He has enshrined in them every kind of experience from the pangs of hunger and sex to the rapture of mystic vision. Its range includes stark realistic pictures of the material world as well as the realm of fantasy haunted by ghosts and spirits. Basheer has written on love and hate, on politicians and pickpockets, on the fancies of childhood and on the disillusionments of adult life with an intense sense of the tragedy of life and at the same time an irrepressible sense of humour.

    It takes a horrific incident like 26/11 to make each of them realize the shortcomings of the parties they swear by and to look at the larger picture.

    Time to stop doing silly things and start living happily ever after, right? Well, then maybe someone should tell Kasturi that.This irrepressibly irreverent and not-quite-beaming bride-to-be fumbles through a messy engagement and in a moment of indecision, steps across a line that she should never have been near. To make things worse, her best friends are now nauseatingly mushy star-crossed lovers, her future mother-in-law thinks the kitchen-phobic Kasturi is a fabulous cook, her colleague Padma hates her for no reason, her boss wants medical intervention for her imaginary deafness and her mother has become a cyber-celebrity. This was not the way things were meant to go.Smart, hilarious and utterly unpredictable, I do! do I? will have you at the edge of your seat-unless youve already fallen off it laughing.

    

    From romantic escapes in the beaches of Goa to witnessing the beautiful Manali sky lit up with fireworks on a Diwali night, Rishi and Mishika’s lives were like an exciting roller-coaster ride every moment that they were together. But when Mishika disappears on the morning of their engagement without leaving so much as a wisp of a trace behind, Rishi finds himself alone and adrift in a dark sea of doubts and fears. Was this one of those pranks that Mishika loved to pull on him to test his love for her? Or had something happened to her? Join Rishi as he tries to look for answers in an unforgiving world where holding on to even the slightest bit of hope is a daily struggle. Will he ever find Mishika? Was she even alive? What unbelievable things would his love for her make him do? From the bestselling author of the stupid somebody comes yet another gripping story that will make you laugh, cry, and reaffirm your faith in the strength of love.About the AuthorRohit Dawesar is an author from Indore, whose debut novel, The Stupid Somebody, became a national bestseller soon after its release in 2017. Popular for his Nanotales, short stories and poems that he posts on his social media accounts and on his website, Rohit started writing when he realised that the story he had in his mind was a unique tale that needed to be told. Now a full-time writer who creates magic with his words, he also owned a coaching institute for engineering and MBA students at one point in time, was a director at Entrepreneurs Consulting Pvt. Ltd., and is also the co-founder and director of a fast-food restaurant brand named The Urban Gumti. He is a book lover and a movie and television series fanatic who will hardly say no to a cup of coffee any time.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    Her work combines the spiritual desperation of Dickinson with the rhetorical virtuosity of Wallace Stevens. The result is a poetry at once ornate and intense; linguistically marvelous, yes, but also as visceral as anything you are likely to encounter."—Tony Hoagland"In poems striking for their vivid, playful, and original use of the imagination, [Mary Ruefle] brings us an often unnerving, but always fresh and exhilarating view of our common experience of the world."—Charles SimicSelected Poems brings together the finest work from Mary Ruefle's distinguished and inimitable poetic career, showcasing the arc of her development as one of the most expert, surprising, and hilarious practitioners of the art. Anyone who wishes for poetry to be both richly challenging and thoroughly entertaining need look no further than this monolithic retrospective by a contemporary master.Mary Ruefle, winner of the 2011 William Carlos Williams Award for Selected Poems, has published ten books of poetry, a book of prose (The Most of It, Wave Books, 2008), and a comic book; she is also an erasure artist whose treatments of nineteenth-century texts have been exhibited in museums and galleries, and published in A Little White Shadow (Wave Books, 2006). Mary is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont, and teaches in the MFA program at Vermont College.

    They were, after all, born as conjoined twins. But a horrific revelation drives a wedge between the siblings, plunging Chandan into a cycle of guilt and blame from which he cannot escape. One of Mahesh Dattani's most popular works, Tara was also one of the first Indian plays in English to highlight the dangers of gender discrimination, and the insidious ways in which it operates in our society.

    he is later found in a vegetative state at a railway station, where an old rag-picker takes him to his home where Mumukshu gradually recovers.Eventually, the old man dies leaving Mumukshu alone once again. slowly Mumukshu realizes that the old man was much wiser than what he appeared to be. he soon starts teaching the slum children from where he is eventually invited to serve in well known NGO.With his focus and dedication, Mumukshu becomes a well - known personality, yet he still feels a void inside him. One day almost 25 years post fateful incident of his wife's demise, Mumukshu meets tara, a young reporter, who constantly reminds him of his late wife. As the bond between the two grows, Mumukshu must find out the truth behind the same and decode the mysteries of life as he stands at the crossroads once again.About the Author:Niles is a writer, a poet a philanthropist but most importantly a seeker. His first book " Ladakh: Chronicles from the land of lamas " which was published in 2009. "Beyond The Night. Before the Dawn" is an attempt from him to share his experiences and learnings through the aid of a comprehensible fictional narrative of love story stretching beyond life.

    More than forty years passed before Devi read Bengal Nights, the novel Eliade had fashioned out of their encounter, only to find small details and phrases, even her given name, bringing back episodes and feelings she had spent decades trying to forget. It Does Not Die is Devi's response. In part a counter to Eliade's fantasies, the book is also a moving account of a first love fraught with cultural tensions, of false starts and lasting regrets.Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home. Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide. "In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune

    Table of Contents: List of Works by Collection and TitleList of Works in Alphabetical OrderRobert Frost BiographyA Boy's Will :: North of Boston :: Mountain Interval :: Miscellaneous PoemsA Boy's Will (1913)Into My OwnGhost HouseMy November GuestLove and a QuestionA Late WalkStarsStorm FearWind and Window FlowerTo the Thawing WindA Prayer in SpringFlower-gatheringRose PogoniaAsking for RosesWaiting--Afield at DuskIn a ValeA Dream PangIn NeglectThe Vantage PointMowingGoing for WaterRevelationThe Trial by ExistenceIn Equal SacrificeThe Tuft of FlowersSpoils of the DeadPan with UsThe Demiurge's LaughNow Close the WindowsA Line-storm SongOctoberMy ButterflyReluctanceNorth of Boston (1914)The Pasture Mending WallThe Death of the Hired ManThe MountainA Hundred CollarsHome BurialThe Black CottageBlueberriesA Servant to ServantsAfter Apple-pickingThe CodeThe Generations of MenThe HousekeeperThe FearThe Self-seekerThe Wood-pileGood HoursMountain Interval (1916; revised 1920)The Road Not Taken Christmas Trees An Old Man's Winter Night The Exposed Nest A Patch of Old Snow In the Home Stretch The Telephone Meeting and Passing Hyla Brook The Oven Bird Bond and Free Birches Pea BrushPutting in the Seed A Time to Talk The Cow in Apple Time An Encounter Range-finding The Hill Wife The Bonfire A Girl's Garden Locked Out The Last Word of a Bluebird "Out, Out—" Brown's Descent, or the Willy-nilly Slide The Gum-gatherer The Line-gang The Vanishing Red Snow The Sound of the Trees Miscellaneous Poems to 1920 "The Ax-Helve" "Fire and Ice" "The Flower Boat" "For Once, Then, Something" "Fragmentary Blue""Good-by and Keep Cold" "The Lockless Door""The Need of Being Versed in Country Things" "Not to Keep""Place for a Third" "Plowmen""The Runaway""To E.T.""The Valley's Singing Day""Wild Grapes"

    (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of "Arranged Marriage." In "Leaving Yuba City," Chitra Banerjee Divakaruni proves once again her remarkable literary talents.

    A vivid depiction of the widespread disillusionment and seismic upheavals of the Partition era that lead to the creation of Pakistan and Bangladesh, there has never been a more opportune time to discover one of the most important writings about the post-colonial trauma in the region. Peter Owen editor and rights manager Simon Smith describes the book as ‘One of the best books, if not the best, we have ever published’.Beginning with the struggle of the people of India against the British Raj, this story of love and marriage between two people of totally different social backgrounds which crumbles almost as soon as as it takes place mirrors the uneasy ‘marriage’ between the British and their Indian Empire – both unions ultimately ending in a parting of the ways. Naim, son of a peasant, marries Azra, the daughter of a rich landowner. Fighting for the British during the First World War he loses an arm. Invalided home, he becomes angered at the subjugation of his countrymen under the Raj and aligns himself with the opposition. His ideals are swept away after Independence in 1947 when he realises that, as Muslims, his family is no longer safe in their Indian home and that they must migrate to the newly created Pakistan.

    They are about love, its complications, pains and joys.

    This most human of Sanskrit plays is Shakespearian in its skilful drawing of characters and in the plot's direct clarity. One of the earliest Sanskrit dramas, "Little Clay Cart" was created in South India, perhaps in the seventh century CE. Set in the city of Ujjain, so secular and universal is the story that it can be situated in any society, and it has, including in Bollywood film and by the BBC. Charu-datta, a bankrupt married merchant, is extramaritally involved with a wealthy courtesan, Vas�nta-sena. The king's vile brother-in-law, unable to win Vas�nta-sena's love, strangles her, and accuses Charu-datta. The court decides the case hastily, condemning Charu-datta to death. Fortunately, our heroine rises from the dead to save her beloved, and all applaud their love. At this climax, the regime changes, and the rebel-turned-king makes Charu-datta lord of an adjacent city.