His colleagues resist her argument that human reason is overrated and that the inability to reason does not diminish the value of life; his wife denounces his mother's vegetarianism as a form of moral superiority.At the dinner that follows her first lecture, the guests confront Costello with a range of sympathetic and skeptical reactions to issues of animal rights, touching on broad philosophical, anthropological, and religious perspectives. Painfully for her son, Elizabeth Costello seems offensive and flaky, but—dare he admit it?—strangely on target.Here the internationally renowned writer J. M. Coetzee uses fiction to present a powerfully moving discussion of animal rights in all their complexity. He draws us into Elizabeth Costello's own sense of mortality, her compassion for animals, and her alienation from humans, even from her own family. In his fable, presented as a Tanner Lecture sponsored by the University Center for Human Values at Princeton University, Coetzee immerses us in a drama reflecting the real-life situation at hand: a writer delivering a lecture on an emotionally charged issue at a prestigious university. Literature, philosophy, performance, and deep human conviction—Coetzee brings all these elements into play.As in the story of Elizabeth Costello, the Tanner Lecture is followed by responses treating the reader to a variety of perspectives, delivered by leading thinkers in different fields. Coetzee's text is accompanied by an introduction by political philosopher Amy Gutmann and responsive essays by religion scholar Wendy Doniger, primatologist Barbara Smuts, literary theorist Marjorie Garber, and moral philosopher Peter Singer, author of Animal Liberation. Together the lecture-fable and the essays explore the palpable social consequences of uncompromising moral conflict and confrontation.

    This brief edition of the most widely adopted book of its kind offers all of the editorial features of the longer book with about half the stories and writer commentaries in a shorter, less expensive format.

     Duddy -- the third generation of a Jewish immigrant family in Montreal -- is combative, amoral, scheming, a liar, and totally hilarious. From his street days tormenting teachers at the Jewish academy to his time hustling four jobs at once in a grand plan to "be somebody," Duddy learns about living -- and the lesson is an outrageous roller-coaster ride through the human comedy. As Richler turns his blistering commentary on love, money, and politics, The Apprenticeship Of Duddy Kravitz becomes a lesson for us all...in laughter and in life.

    This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”—Jose Antonio Vargas, from Dear America

    Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Anzaldua is a rebellious and willful talent who recognizes that life on the border, "life in the shadows," is vital territory for both literature and civilization. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues.

    Here, Sister John of the Cross lives in the service of God. She is the only nun who experiences visions and is regarded by the others as a spiritual master. But Sister John's is also plagued by powerful headaches and when a doctor reveals that they may be dangerous, she faces a devastating choice. Is this grace merely an illness and will a 'cure' mean the end of her illuminations and a soul dry and searching?

    This is the story of "one small human being's struggle for survival", the author's two-and-one-half pound premature baby boy.While the specifics belong to Moraga and her loved ones -- her large close-knit biological clan; her long-term partner; the child's father -- the tale is told in common with every woman who has experienced the wonder and terror of pregnancy, the trauma of a child's near-death. What is uncommon is that the mother is a lesbian, a writer, a Chicana -- all in the same breath of her storytelling."Lesbians don't make babies with our lovers", she writes. "Our blood doesn't mix". What does mix in Waiting In The Wings are blood and queer relations, Mexican Catholicism and Indian ceremony, butch and femme, life and death -- creating the carne y huesos not only of a baby, but of a family. Familia the author holds to in the grip of labor, sister in one hand, lover in the other. Family whose history she sees written in the dried parchment that is a dying uncle's skin."I am trying to write about the impossible. The ordinary beginning and ending of a life", Cherrie Moraga tells us. So ordinary, in fact, that perhaps Waiting In The Wings is not that "queer" after all.

    Setting off with their pet mongoose, Otto and Xavier arrive at their sleepy local train station, but quickly deduce that The Lucky Day is no ordinary locomotive. Their trip on this former tea-smuggling train has been curated beyond their wildest imaginations, complete with mysterious and welcoming touches, like ingredients for their favorite breakfast. They seem to be the only people onboard, until Otto discovers a secretive woman who issues a surprising message. As further clues and questions pile up, and the trip upends everything they thought they knew, Otto and Xavier begin to see connections to their own pasts, connections that now bind them together.A spellbinding tale from a star author, Peaces is about what it means to be seen by another person--whether it's your lover or a stranger on a train--and what happens when things you thought were firmly in the past turn out to be right beside you.

    In another hemisphere civilization rushes headlong into a brutal conflict. Life there is lived from moment to moment.Inevitably, the two young men - sanctuary owner and employee - are drawn to the war, and into the mud and horror of the trenches of Armentieres. Alone on the beach, their friend Imogen, the middle-aged wildlife photographer, must acknowledge for all three of them that the past cannot be held.

    The story begins with the auction of his mistress, here called Currer, and their two daughters, Clotel and Althesa. The Virginian who buys Clotel falls in love with her, gets her pregnant, seems to promise marriage—then sells her. Escaping from the slave dealer, Clotel returns to Virginia disguised as a white man in order to rescue her daughter, Mary, a slave in her father’s house. A fast-paced and harrowing tale of slavery and freedom, of the hypocrisies of a nation founded on democratic principles, Clotel is more than a sensationalist novel. It is a founding text of the African American novelistic tradition, a brilliantly composed and richly detailed exploration of human relations in a new world in which race is a cultural construct.

    I think movies are the way I do that,” says Sophie Stark, a visionary and unapologetic filmmaker. She uses stories from the lives of those around her—her obsession, her girlfriend, and her husband—to create movies that bring her critical recognition and acclaim. But as her career explodes, Sophie’s unwavering dedication to her art leads to the shattering betrayal of the people she loves most.Told in a chorus of voices belonging to those who knew her best, The Life and Death of Sophie Stark is an intimate portrait of an elusive woman whose monumental talent and relentless pursuit of truth reveal the cost of producing great art, both for the artist and for the people around her.

    At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.

    Copperfield at a party. Two serious ladies who want to live outside of themselves, they go in search of salvation: Mrs. Copperfield visits Panama with her husband, where she finds solace among the women who live and work in its brothels; while Miss Goering becomes involved with various men. At the end the two women meet again, each changed by her experience. Mysterious, profound, anarchic and very funny, 'Two Serious Ladies' is a daring, original work that defies analysis.

    Society's retribution for her act of defiance - death - she welcomes as the only way she can finally be free.

    The king has died and Elesin, his chief horseman, is expected by law and custom to commit suicide and accompany his ruler to heaven. The stage is set for a dramatic climax when Pilkings learns of the ritual and decides to intervene and Elesin's son arrives home.