Ashley and Ollie said they had evidence that Clark Stone Company was violating the Mining Act of 1971 up on Belview Mountain, one of the most remote and wildest places in the eastern United States. They wanted Jay, a non-practicing attorney, to sue the company to put a stop to their mining operation. He jumped at the challenge.     Upon meeting Ashley and Ollie, Leutze knew he was embarking on a course that would change his life. Fourteen-year-old Ashley assured him she had accumulated a stack of evidence “as big as that mountain,” detailing the mine owner’s misdeeds. Leutze quickly became convinced that this was a case he could win. He formed a plaintiff group and sued the state of North Carolina for violations of its own mining laws. He and Ashley’s family were eventually joined by several national conservation groups seeking to save Belview Mountain and protect the Appalachian Trail in one of its most scenic and fragile stretches.     This is a great underdog David vs. Goliath story with lots of good guys you love, and bad guys you love to hate. Not only did the case against the Clark Stone Company set groundbreaking legal precedent, the good guys won a complete victory. How they did it is a as compelling a story as the best literary fiction.

    . . I have wondered sometimes if it would not finally turn out to be a book about Hell." It is 1932 and he has returned to his native Port William to become the town's barber.Orphaned at age ten, Jayber Crow's acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty.He began his search as a "pre-ministerial student" at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with "Old Grit," his profound professor of New Testament Greek."You have been given questions to which you cannot be given answers. You will have to live them out--perhaps a little at a time.""And how long is that going to take?""I don't know. As long as you live, perhaps.""That could be a long time.""I will tell you a further mystery," he said. "It may take longer."Wendell Berry's clear-sighted depiction of humanity's gifts--love and loss, joy and despair--is seen though his intimate knowledge of the Port William Membership.

    Now Pamela Duncan returns to the rich landscape of the human heart with a lush, resonant novel about mothers and daughters, about family and friendship, about a woman at a turning point in her life and the extraordinary world she discovers in a place called home…It’s Christmastime in Russell, North Carolina. For Laurel Granger, the holiday can’t pass quickly enough. With her fifteen-year marriage ending, the visit to her hometown is bound to be even more painful than usual. And the worst part will be looking at the lives of her mother, Pansy, and Pansy’s gossipy group of friends, for whom life revolves around the plant, the aging textile mill where for decades they have found companionship, a modest livelihood, and a purpose.But with her own marriage disintegrating—the full scope of the disaster hasn’t become clear to her yet—Laurel has nowhere else to turn except Russell, and to the women of the plant. And soon what Laurel begins to see is not the stifling town she couldn’t wait to leave, nor women whose lives seem petty and plain, but a place where powerful secrets have been kept...where hearts and lives have been broken...and where a group of extraordinary women may have a thing or two to teach her about life. Most of all, as Laurel starts to live and even love a little again, she is faced with her mother, and her mother before her, and what their complex relationship has meant for Laurel all these years.Weaving together the voices of several remarkable women across generations, Pamela Duncan tells a story of faith and forgiveness, acts of love and acts of betrayal. With the same artful brushstrokes that made Moon Women a wonder, Duncan paints a masterful portrait of seemingly ordinary lives, and of what it means to grow a life and a future—in the rich soil of the past.

    Hungering to make a new kind of life for herself, she marries John Bayley, a man twice widowed, and begins a family amid a difficult and fiery union. Set in the fictional hamlet of Faith, North Carolina, Salt weaves together the lives of Anna's family and friends in a remarkably moving novel of exultation and despair, of grief and ghosts.

    A former resident of St. Louis, where he founded the Observable Poetry reading series, he now lives in Hillsborough, North Carolina.

    The commentary will contain background on the poems or more deeply delve into themes or topics discussed in the poems themselves. The spiritual seeker as well as the mature in faith will both benefit from the poems.

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.

    Even before the Great Depression struck, Jeeter Lester and his family were desperately poor sharecroppers. But when hard times begin to affect the families that once helped support them, the Lesters slip completely into the abyss. Rather than hold on to each other for support, Jeeter, his wife Ada, and their twelve children are overcome by the fractured and violent society around them. Banned and burned when first released in 1932, Tobacco Road is a brutal examination of poverty’s dehumanizing influence by one of America’s great masters of political fiction.

    As their friendship evolves, Dean begins to break free from her traditional role as the preacher's wife, shocking some of the more staid members of the congregation. Just as Dean is questioning everything she has always valued, a tragedy occurs, providing the catalyst for change in ways she never could have imagined --- and providing a climatic conclusion that resonate with emotional power.

    Set in Pyke County, Mississippi, Eden is a raw, heartbreaking, and enlightening novel that marks the emergence of a stunning and original talent. Narrated by fourteen-year-old Maddy Dangerfield, Eden opens in the moments after Maddy has impulsively drawn a naked woman on the pages of Genesis in bright red lipstick during Sunday service. The community is scandalized, and her devout, long-suffering mother’s response to her transgression is to force her to spend weekends nursing her dying Aunt Pip, an outcast who lives on the edge of town.From then on, Maddy must negotiate her two worlds: at the house where she lives with her hard-working, Bible-reading mother, Faye, and her father, Chevrolet—a one-armed drunk, gambler and womanizer—she is both a reluctant participant in and astute observer of the strange and confounding dynamics of her sometimes violent, sometimes tender family. (Years before, Maddy’s grandmother—her mother’s mother—chopped of Chevrolet’s arm and fed it to the pigs after he and Pip were found together in the back room as Faye entertained friends from the church—and ever since, he has been am emasculated, desperate man—drinking and gambling his wife’s money away, leaving her to clean up his mess time and again.) And then out on Commitment Road, she is caretaker to her Aunt Pip, whose only friend is her eccentric neighbor, Fat. Maddy’s time with Pip and Fat opens her eyes to the exhilaration of speaking your own mind, living your life on your own terms and without apology, and also to the cost extracted by both. She learns that there are strengths that belong to women alone, and also that there is a kind of ravaging vulnerability that is terrifying and inescapable, and uniquely female.The world Maddy inherits is one of injustice and hypocrisy, one that requires black people work for the whites for little to no pay; that sent her Uncle Sugar to jail for raping a white woman—no questions asked—when Maddy was just a baby; that preaches Christian love and forgiveness even as its actions reflect the very opposite. But Maddy soon learns that there is something that can work to oppose those truths, and that is knowledge; having the will and the ability to look beneath the surface, to question what others take as a given. By the end of the novel, newly acquainted with mortality and her own fierce strength, Maddy comes to bear both the burden and the blessing of that knowledge.In lush, vivid brushstrokes, Olympia Vernon conjures a world that is both intoxicating and cruel, and illuminates the bittersweet transformation of the young girl who must bear the burden and blessing of its secrets too soon. Eden is a haunting, memorable novel propelled by the poetry and power of a voice that is complex, lyrical, and utterly true.

    There he encounters conflict with the overseer, Sidney Bonbon, and a tale of revenge, lust and power plays out between Marcus, Bonbon, Bonbon's mistress Pauline, and Bonbon's wife Louise.

    Cornelia is rich, white, and pampered, the mistress of the house, who oversees a seemingly perfect world of smooth surfaces and stubborn silence. Tweet, her housekeeper, is a poor, black, world-weary woman with a ghost-ridden past. As the years go by, Cornelia and Tweet each endure moments of uncertainty and despair; each, in her time of need, is rescued by the other.In the footsteps of Southern writers like Peter Taylor, Eudora Welty, and Flannery O'Connor, Ellen Douglas celebrates the resiliency of the human spirit in this story of two women bound by transgression and guilt, memory and illusion, gratitude and love."Ellen Douglas is not just one of our best Southern novelists. She is one of our best American novelists." - The New York Times Book Review

    Love in a Dry Season describes an erotic and economic triangle, in which two wealthy and fantastically unhappy Mississippi families—the Barcrofts and the Carrutherses—are joined by an open-faced fortune hunter from the North, a man whose ruthlessness is matched only by his inability to understand the people he tries to exploit and his fatal incomprehension of the passions he so casually ignites. Combining a flawless sense of place with a Faulknerian command of the grotesque, Foote's novel turns a small cotton town into a sexual battleground as fatal as Vicksburg or Shiloh—and one where strategy is no match for instinct and tradition.

    "An oblique conversation with Degas reigns throughout this collection of oddly heartbreaking pieces. Against the backdrop of his paintings and sketches, we find ourselves in an intimate world, coherent but uncanny, where private memory becomes inseparable from the culture we hold in common, and all of it just barely cracked open, riven by interstices through which we glimpse the vivid but unsayable. White has given us a truly exceptional first collection, deeply musical and intricately haunting" Cole Swensen."

    A small-town druggist dying of leukemia calls himself and his community to account in this tale of change and changelessness, of death and the death-in-life that is hate. It is a tale, as McCullers herself wrote, of "response and responsibility--of man toward his own livingness."