Lovecraft has inspired writers of supernatural fiction, artists, musicians, filmmakers, and gamers. His themes of cosmic indifference, the utter insignificance of humankind, minds invaded by the alien, and the horrors of history—written with a pervasive atmosphere of unexplainable dread—remain not only viable motifs, but are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal and climatic change is overwhelming it. In the early twenty-first century the best supernatural writers no longer imitate Lovecraft, but they are profoundly influenced by the genre and the mythos he created. New Cthulhu: The Recent Weird presents some of the best of this new Lovecraftian fiction—bizarre, subtle, atmospheric, metaphysical, psychological, filled with strange creatures and stranger characters—eldritch, unsettling, evocative, and darkly appealing.

    Henry originated the humorous, energetic tale that ends with an ironic, even shocking twist. In "After Twenty Years," for example, two boys agree to meet at a particular spot exactly twenty years later. Both are faithful, but in the intervening years one boy has turned into a criminal, the other into a policeman. Behind the rendezvous lurks a powerful dramatic situation with a fascinating moral dilemma--all in a few brief pages. This is just one of the many literary gems in Selected Stories of O. Henry, a collection of forty-five of O. Henry's most renowned and entertaining short stories. Each one offers insights into human nature and the ways it is affected by love, jealousy, poverty, gentility, and the all-pervading reality of people conning people--themes that ran through the author's own life. Born William Sidney Porter, O. Henry started writing while in prison for embezzlement. Later he moved to New York, and his tales romanticizing the commonplace, particularly the life of ordinary New Yorkers, became highly popular. The most widely read author of his time, O. Henry died penniless but left behind a wealth of short stories that endure as hallmarks of the genre.

    UNDENIABLY SEXY.New York Times bestselling authors Sherrilyn Kenyon, Dianna Love and Cindy Gerard and rising romance star Laura Griffin mix seduction and suspense in three irresistible romantic adventures.From sultry international jungles to the rugged terrain of the American southwest, join the larger-than-life, scorching-hot alpha heroes of the Bureau of American Defense, Black Ops Inc., and the U.S. Navy SEALs for the pulse-pounding, heart-racing, toe-curling excitement. They’re cool under pressure, steamy under the sheets, and when the enemy strikes, there’s not a lethal mission these gorgeous men can’t handle...Just Bad Enoughby Sherrilyn Kenyon and Dianna LoveLeave No Traceby Cindy GerardUnstoppableby Laura Griffin

    Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.Including:• Three stories by Raymond Chandler, Cornell Woolrich, Erle Stanley Gardner, and Dashiell Hammett.• Complete novels from Carroll John Daly, the man who invented the hard-boiled detective, and Fredrick Nebel, one of the masters of the form.• A never before published Dashiell Hammett story.• Every other major pulp writer of the time, including Paul Cain, Steve Fisher, James M. Cain, Horace McCoy, and many, many more of whom you’ve probably never heard.• Three deadly sections–The Crimefighters, The Villains, and Dames–with three unstoppable introductions by Harlan Coben, Harlan Ellison, and Laura LippmanFeaturing:• Plenty of reasons for murder, all of them good.• A kid so smart–he’ll die of it.• A soft-hearted loan shark’s legman learning–the hard way–never to buy a strange blonde a hamburger.• The uncanny “Moon Man” and his mad-money victims.

    For 50 years Alfred Hitchcock's Mystery Magazine has offered its readers a wide range of the finest crime and detective stories available and stands today as one of the foremost magazines of mystery and suspense. In anticipation of AHMM's golden anniversary, Ms. Landrigan invited readers to nominate their favorite stories, and this collection is packed with popular authors and well-known characters, including Lawrence Block's Matt Scudder, Bill Pronzini's Nameless Detective, and Sara Paretsky's V. I. Warshawski. Linda Landrigan is editor-in-chief of Alfred Hitchcock's Mystery Magazine, She lives in New York.

    He's discovered what's left of the Preston Group, a convoy of settlers that vanished in the winter of 1856. It's clear that something horrific happened here all those years ago, but Cooke can only find a few tantalising clues. 1856: as early snows descend, the eclectic group of settlers that form the Preston wagon train are forced to dig in. Miles from any kind of civilisation, they see the group of Native Americans also trapped nearby as their greatest threat. But they soon realise what true danger is. When a woman is found murdered, appallingly mutilated, one of the Indian party struggles wounded back to camp, whispering of unspeakable evil as he dies. United by fear, the settlers and the Indians must protect themselves against whatever is lurking in the woods. But as suspicion and panic grow, perhaps their own terror will be just as dangerous. Or maybe, whatever's out there is worse than anything they can imagine. Back in the present day, as Cooke unravels the mystery, he must question if the horror he is uncovering was in fact only the start of something much worse... A gruesome thriller of suspense and a chilling look at the breeding grounds of evil, Alex Scarrow's new novel will fascainte and terrify you in equal measure.

    Like Faulkner's Mississippi and Cormac McCarthy's American West, Gay's Tennessee is redolent of broken souls. Mining that same fertile soil, his debut collection, I Hate to See That Evening Sun Go Down, brings together thirteen stories charting the pathos of interior lives. Among the colorful people readers meet are: old man Meecham, who escapes from his nursing home only to find his son has rented their homestead to "white trash"; Quincy Nell Qualls, who not only falls in love with the town lothario but, pregnant, faces an inescapable end when he abandons her; Finis and Doneita Beasley, whose forty-year marriage is broken up by a dead dog; and Bobby Pettijohn -- awakened in the night by a search party after a body is discovered in his back woods. William Gay expertly sets these conflicted characters against lush backcountry scenery and defies our moral logic as we grow to love them for the weight of their human errors.

    Although fellow novelists William Dean Howells and Hamlin Garland immediately recognized genius in the twenty-one-year-old author of Maggie: A Girl of the Streets, in 1893 most readers were unwilling to accept its unconventional theme and were uneasy with a style that was at once darkly naturalistic and vividly impressionistic. Today Maggie is esteemed as an American classic, the first of an impressive group of works in which Crane explored the underside of urban life, portraying the rise of the metropolis as it alters not just the human environment but human nature itself. This volume includes "George's Mother" and eleven other tales and sketches of New York written between 1892 and 1896. Together in their dignified realism these tales confirm Crane's place as the first modern American writer.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    He was having a normal day until his friend Benjy turned up in a car Gravy didn't recognise. Benjy had a bullet hole in his chest, but lived just long enough to ask Gravy to hide him and look after his gun.