A Curtain of Green both introduced and established Eudora Welty as in instinctive genius of short fiction, and in this groundbreaking collection, which includes "Powerhouse" and "Keela, the Outcast Indian Maiden," are the first great works of a great American writer.

    Kenyon's fourth collection is built around two perfectly orchestrated poem sequences. In the first, the speaker contrasts memories of her baby carriage with other images from her childhood, such as her parents' toiling away at low-paying jobs. She also recalls the present-day life of her aging, increasingly dependent mother. Melancholia, the subject of the second sequence and several poems surrounding it, has been played to death in modern poetry, but still Kenyon offers new insights and gives even the most depressing poems an uplifting lilt in their final lines. In her hands a list of the latest medications becomes fit material for poetry: "The coated ones smell sweet or have / no smell; the powdery ones smell / like the chemistry lab at school / that made me hold my breath." She writes, in addition to illness, of sleep, insomnia and death. She interacts with the insects, birds and flowers in her New Hampshire landscape, relying on their fragility to teach her of her own. Kenyon describes afterlife, or "the Other Side," with the same precise, hard-edged imagery that fills her other poems." from Publisher's Weekly

    As Mason and Lavada set forth to recover themselves, they remain entrenched in the rural and rugged landscape that bore them and their haunted histories. This moving story tells of the families we’re borne into, the families we make for ourselves, and how tightly woven are the ties that bind.“Charles Dodd White’s writing is dark, gothic and steeped in a voice that is all his own. A Shelter of Others confronts what it means to be human.” Frank Bill, author of Donnybrook“It would be easy to draw comparisons to Harry Crews, Ron Rash, or James Salter, but to do so would overlook a voice uniquely his own. Charles Dodd White whittles language down to its most beautiful form. His prose has been pared to poetry. Simple as that.” David Joy, author of Where All Light Tends To Go

    Written in the author's wry and masterful voice, these evocative stories are infused with all the peculiar customs, ironies and humor so special to the South.The twelve stories in this collection include "Red Clay," which won an Edgar Allen Poe Award, in which a local girl from Thermopylae becomes a movie star who moves back to her sleepy North Carolina home town and is tried for murdering her unfaithful husband. Her trial causes the town and one man in particular to look back with longing and nostalgia at this exquisite Southern belle who captivated-and sometimes manipulated-every man she met."Fast Love," the recipient of an O. Henry Award, is the story of a man who chases down his future wife after seeing her jog past. As he gets closer to his quarry, he also gains the courage to stand up for what he wants and to champion what he believes.In "Blue Cadillac," Marie, blonde and beautiful, shares dinner and her love of Elvis with a high-tech sales rep on his way home to Memphis. Along the way and on the road, they have exquisite sex and decide to part, Marie in her blue Cadillac. As he rings the bell at his mother's house, the young man discovers that he has been robbed of his wallet and his whole life on cards.Self-contained masterpieces, each of these short stories has the impact and power of a full-length novel.Stella : red clay --Marie : blue Cadillac --Precious : winners and losers --Charmain : white trash noir --Lucy : maniac loose --Flonnie : the rising of the South and Flonnie Rogers --Patty : love and other crimes --Meredith : fast love --Angie : the power --Mona : Miss mona's bank --Betty : a deer on the lawn --Mattie : invitation to the ball

    Muir is an innocent, a shy young man with big dreams. Moody, the older and wilder brother-embittered by the death of his father, by years of fighting his mother, and by his jealousy of Muir's place in the family-takes to moonshine and gambling and turns his anger on his brother. Muir escapes by wandering, making his way around the country in attempts to find something-an occupation, a calling-to match his ambition.Through it all, their mother, Ginny, tries to steer her boys right, all the while remembering her own losses: her husband (whose touch still haunts her), her youth, and the fiery sense of God that once ordered her world.When Muir, in a drunken vision, decides that his purpose in life is to clear a space on a hill and build a stone church with his own hands, the consequences of his plan are far-reaching and irrevocable: a community threatens to tear itself apart, men die, and his family is forever changed. All that's left in the aftermath are the ghosts and the memories of a new man.

    The novel is told in a kaleidoscope of seamlessly woven voices and centers around an incendiary romance that consumes everyone in its path: Myra Lamb, a wild young girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain; her grandmother Byrdie Lamb, who protects Myra fiercely and passes down “the touch” that bewitches people and animals alike; the neighbor boy who longs for Myra yet is destined never to have her; the twin children Myra is forced to abandon but who never forget their mother’s deep love; and John Odom, the man who tries to tame Myra and meets with shocking, violent disaster. Against the backdrop of a beautiful but often unforgiving country, these lives come together—only to be torn apart—as a dark, riveting mystery unfolds. With grace and unflinching verisimilitude, Amy Greene brings her native Appalachia—and the faith and fury of its people—to rich and vivid life. Here is a spellbinding tour de force that announces a dazzlingly fresh, natural-born storyteller in our midst.

    For Hobe Hicklin, an ex-con with nothing to lose, it was just another score. For Hobe's drug-addled, sex-crazed girlfriend, it was just more lust, violence, and drugs. But in this gripping narrative, nothing is as it seems.Hicklin's first mistake was double-crossing his partners in the Aryan Brotherhood. His second mistake was taking a hostage. But he and Charlie can only hide out for so long in the mountains of north Georgia before the sins of Hicklin's past catch up to them.Hot on Hicklin's trail are a pair of ruthless Brotherhood soldiers, ready to burn a path of murder and mayhem to get their revenge. GBI Special Agent Sallie Crews and Sheriff Tommy Lang catch the case, themselves no strangers to the evil men are capable of. Soon Crews is making some dangerous connections while for the hard-drinking, despondent Lang, rescuing Charlie Colquitt might be the key to personal salvation.Prodigious talent Peter Farris has written a backwoods fairy tale of fate and flight that is also a dark, modern thriller. Like the bastard child of Stephen Hunter's Dirty White Boys and Cormac McCarthy's No Country for Old Men, Last Call for the Living is a smashing debut from a writer whose unique and disturbing vision of the world cannot be ignored.

    Although Kathleen Norris’s best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet.  Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

    For I saw Fionnuala,"The Gem of the Roe," "The Flower of Sweet Strabane,"when a girl reached down into a freezer binto bring up my double scoop of vanilla.-"White Shoulders"Seamus Heaney has called his colleague Paul Muldoon "one of the era's true originals." While Muldoon's previous book, The Annals of Chile, was poetry at an extreme of wordplay and formal complexity, Hay is made up of shorter, clearer lyric poems, retaining all of Muldoon's characteristic combination of wit and profundity but appealing to the reader in new and delightful ways. His eighth book, it is also his most inviting-full of joy in language, fascination with popular culture, and enthusiasm for the writing of poetry itself. This is the first of his books to really capture the effect of America on his poetic sensibility, which is like a magnet for impressions and the miscellany of the culture.

    He could not read, but he asked his wife, Ava, to read him the paper every day so he would not be ignorant. He was a man who took giant steps in rundown boots, a true hero whom history would otherwise have beem overlooked.In the decade of the Great Depression, Charlie moved his family twenty-one times, keeping seven children one step ahead of the poverty and starvation that threatened them from every side. He worked at the steel mill when the steel was rolling, or for a side of bacon or a bushel of peaches when it wasn’t. He paid the doctor who delivered his fourth daughter, Margaret -- Bragg’s mother -- with a jar of whiskey. He understood the finer points of the law as it applied to poor people and drinking men; he was a banjo player and a buck dancer who worked off fines when life got a little sideways, and he sang when he was drunk, where other men fought or cussed. He had a talent for living.His children revered him. When he died, cars lined the blacktop for more than a mile.Rick Bragg has built a soaring monument to the grandfather he never knew -- a father who stood by his family in hard times and left a backwoods legend behind -- in a book that blazes with his love for his family, and for a particular stretch of dirt road along the Alabama-Georgia border. A powerfully intimate piece of American history as it was experienced by the working people of the Deep South, a glorious record of a life of character, tenacity and indomitable joy and an unforgettable tribute to a vanishing culture, Ava’s Man is Rick Bragg at his stunning best.

    Jacob Thacker is on probation for Xanax abuse. His interim career—working university public relations—takes an unnerving detour into the past when the bones of African American slaves are unearthed on campus.In a parallel narrative set in the nineteenth century, Nemo (“no man”), a university slave purchased for his unusual knife skills, becomes an unacknowledged member of the surgical faculty by day—and by night, a “resurrectionist,” responsible for procuring bodies for medical study. An unforgettable character, by turns apparently insouciant, tormented, and brilliant, Nemo will seize his self-respect in ways no reader can anticipate.With exceptional storytelling pacing and skill, Matthew Guinn weaves together past and present to relate a Southern Gothic tale of shocking crimes and exquisite revenge.

    . . incredibly rich characterizations and a profound sense of place.”  — CosmopolitanIn her magnificent classic Outer Banks, acclaimed New York Times bestselling author Anne Rivers Siddons brilliantly recalls a lost time of hope and dreams—of comradeship, love, secrets, and betrayal—and creates characters brimming with life who will live in the heart forever.In the uncertain ‘60s, four young women came together as sorority sisters on a Southern campus: elegant Kate; sensitive, sensible Cecie; sexy, vibrant and richer-than-sin Ginger; and poor, hopeless, brilliant Fig. At Nag’s Head, North Carolina, over the course of two idyllic spring breaks, their bonds of friendship were strengthened into something rare and powerfully binding. Now, thirty years later, they are returning to the isolated strip of barrier islands, hoping to recapture what has been lost—the love, the enthusiasm, the passion—and to finally understand what pulled them apart and cast them adrift.

    The Outernationale locates us "just off the grid," in an emotional and spiritual frontier, where reverie, outrage, history, and vision merge. Thinking and feeling become one in the urgent music of Gizzi's poems. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom. This is both a poetry of conscience and the embodiment of a genuinely poetic consciousness. Objects, images, and their histories are caught here in their half-life, their profoundly human after-life. Gizzi has written a brilliant follow-up to Some Values of Landscape and Weather, a book hailed by Robert Creeley as "a breakthrough book in every way: for reader, for writer, and for the art."

    and Beatrice, first introduced in The Babies. Unbeknownst to them they have come into being under the laws of Tsim Tsum, a Kabbalistic claim that a being cannot become, or come into existence, unless the creator of that being departs from that being. Along their journey they encounter many beguiling characters including The Healer, The Collector, Walter B.'s Extraordinary Cousin, and the Oldest Animal. These figures bewilder and dislodge what is at the heart of the immigrant experience: survival, testimony, and belonging.

    By birth a native of Georgia and a Roman Catholic, O'Connor depicts, in all its comic and horrendous incongruity, the limits of worldly wisdom and the mysteries of divine grace in the "Christ-haunted" Protestant South. This Library of America collection, the most comprehensive ever published, contains all of her novels and short-story collections, as well as nine other stories, eight of her most important essays, and a selection of 259 witty, spirited, and revealing letters, twenty-one published here for the first time.Her fiction brilliantly explores the human obsession with seemingly banal things. It might be a new hat or clean hogs or, for Hazel Motes, hero of Wise Blood (1952), an automobile. "Nobody with a good car needs to be justified," Hazel assures himself while using its hood for a pulpit to preach his "Church Without Christ." As in O'Connor's subsequent work, the characters in this novel are driven to violence, even murder, and their strong vernacular endows them with the discomforting reality of next-door neighbors. "In order to recognize a freak," she remarks in one of her essays, "you have to have a conception of the whole man."In the title story of her first, dazzling collection of stories, A Good Man Is Hard to Find (1955), the old grandmother discovers the comic irrelevance of good manners when she and her family meet up with the sinister Misfit, who claims there is "no pleasure but meanness." The terror of urban dislocation in "The Artificial Nigger," the bizarre baptism in "The River," or one-legged Hulga Hopewell's encounter with a Bible salesman in "Good Country People"--these startling events give readers the uneasy sense of mysteries about to be revealed.Her second novel, The Violent Bear It Away (1960), casts the shadow of the Old Testament across a landscape of backwoods shacks, modern towns, and empty highways. Caught between the prophetic fury of his great-uncle and the unrelenting rationalism of his uncle, fourteen-year-old Francis Tarwater undergoes a terrifying trial of faith when he is commanded to baptize his idiot cousin.The nine stories in Everything That Rises Must Converge (1965) show O'Connor's powers at their height. The title story is a terrifying, heart-rending drama of familial and racial misunderstanding. "Revelation" and "The Enduring Chill" probe further into conflicts between parental figures and recalcitrant offspring, where as much tension is generated from quiet conversation as from the physical violence of gangsters and fanatics.