The story covers Maggie Clarke's upbringing in the tenements close to the docks, the River Mersey and the Leeds and Liverpool Canal: an area notorious for having the worst slums in Britain, yet the closest community as well.At the tender age of 11, Maggie Clarke finds herself the matriarch of the family when her Irish mother runs off with another man. Leaving school at 14 to work at a local factory putting sticks into lollies, she is determined to make a better life for herself and her family - before starting her own family with her childhood sweetheart, who she marries at 19 after 'falling in the family way'. She has one night of married life with her husband before he is sent to India with the Navy and is devastated when she never hears from him again, presuming him a casualty of the war that is raging at home and abroad. Another tragedy strikes when Maggie's brother Tommy is also claimed by the war, leaving her father inconsolable, but Maggie knows life has to go on and falls in love with Joseph, an Irish settler who she has 8 children with. But her happiness is short-lived as her first husband suddenly appears out of the blue demanding a divorce, and her new husband drinks away what little money they have, returning in fits of rage that leave Maggie and her children hungry and afraid. Many times she is only able to feed her brood by the kindness of neighbours putting a 'pan of scouse' on the range for her, or feeding her kids jam butties to help out. Maggie's story sweeps across the changing face of Liverpool, from its squalid dock streets, the tenement blocks and cobbled roads to the decline of the docklands, new council housing, the rise of the Mersey beat, the Beatles and the energy and passion of a city that is home to a cast of colourful characters with the resilience to withstand the heartbreak and hardships that only the poorest can know.

    New arcanists. The rise of the Second Ascension.Volke Savan has proven himself time and time again, but now the others of the Frith Guild want their opportunity. Illia wants to recover a lost runestone, Master Zelfree hopes to learn the magics of the Mother of Shapeshifters, and Adelgis surprises himself with the new depths of his dreamweaving abilities.But while the Frith Guild prepares for the coming war, the Second Ascension has grand plans for the world. When two more god-creatures are born, dastardly arcanists try their hands at braving the godly lairs. With the Dread Pirate Calisto as a ferry, men like Theasin Venrover will have to outsmart puzzles and traps that put the world serpent’s to shame.Witness stories from the viewpoints of friend and foe alike, all while the world races to find and bond with the remaining god-creatures.

    Desperate for human connection, they listen through walls and engage in such obsessions as collecting hairs left behind by lovers. These 24 passionately and intricately rendered stories secure Lutz's place at the forefront of the contemporary fiction of disaffection.

    Fifty-five acclaimed and emerging writers—including Emma Bolden, Ron Carlson, Kelly Cherry, Stuart Dybek, Blake Kimzey, Roland Leach, Bobbie Ann Mason, Diane Williams, and Hiromi Kawakami—have made the debut of The Best Small Fictions 2015 something significant, something worthwhile, and something necessary. Featuring spotlights on Pleiades journal and Michael Martone, this international volume—with Pulitzer Prize–winning author Robert Olen Butler serving as guest editor and award-winning editor Tara L. Masih as series editor—is a celebration of the diversity and quality captured in fiction forms fewer than 1,000 words. ................................................."Whatever one calls them—flash fictions, microfictions, short shorts—the number of outlets where such pieces are published continue to grow along with the interest of readers and writers in the form. The time is right for a Best of the Year anthology."—Stuart Dybek, author of The Coast of Chicago and Ecstatic Cahoots"These small fictions are small only in length, not in impact. Their minuteness provides a different lens upon life—one that illuminates the telling yet elusive moments that bigger stories often overlook. A different slant on the truth emerges not in spite of their length, but because of it. Short shorts often seem like the quiet stepchild in the fiction family—overshadowed by vociferous novels, not quite dressed in the right attire as conventional short stories. A series celebrating these tiny gems is long overdue."—Grant Faulkner, cofounder of 100 Word Story, author of Fissures"The loud and long message of the seemingly quiet and the definitely short is in ample supply in The Best Small Fictions 2015. From a mother’s fury over misspelled words in Dee Cohen’s ‘By Heart’, to a father’s disintegration in David Mellerick Lynch’s ‘Lunar Deep’, there is pathos, depth, and welcome language-fireworks in these small gems. Chekhov would be proud of how briefly these writers manage to speak on lengthy subjects."—Nuala Ní Chonchúir, author of Miss Emily"The Best Small Fictions 2015 is essential reading for anyone who enjoys not just small fiction, but fiction in general. Don't miss it!"—Robert Swartwood, editor of Hint Fiction:An Anthology of Stories in 25 Words or Fewer

    Each short story cultivates a whimsical sense of imagination and reveals a mature, darker voice than previously experienced from this legendary author. In one tale the Angel of Death enjoys newfound celebrity while moonlighting as an anchorman on the network news, while in another the shortsighted ruler of a gentle realm betrays himself in dreaming of a "manageable war." Further storylines include an American librarian who discovers that, much to his surprise and sadness, he is the last living Frenchman, and rivals in a supernatural battle who decide to forgo pistols at dawn, choosing instead to duel with dramatic recitations of terrible poetry. Featuring several previously unpublished stories alongside a bevy of recently released works, this haunting compilation is appealing to both genre readers and mainstream literature lovers.Includes "By Moonlight," Locus Award-winner for Best Novelette.

    She begins visiting a fictional place called "Goose Island". She struggles to balance her real life and her daydreams. She finds many strange and unusual people on the island, but soon finds out there's more to this place than meets the eye. This book is entertaining but it also has a deeper underlying meaning. It is about freedom. Whether we make our own prisons or are imprisoned by others, this book will cause you to reflect upon your own freedoms and decisions. It hopefully teaches us to never take these things for granted.

    Enlivened at unexpected moments by sexual exploration, mysticism, and flashes of wit alternately dry and hilarious, her prose is spare and honed, her stories filled with subtly sly characterizations of men and, mostly, women, dissatisfied not so much with the downward spiral of their fortunes as with the hollowness of their neat little lives. Whether focused on the separate emergences of Miss Goering and Mrs. Copperfield from their affluent, airless lives in New York and Panama into a less defined but intense sexual and social maelstrom in the novella Two Serious Ladies, or on the doomed efforts of the neighbors Mr. Drake and Mrs. Perry to form a connection out of their very different loneliness in "Plain Pleasures," or on the bittersweet cultural collision of an American wife and a peasant woman in Morocco in "Everything Is Nice," Jane Bowles creates whole worlds out of the unexpressed longings of individuals, adrift in their own lives, whether residing in their childhood homes or in faraway lands that are somehow both stranger and more familiar than what they left behind.

    Introduction by Lester del Rey.Contents:The Tunnel under the World (1955)Punch (1961)Three Portraits and a Prayer (1962)Day Million (1966)Happy Birthday, Dear Jesus (1956)We Never Mention Aunt Nora (1958)Father of the Stars (1964)The Day the Martians Came (1967)The Midas Plague (1954)The Snowmen (1959)How to Count on Your Fingers (1956) essayGrandy Devil (1955)Speed Trap (1967)The Richest Man in Levittown (1959)The Day the Icicle Works Closed (1960)The Hated (1958)The Martian in the Attic (1960)The Census Takers (1956)The Children of Night (1964)

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.

    Edited by the award-winning Robert Stone, the 1992 volume gathers 20 of the year's richest stories from magazines large and small. Includes such outstanding authors as Joyce Carol Oates, Alice Munro, and Reynolds Price among others.

    For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

    Bitter Fruit presents the best collection of Manto's writings, from his short stories, plays and sketches, to portraits of cinema artists, a few pieces on himself, and his letters to Uncle Sam which have references to communism, Russia, politics after the Partition and his own financial condition. The concluding section of the book has acknowledgements and reminiscences from Saadat's friends and relatives. Bitter Fruit includes stories like A Wet Afternoon, The Return, A Believer's Version, Toba Tek Singh, Colder Than Ice, The Assignment, Odour, By The Roadside, Bribing the Almighty, The Kingdom's End, The Woman in the Red Raincoat, The Room with the Bright Light, The Great Divide, The Angel, Siraj, An Old Fashioned Man, The Price of Freedom, It Happened in 1919, The Girl from Delhi, A Man of God, Free for All, and A Tale of 1947. There is a collection of sketches too. Manto used to write radio plays and this book has one of the dramas he penned, called In This Vortex. His short stories bring out the most delicate nuances of human nature.

    Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    After an unspeakable tragedy, its doors close. Decades later, a tabloid TV host investigates the vacant lodge with his production crew in search of supernatural evidence. Their show ends in disaster. In the years that follow, family man Greg Barrett purchases the property with dreams of running his own business. But his presence awakens a dormant curse and unleashes a terror from beyond.The Haunting of the Silver Creek LodgeIn a small town rests an old lodge with a big secret.Maxine Finch and Simon York, a recently married couple with little money, use their limited honeymoon funds to buy a foreclosed inn in the tiny snowy town of Silver Ridge, Colorado. But when strange things start happening in the middle of the night, Maxine and Simon wonder if their investment is a dangerous mistake.The Haunting of the Briar RoseJules is recovering from a recent failure when her mysterious uncle makes her an offer she can’t refuse: restore his bed and breakfast the Briar Rose.When Jules inherits the Briar Rose bed and breakfast from her strange and mysterious uncle, she thinks it will be the opportunity of a lifetime for her and her husband, Paul. But Jules and Paul soon discover that the Briar Rose holds many secrets: one of them about the murders that took place a year prior, when two of the guests never checked out.