Grandmamma did, too, back when she could still think straight. Hell, everybody in the poverty and crime-ridden Oak knew to stay away from it.But when a drug deal goes bad, and Mike is left penniless and desperate, he and his younger brother, James, do the unthinkable. In the dead of night, they sneak onto the unkempt property in search of rumored treasures. Beneath the thick shadow cast by the deserted home, they find what they are looking for.But brothers get greedy. Enticed by the promise of enough riches to get them out of the doomed neighborhood, the pair enters the house.And soon discover that the truth can be much worse than legend.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Smart, spunky, and energetic, she bears her situation with a good will and exercises her considerable talents for the good of those she loves. Before long, a Mr. Jefferson comes to board and Georgiana invites her cousin—rich, town-bred cousin Jeannette—to visit. Companioned by her childhood friend Jimps and fast-moving suitor Miles Channing, Georgiana won't be bored for long! Written in 1916.

    a hideous, flesh-eating creature - part snake, part earthbound demon - that feasted on the blood of innocent children in the cold black heart of the Tennessee backwoods. But ten-year-old Jeb Sweeny knows the horrible stories are true. His best friend Mandy just up and disappeared. He also knows that no one has ever had the courage to go after the monster and put an end to its raging, bestial hunger. Until now. But Evil is well guarded. And for young Jeb Sweeny, who is about to cross over into the forbidden land of Fear County and the lair of the unknown, passage through the gates of Hell comes with a terrible price. Everlasting...FEAR!

    After weeks in the hospital, Layla recovers physically, but the emotional and mental scarring has altered the woman Leeds fell in love with. In order to put their relationship back on track, Leeds whisks Layla away to the bed-and-breakfast where they first met. Once they arrive, Layla’s behavior takes a bizarre turn. And that’s just one of many inexplicable occurrences.Feeling distant from Layla, Leeds soon finds solace in Willow—another guest of the B&B with whom he forms a connection through their shared concerns. As his curiosity for Willow grows, his decision to help her find answers puts him in direct conflict with Layla’s well-being. Leeds soon realizes he has to make a choice because he can’t help both of them. But if he makes the wrong choice, it could be detrimental for all of them.

    He's asked by a neighboring little girl, P.C., to come to Wolffe Hall because something terrible is threatening her and her mother. She's come to Grayson because she's confused him with his fictional hero, Thomas Straithmore, who overcomes all obstacles and always triumphs over otherworldly evil. Thus, to her mind, Thomas is the only one to save them. She describes the house shaking with terrifying tremors and a huge black hole she calls the Abyss appearing in the entrance hall. She also knows the menace involves her great grandfather, known as The Great. He's obsessed with collecting and returning the famous Waterloo medals to the soldiers of the great battle of 1815, but he refuses to tell anyone why he's doing it. Grayson is soon embroiled in a mystery involving a wrongful death on the battlefield at Waterloo and a paranormal force that threatens the very lives of those living in Wolffe Hall.

    But between the social teas and silk dress fittings, she leads a forbidden secret life.Against her stern father's wishes and society's expectations, Audrey often slips away to her uncle's laboratory to study the gruesome practice of forensic medicine. When her work on a string of savagely killed corpses drags Audrey into the investigation of a serial murderer, her search for answers brings her close to her own sheltered world.The story's shocking twists and turns, augmented with real, sinister period photos, will make this dazzling, #1 New York Times bestselling debut from author Kerri Maniscalco impossible to forget.

    666 takes the reader into the world of evil that lies unsuspected behind the door of an ordinary-looking house: a house that reappears from time to time near any city, waiting invitingly, innocently, for someone to rent it, a house in which a dreadful, bloody, orgiastic crime recurs again and again, bringing its victims screaming to the very brink of hell—and into the hands of the devil himself.

    The Enchanted Masked Ball, the biggest event of the year.

    What she doesn’t know is that another woman, Lucinda Lacey, a sideshow midget who died on the property in 1924, still inhabits it. And Lucinda has no intention of giving up her home to the new owner. Switching between the carnivals, circuses, and freak shows of the early twentieth century, and the boom-and-bust of today's Florida, Lucinda's life story unfolds as Marisa searches for answers about the strange presence in her new home. The diminutive Lucinda might not be as benign as she first seems. Did Lucinda murder her lover on the day she died? And, if so, is Marisa in danger? THE MIDGET’S HOUSE was inspired by the author's own house in Sarasota, Florida, that, if local legend is to be believed, was built for the little people of the Ringling Bros. Circus, and is haunted to this day by at least one of them.

    One, there's never been an actual authenticated haunted house. Two, it's not the house that's haunted, but the person.Callie is a young architectural student who marries Mateo, a wine importer, and moves to a grand old house in Southern Spain. Hyperion House is flooded with light, it also has a mute gardener, a sinister housekeeper and a sealed, dark servants' quarters that nobody has the keys for. And although initially happy, and taking care of Mateo's daughter, Callie can't help being drawn to the dark empty rooms at the back of the house, and becomes convinced that someone is living in there.Uncovering the house's history, she discovers the shocking truth. As Callie's fear of the darkness returns, she comes to understand the true nature of evil.

    Lust, betrayal and murder have blighted family fortunes for generations, together with an ancient curse. As members of the family confide their sins and their secrets, Jenny learns why Cauldstane’s uncertain future divides father and sons. But someone resents Jenny’s presence. Someone thinks she’s getting too close to Alec MacNab – swordsmith, widower and heir to Cauldstane. Someone will stop at nothing until Jenny has been driven away. Or driven mad. “Hell hath no fury like a woman scorned.” Especially a dead woman.

    But when the rain came, the creatures left the shadows...WORMSSpectres from the past tortured James Hildebrand's mind. His blackest nightmares were crowded with malevolent, coiling images of decay. Then, suddenly, he knew the threat was real.WORMSThe dead alone could not quench their hunger. And, for the living, the horrors that fed and multiplied in the darkness of the night became more terrible with the dawn...

    But the Arnaud Manor is neglected and unwelcoming, and I get the feeling it isn’t exactly uninhabited. Something wants to hurt us—especially my litter sister, Tabby.Okay, so I might be a little sensitive lately. My parents act oblivious to me, my old life is far away in San Francisco, and the gorgeous guy I just met tells me terrible stories about the infamous Madame Arnaud who lived here long ago, and about missing children and vengeful spirits. The kind of stories that are impossible to believe—until you’re living in one of them, fighting to protect everyone you love…

    As with all matters in the hands of Dame Muriel her spooks are entirely original. A ghost in her pantheon can be plaintive or a bit vengeful, or perhaps may not even be aware of being a ghost at all. One in fact is the ghost of a man who isn't even dead yet. Another takes the bus home from work, believing she is still alive, though she is haunted by an odious tune stuck in her head (which her murderer had been relentlessly humming), and distressed by a "feeling of incompletion." And a reflective ghost recalls her mortal days of enjoying "the glory of the world, as if it would never pass. Spark has a flair for confiding ghosts: "I must explain that I departed this life nearly five years ago. But I did not altogether depart this world. There were those odd things still to be done which one's executors can never do properly." In her case the odd things include cheerily hailing her murderer, "Hallo George!" and driving him mad. The remarkably nonchalant stories here include some of her most wicked and famous"The Seraph and the Zambesi," "The Hanging Judge," and "The Portobello Road"and they all gleam with that special Spark sheen, the quality The Times Literary Supplement has hailed as "gloriously witty and polished."