Returning to the women and men of small New England towns for the accompanying collection of short fiction, this remarkable volume weaves a colorful and moving tapestry of the grand complexities, joys, and beauties of life.

    John Hawkes, in his search for a means to transcend outworn modes of fictional realism, has discovered a highly original technique for objectifying the perennial degradation of mankind within a context of fantasy… Nowhere has the nightmare of human terror and the deracinated sensibility been more concisely analyzed than in The Cannibal. Yet one is aware throughout that such analysis proceeds only in terms of a resolutely committed humanism.”— Hayden Carruth on John Hawkes's The Cannibal

    He wants you to feel something too."—The Huffington PostI walked up to the side of the mountain like I used to do when I was a little boy. I looked out over Rainelle and watched it shine. The coal trucks and the logging trucks were still gunning it through town. They were still clear cutting the mountains and cutting the coal from the ground. Then I heard my mother calling and it was like I was a child again.Beginning to read Hill William is like tuning into a blues station at 4:00 a.m. while driving down the highway. Scott McClanahan's work soars with a brisk and lively plainsong, offering a boisterous peek into a place often passed over in fiction: West Virginia, where coal and heartbreak reign supreme. Hill William testifies to the way place creates and sometimes stifles one's ability to hope. It reads like a Homeric hymn to adventure, to the human comedy's upsets and small downfalls, and revels in its whispers of victory. So grab coffee, beer—whatever gets you through the night—and join Scott around the hearth. Lend him your ear, but be warned: you might not want it back.Scott McClanahan's work has appeared in New York Tyrant, Bomb, Vice, and Harper Perennial's Fifty-Two Stories. His books include Stories II and Stories V! In 2013 Two Dollar Radio will release his book Crapalachia.

    Now he bangs out honky-tonk for drunks in a dive in Philadelphia. But then two people walk into Eddie's life--the first promising Eddie a future, the other dragging him back into a treacherous past.Shoot the Piano Player is a bittersweet and nerve-racking exploration of different kinds of loyalty: the kind a man owes his family, no matter how bad that family is; the kind a man owes a woman; and, ultimately, the loyalty he owes himself. The result is a moody thriller that, like the best hard-boiled fiction, carries a moral depth charge.

    Burroughs revealed his genius. In The Soft Machine he begins an adventure that will take us even further into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.

    A year after 9/11, a pair of red glasses and other things lost on that horrific day haunt a World Trade Center worker who suffers from severe survivor's guilt.

    John Darnielle hears [Black Sabbath's Master of Reality] through the ears of Roger Painter, a young adult locked in a southern California adolescent psychiatric center in 1985; deprived of his Walkman and hungry for comfort, he explains Black Sabbath as one might describe air to a fish, or love to an android, hoping to convince his captors to give him back his tapes.

    Through pithy and poetic chapter-moments - "spring landscape: detail," "death of grandmother," "first beau," "low yellow," "everybody will be surprised" - Maud Martha grows up, gets married, and gives birth to a daughter. Maud Martha, a gentle woman with "scraps of baffled hate in her, hate with no eyes, no smile..." who knows "while people did live they would be grand, would be glorious and brave, would have nimble hearts that would beat and beat," is portrayed with exquisitely imaginative and tender detail by Gwendolyn Brooks, the first African-American to win a Pulitzer Prize

    It had cracked 100 the day before, and the old weatherman on channel four, the guy who Joyce had said was the most accurate but heard was a pervert, had said today would be hotter by a few degrees."The summer heat in Tucson makes some people dry up and some people boil over. In the dusty, gated desert community of Rancho Sin Vacas (Ranch Without Cattle), a handful of residents are finding that neighborhood life is becoming increasingly bizarre among the crumbling swimming pools, overwatered lawns, and disaffected children.Sixteen-year-old Kendra obsessively hones her body into a perfectly muscled machine, even as she struggles to master a mounting violent streak. Thomas, her increasingly misanthropic brother, rarely leaves the house, all the while cultivating a disturbing little obsession of his own under the front porch. Down the street, Merv is stuck in a rut, thirty years old and still living at home. Lonely and looking for a way out, he's reaching his breaking point over his insomniac mother, whose oddly compulsive behavior with household appliances threatens to wreak havoc on his life.When a strung-out, magic marker sniffing teenager disappears from the neighborhood and rumors of murder surface, these malcontents find themselves in an unlikely alliance that will alter the course of one long, sun-baked summerand perhaps their lives.Funny and disturbing, Modern Ranch Living probes the emptiness of modern American culture, the strange things people do to satisfy their twin hungers for pleasure and oblivion, and the unexpected small acts of kindness they can sometimes perform to ease one another's pain. This delicately deadpan comedy makes brilliantly clear why Mark Jude Poirier was named "the young American writer to watch" by the Times Literary Supplement.

    Yet when terrorist attack her entourage, a perilous pollitican plot is revealed. Al Qaeda henchman Aboud is hunting the statue to fulfill an ancient prophecy that would grant the extremists ultimate power over Islam. The CIA has gone undercover in Zeugma to prevent this coup. The safety of the free now hinges on the cooperation of Americans and Turks. With the help of native guide Asena. Dulcey navigates the power struggles and cultural clashes that arise as the dig progresses. But as tensions mount outside and inside the excavation camp, she struggles to distinguish friends from enemies. In a pulse-pounding race to secure the goddess, Dulcey learns the value of honor, family, and heritage as she risk her life to preserve her most precious treasures.

    Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941 "Let Us Now Praise Famous Men" was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century.