the land.Deadly jousts, duplicitous knights, and forbidden romances are nothing compared to the greatest threat of all: the girl with the long black hair, riding on horseback through the dark woods toward Arthur. Because when your whole existence is a lie, how can you trust even yourself? *THE FIRST BOOK IN THE CAMELOT RISING TRILOGY*

    But it's never been ordinary. She has a pet tin spider named Astrophil who likes to hide in her snarled hair and give her advice. Her best friend can trap lightning inside a glass sphere. Petra also has a father in faraway Prague who is able to move metal with his mind. He has been commissioned by the prince of Bohemia to build the world's finest astronomical clock.Petra's life is forever changed when, one day, her father returns home – blind. The prince has stolen his eyes, enchanted them, and now wears them. But why? Petra doesn't know, but she knows this: she will go to Prague, sneak into Salamander Castle, and steal her father's eyes back.Joining forces with Neel, whose fingers extend into invisible ghosts that pick locks and pockets, Petra finds that many people in the castle are not what they seem, and that her father's clock has powers capable of destroying their world.

    Laura Collins, a widow, is struggling to make a good life for her daughters, Tess and Tina.They are living with Laura's sister Millie and her seven children so when Laura is offered a good job, with accommodation, she is delighted. Life is very different for the Brewsters, living on Manor Farm in Herefordshire.Danny and his girlfriend, Sophie, intend to marry one day so that they can run Manor Farm together but his cousin and best friend, Phil Ryland, feels differently.He longs to get away from farming and intends to escape as soon as he can. Then war comes and changes everything.Tina is evacuated and Tess joins the Land Army.She means to be true to her boyfriend, Mike, but he is far away.Danny and Phil join the RAF, Danny to pilot bombers and Phil as navigator.They end up on the same airfield and fall in love with the same girl...But Phil has a secret which could end his chance of happiness, and Danny is the only person who knows what that secret is ...

    At a Celtic conference, Kimberley, Kevin, Jennifer, Dave, and Paul meet wizard Loren Silvercloak. Returning with him to the magical kingdom of Fionavar to attend a festival, they soon discover that they are being drawn into the conflict between the dark and the light as Unraveller Rakoth Maugrim breaks free of his mountain prison and threatens the continued existence of Fionavar. They join mages, elves, dwarves, and the forces of the High King of Brennin to do battle with Maugrim, where Kay's imaginative powers as a world-builder come to the fore. He stunningly weaves Arthurian legends into the fluid mix of Celtic, Nordic, and Teutonic, creating a grand fantasy that sweeps readers into a heroic struggle that the author makes all the more memorable because of the tributes he pays to past masters. The trilogy is a grand homage to J.R.R. Tolkien's The Lord of the Rings, but while the echoes of Tolkien's masterwork are very real, the books offer the wonderful taste of a new fantasy writer cutting his teeth at the foot of a master. Kay has a very real connection to Tolkien--as Christopher Tolkien's assistant, Kay was invaluable in helping to wrestle Tolkien's posthumous The Silmarillion into shape for publication. Kay is undoubtedly one of the Canadian masters of high fantasy, and The Fionavar Tapestry is one of his most enduring works. Readers, however, should also check out Kay's Tigana, A Song for Arbonne, The Lions of Al-Rassan, and The Sarantine Mosaic to truly experience a master at work. --Jeffrey Canton

    When her mother dies penniless, Sarah Mortonby is shocked to discover she has inherited a wealthy estate. Advised to sell the crumbling manor house to her neighbour, Matthew Sewell, she visits and decides to keep it instead. Sewell is furious – and he is a man known for getting his own way, no matter the cost.Unable to manage the land alone, and desperately needing help, Sarah proposes to her bailiff, Will Pursley – himself recently thrown off his farm by Sewell’s thugs. Can they save the estate together? Will the oppressed villagers help them, or be cowed by Sewell’s threats? And will the fondness growing between Will and Sarah turn into love? From Anna Jacobs, the much-loved author of An Independent Woman and Marrying Miss Martha, Replenish the Earth is a charming saga sure to appeal to readers of Annie Murray, Margaret Dickinson and Ellie Dean.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    But if standing and fighting is hard, leading a company of men - or worse, a company of mercenaries - against the smart, deadly creatures of the Wild is even harder.It takes all the advantages of birth, training, and the luck of the devil to do it.The Red Knight has all three, he has youth on his side, and he's determined to turn a profit. So when he hires his company out to protect an Abbess and her nunnery, it's just another job. The abby is rich, the nuns are pretty and the monster preying on them is nothing he can't deal with.Only it's not just a job. It's going to be a war...

    Warrior. Lover.Brian Boru was stronger, braver, and wiser than all other men—the greatest king Ireland has ever known. Out of the mists of the country's most violent age, he merged to lead his people to the peak of their golden era.Set against the barbaric splendor of the tenth century, this is a story rich in truth and legend, in which friends become deadly enemies, bedrooms turn into battlefields, and dreams of glory transform into reality.

    His story was buried with him and written by his enemies. Now his entire saga is revealed in a compelling trilogy by Brook Allen.After young Marcus Antonius's father dies in disgrace, he yearns to restore his family's honor during the final days of Rome's dying Republic. Marcus is rugged, handsome, and owns abundant military talent, but upon entering manhood, he falls prey to the excesses of a violent society. His whoring, gambling, and drinking eventually reap dire consequences. Through a series of personal tragedies, Marcus must come into his own through blood, blades, and death. Once he finally earns a military commission, he faces an uphill battle to earn the respect and admiration of soldiers, proconsuls, and kings. Desperate to redeem his name and carve a legacy for himself, he refuses to let warring rebels, scheming politicians, or even an alluring young Egyptian princess stand in his way.

    It might be her family’s only salvation. But the leader of the Bolshevik army is after them, and he’s hunted Romanov before.Nastya’s only chances of saving herself and her family are to either release the spell and deal with the consequences, or enlist help from Zash, the handsome soldier who doesn’t act like the average Bolshevik. Nastya has only dabbled in magic, but it doesn’t frighten her half as much as her growing attraction to Zash. She likes him. She thinks he might even like her.That is, until she’s on one side of a firing squad . . . and he’s on the other.

    Now the elves need the weapon for their war against the trolls. Only Scafloc, a human kidnapped and raised by elves, can hope to persuade Bolverk the ice-giant to make Tyrfing whole again. But Scafloc must also confront his shadow self, Valgard, the changeling in his place among men.

    In mid seventeenth-century England, the nation was in upheaval. In the Dorset countryside, one sunlit afternoon, a young girl - illicitly bathing in a stream - first fell in love with a passing stranger. Her parents called her Dorcas, but he called her Campion and that's what she longed to be, then and forever. She had one gift left for her by her unknown father - a pendant made of gold, banded by tiny glowing stones and at its base was a seal engraved with an axe and the words: St Matthew. So when she flees before the unbearable, worthy suitor who is forced upon her after her forbidden meeting, she takes this and the delicate lace gloves with her, and hopes to find her father, and her lover. There are four of these intricately wrought seals - each owned by a stranger, each holding a secret within. And when all four seals are united, then the holder will have access to great wealth and power. That is Campion's inheritance. But to claim this and find again her summer love, she must follow the course her father's legacy charts for her.

    Though they live by the skin of their teeth they have their health (at least when they can find enough food and avoid the Imperial Labor Gatherers) and each other. When a new exile with no memory of his escape from the coastal cities or even his own name seeks shelter in their camp he brings new dangers with him and secrets about the terrible future that awaits all those who have struggled has to live free of the bonds of the empire’s Machineworks.The Inventor’s Secret is the first book of a YA steampunk series set in an alternate nineteenth-century North America where the Revolutionary War never took place and the British Empire has expanded into a global juggernaut propelled by marvelous and horrible machinery.

    His trading empire faces pirates, violent storms, and illness as it forges new paths across the Pacific Ocean, opening new markets in Hawaii, Mexico, and China. It is there he meets the beautiful Lady Yee, the Silver Lotus, prized daughter of a wealthy Cantonese merchant family. A great love is born, and their adventures will shape their lives—their love will transcend borders, oceans, cultures, and their marriage will eventually serve as a foundation for the growth and development of the Northern California coast.Steeped in the rich culture of the Orient and set against the burgeoning trading routes of the Pacific Rim, The Silver Lotus presents Steinbeck’s most moving and textured narrative to date. Readers of both Lisa See and Patrick O’Brien will be drawn to this rich historical tapestry that examines how industry, adventure, and love served as the building blocks of the thriving California waterfront.

    Martin, Steven Erikson, and David Gemmell. By a critically acclaimed and highly praised author. The start of a brand new epic series. Retelling of the classic Greek history from Xenophon. Supported by targeted marketing, including ARCs, advertising in the genre press and online support.On the world of Kuf, the Macht are a mystery, a seldom-seen people of extraordinary ferocity and discipline whose prowess on the battlefield is the stuff of legend. For centuries they have remained within the remote fastnesses of the Harukush Mountains. In the world beyond, the teeming races and peoples of Kuf have been united within the bounds of the Asurian Empire, which rules the known world, and is invincible. The Great King of Asuria can call up whole nations to the battlefield.His word is law.But now the Great King's brother means to take the throne by force, and in order to do so he has sought out the legend. He hires ten thousand mercenary warriors of the Macht, and leads them into the heart of the Empire.