The tale of a passionate, independent woman and her three suitors, it explores Hardy's trademark themes: thwarted love, the inevitability of fate, and the encroachment of industrial society on rural life.

    Dick. First published in Fantasy and Science Fiction magazine in October 1969. In 2010 Marvel Comics adapted "The Electric Ant" as a limited series. The comic books were produced by writer David Mack (Daredevil) and French artist Pascal Alixe (Ultimate X-Men), with covers provided by artist Paul Pope (THB).

    Do you love a good laugh? Enjoy clean rural humor from a farmer's daughter! What happens when a farmer who’s been wishing for a boy ends up with a girlie-girl?Come along on the humorous and sometimes agonizing adventures from a childhood spent on a farm in the Eastern Oregon desert where one family raised hay, wheat, cattle, and a farm girl.

    Jonas Speller still has a lot to learn when he meets college student Victoria Schone, whose troubled relationship with her parents has her teetering on the verge of suicide. As Jonas struggles to make sense of his feelings for Victoria, he helps her become her own person and stand up to her overpowering mother, while she challenges the budding doctor to become more emotionally forthcoming and involved with her. Years later, a crisis in Victoria’s life reunites doctor and patient, forcing them to confront poignant truths about themselves, their families, and their powerful feelings for each other. Intensive Therapy: A Novel takes readers deep inside the hearts and minds of analyst and patient as they grapple with the limits of doctor-patient propriety. The novel, Deitz’s first, has garnered widespread praise both within the therapy community and the literary world.

    That's Bye-na, not Beena. I don't know who Beena is but I expect she's having a happy life. I don't know who you are, or the state of your life. But if you've come all this way here to listen to me, your life will undoubtedly get worse. I'm here to warn you ..."

    J. Robinson comes a family saga amidst the backdrop of the Civil War and a deadly hurricane, rising floodwaters in the Big Easy, or Crescent City, as a plantation on River Road in Vacherie, Louisiana, is threatened. Will Hurricane Katrina destroy what the Civil War spared? Margaret Jane Turnrow first laid eyes on River Oaks Plantation amid lush foliage and oak trees dripping with Spanish moss when she returned from her honeymoon as a petite hazel-eyed fifteen-year-old bride to the antebellum mansion. She immediately fell in love with the house and grounds and beautifying the garden with plants. Her first task involved lining the oak drive with azaleas. Determined to have the best plantation gardens, she soon recreated formal ones designed from precious memories of France, Italy, and England she'd toured on her honeymoon. Before the Civil War, she imported plants, and gardening became her passion. During the war, it was her only one. The fertile Louisiana soil loved and nursed her plants as much as she did, and they grew like the cotton and sugarcane. Pale as a magnolia blossom, she sparkled like the sun reflecting off Lake Pontchartrain when she flashed pearly white teeth with her camellia red smile, but small white hands tucked demurely into the folds of her gown as she sat quietly during elegant dinners, concealed her true vivacious spirit. The war would change the shy woman-child as it ravaged through her life and took its toll on the home and family life she came to know and love with all of her heart. Before the Civil War, dashing Danny Paul Turnrow stood six-foot-two-inches, as tall and elegant as the white-columned plantation home he'd purchased on the banks of the Mississippi River. He led a charmed life as a charismatic cotton baron known as one of the richest men on River Road. River Oaks boasted over thirty-five-hundred acres of fertile Louisiana soil, mostly planted in cotton with the exception of some sugarcane along the Mississippi River banks and his wife's gardens. He returned from the war a different man, as broken as the pillared splendor of the South. Surrounded by cypress swamps and sugarcane fields on the river's end and white blankets of cotton edging the dirt roads, River Oaks Plantation still stood, but the grand life he'd led turned to one of backbreaking toil. He no longer stood so tall and proud with an aching back hunched over Louisiana cotton fields. With the future uncertain, fear lurks in his heart and soul and clouds his mind. What will sustain his marriage through the loss? Can they defend what's most precious to them and maintain River Oaks as a working plantation? The manor home is the only legacy he has left and the only life he has ever known. Will he lose it? Years later, Amaryllis Camilla O'Brien is stranded alone with two dogs on the top floor of an antebellum plantation in Vacherie, Louisiana, as a deadly hurricane rips and roars through the city and raging floodwaters threaten to devour the old home. She discovers a yellowed diary. Will family secrets drown in the flood with her? Will the diary matter? She's determined to save it and the dogs, or die trying. Has her grandmother left her a sinking ship? Noah Gautreaux, the plantation manager, took vehicles to higher ground and is supposed to return, but will he make it in time to save Amaryllis and his pet girls? The old house withstood the floods of 1973, 1983, and 1993. He doesn't think he has to worry about it floating off down the Mississippi River, but as excessive rain and wind continue to batter the area and the water continues to rise when the levee breaches, he realizes there's a first time for everything and this could be it for the white-columned beauty of ages past.

    The protagonist, Miles Plastic, is an orphan who at the beginning of the story is finishing a prison term for arson. Crime is treated very leniently by the state, and conditions in prison are actually quite superior to those among the population at large, leading to an understandably high recidivism rate. Upon release, Plastic goes to work at a state-run euthanasia center. The centers are not restricted to the terminally ill and are so popular that Plastic's sole responsibility is to stem "the too eager rush" of perfectly healthy but "welfare weary" citizens..."

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    Full of wry humour, Kavanagh's unsentimental and evocative account of his Irish rural upbringing describes a patriarchal society surviving on the edge of poverty, sustained by the land and an insatiable love of gossip. There are tales of schoolboy skirmishes, blackberrying and night-time salmon-poaching; of country-weddings and fairs, of political banditry and religious pilgrimages; and of farm-work in the fields and kicking mares.

    Winston K. Marks (1915-1979) is one such unjustly forgotten author.Included here are 12 science fiction stories, published between 1953 and 1959, representing some of his best work:THE WATER EATER (1953)UNBEGOTTEN CHILD (1953)…SO THEY BAKED A CAKE (1954)BACKLASH (1954)TABBY (1954)BREEDER REACTION (1954)FORSYTE'S RETREAT (1954)MATE IN TWO MOVES (1954)THE TEST COLONY (1954)BROWN JOHN’S BODY (1955)THE MIND DIGGER (1958)THE DEADLY DAUGHTERS (1958)If you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the more than 100 other entries in the series, covering science fiction, modern authors, mysteries, westerns, classics, adventure stories, and much, much more!

    new books, philosophy books, Jean-Paul Sartre, existentialism

    Hopefully you’ll enjoy a few laughs along the way.(1)Scribe’s Notes:1. Mulogo’s Treatise on Wizardry is a largely farcical text making light of wizardly conventions within the larger fantasy, gaming, and roleplaying traditions, assorted related communities and offshoots, memes, and various cultural derivatives. (2)2. If you do not like satire, or laughing, this book is not for you. (3)3. Perhaps a more exciting tome like Navel Lint, Its Permutations and Harvesting would be more to your liking. (4)4. Mulogo does not condone laughing.

    The scene opens with several small vessels drifting about on the ocean. There had been a fire, followed by an explosion aboard a vessel carrying slaves. Most of the crew were pretty nasty people, but there were two pairs of people who become the heroes of this story. One of these is Ben Brace and a sixteen year old boy seaman, whom he had rescued from being eaten by the thirty or so crew members who had found enough spars, timber, sails, ropes and barrels to construct a large raft, though rather badly made, because these men were consoling themselves with a rum-barrel. At a distance floated the ship's gig, with the captain, the mate, the carpenter and three other men. Finally, there is a construction, hardly more than a large barrel, containing Snowball, an African ship's cook of the Coromantee tribe, together with a little girl of eight or ten. Luckily these get together with Ben Brace and the boy William, and it is their adventures that the story is mainly about. The author is a natural historian, and he tells us lots of interesting things about the fish and other denizens of the deep. Naturally the whole thing comes right in the end, with the wicked perishing, and the good being picked up by a whale-ship.

    Adapted by Marty Ross, whose previous audio dramas include Romeo and Jude, Doctor Who, Treasure Island and Arabian Nights: Volume 1, listeners can expect to hear Sinbad the Sailor as they've never done before. In volume 2 of Arabian Nights we return to Sultan Shahriyar’s palace, where Scheherezade is using her spellbinding storytelling abilities to save both her and her sister’s lives. As much as the Sultan wants to kill her, each night he is drawn in by her tales and spares them. Scheherezade weaves a long, winding and exciting tale about Sinbad the Sailor, a reckless young man who has inherited his father’s wealth and spends it foolishly. His debts eventually force him to leave Baghdad and find his way alone. However, his journey quickly takes a turn when he is led to sea by a mysterious woman dressed in blue, which begins his long and dramatic adventures at sea.Starring Abraham Popoola, Adam Sina, Akin Gazi, Alyssa Kyria, Anoushka Rava, Aso Sherabayani, Bamshad Abedi-Amin, Daniel Naddafy, David Ahmad, Firdous Bamji, Gisele Payvandi, Hakan Silahsiz Hemi Yeroham, Ian Abeysekera Jonathan Morrison, Josh Zare Karim Kronfli, Mandana Jones Nezar Alderazi, Raghad Chaar Richard Reed, Sammy Broly, Tara Jaffar and Walles Hamonde.[Please note this drama contains some explicit content.]

    She has two daughters, yet a husband who demands a son. When she gives birth to another girl, Yalda, the impact on her marriage is immediate. In 1970s Iran, living within a culture where marital rights and gender roles are maintained with tradition and fervor, Rana is pushed to make the hardest decision of her life, and begins to set in motion a chain of events that will ripple through the next generation. A family saga, The Moon Daughter explores the universal dynamics of mothers and daughters, husbands and wives, and the struggles that define us.Advance Praise for The Moon Daughter: "Ghahremani s ability to tell the stories that have not yet been told about Iran enriches the landscape of American fiction and evokes the power of an emerging Iranian-American voice." Persis Karim, Director of Iranian Studies, San Jose State UniversityAt once tragic and triumphant, this spellbinding drama is riveting through the final page." Marjorie Hart, author of Summer at TiffanyReaders of Ghahremani s work are promised another novel that combines lyrical prose, exotic setting, and compelling story." Judy Reeves, author of A Writer s Book Of DaysZohreh Ghahremani writes in both her native language Persian and English. Her debut novel, Sky of Red Poppies, was selected by KPBS and the San Diego Public Library as the citywide reading selection for One Book, One San Diego in 2012. She lives in San Diego with her husband. Visit her online at www.zoeghahremani.com