It showcases the works that made him one of the most beloved and significant writers of the past century while inviting a new recognition of his enduring commitments, fluency, and power.

    James Achilles Kirkpatrick was the British Resident at the court of the Nizam of Hyderabad when in 1798 he glimpsed Kahir un-Nissa—'Most excellent among Women'—the great-niece of the Nizam's Prime Minister and a descendant of the Prophet. Kirkpatrick had gone out to India as an ambitious soldier in the army of the East India Company, eager to make his name in the conquest and subjection of the subcontinent. Instead, he fell in love with Khair and overcame many obstacles to marry her—not least of which was the fact that she was locked away in purdah and engaged to a local nobleman. Eventually, while remaining Resident, Kirkpatrick converted to Islam, and according to Indian sources even became a double-agent working for the Hyderabadis against the East India Company.It is a remarkable story, involving secret assignations, court intrigue, harem politics, religious and family disputes. But such things were not unknown; from the early sixteenth century, when the Inquisition banned the Portuguese in Goa from wearing the dhoti, to the eve of the Indian mutiny, the 'white Mughals' who wore local dress and adopted Indian ways were a source of embarrassments to successive colonial administrations. William Dalrymple unearths such colourful figures as 'Hindoo Stuart', who travelled with his own team of Brahmins to maintain his temple of idols, and who spent many years trying to persuade the memsahibs of Calcutta to adopt the sari; and Sir David Ochterlony, Kirkpatrick's counterpart in Delhi, who took all thirteen of his wives out for evening promenades, each on the back of their own elephant.In White Mughals, William Dalrymple discovers a world almost entirely unexplored by history, and places at its centre a compelling tale of love, seduction and betrayal. It possesses all the sweep and resonance of a great nineteenth-century novel, set against a background of shifting alliances and the manoeuvring of the great powers, the mercantile ambitions of the British and the imperial dreams of Napoleon. White Mughals, the product of five years' writing and research, triumphantly confirms Dalrymple's reputation as one of the finest writers at work today.

    Her uniquely true and mystical voice is like a glass of pure water: refreshing, healing, and oh, so necessary."—Nin Andrews"Her poems are an intense vision of the power of art to heal, to help us understand ourselves and our world. Agodon invokes artists as disparate as Kahlo and Cornell, Picasso and Pollock, as a way into the world she creates for us in her deft and musical poems. She brilliantly succeeds."—Wyn CooperKelli Russell Agodon is the author of two previous collections of poetry and lives in Kingston, Washington.

    Collection of poems rising from and returning to Bukowski's personal experiences reflect people, objects, places, and events of the external world, and reflects on them, on their way out and back.

    Not so for Isha Tilak and her husband, Nikhil. They already have a beloved daughter, but Nikhil's parents, hard-wired to favor male children above all, coldly reject little Priya at every turn. Vain and selfish, they see female grandchildren as burdens, and would just as soon never meet the one growing in Isha's belly. Even the obstetrician agrees, going so far as to suggest the unthinkable, throwing Nikhil into a rage--and changing Isha's life forever. . .When Nikhil is discovered brutally murdered, Isha is convinced it had something to do with his reaction to the doctor's hideous "solution" to their problem. Alone, grief-stricken, and relentlessly oppressed by in-laws who believe her baby is a bad omen, Isha sets out on her own. Born into a privileged class, Isha doesn't know the first thing about fending for herself, but to protect her precious daughters, she will learn. And she will cling to the hope given to her by a strange old mystic: that her baby will arrive on the auspicious night of Kojagari Purnima, the full harvest moon, and be a gift from Lakshmi, the goddess of well-being. Isha and her girls will need all the blessings they can get, for the greatest danger of all lies ahead. . .Praise for Shobhan Bantwal and The Dowry Bride"Splendidly depicts passion, brutality, and cultures in conflict." --Dorothy Garlock"Vivid, rich. . .expertly portrays a young woman caught between love and duty, hope and despair." --Anjali Banerjee

    And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others.   In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems.   For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.

    

    September 1975. Diya Nair is eighteen, a diligent student, hopelessly in love with Aditya. Married against her wishes to Rajagopal, ten years older than her, Diya is exposed to an orthodox family where they follow archaic customs that are alien to her modern upbringing. Despite this, Diya adjusts to her life in Rajagopal's ancestral house, winning his family over and even changing some of their regressive practices. But she is not able to understand Rajagopal. She gives her all to the marriage, and is blessed with two wonderful kids who become her world. Only Rajagopal's erratic, abusive behaviour is a constricting thorn in her side. He continues to break her spirit. Her thoughts keep returning to Aditya and the mango sapling they had planted together as proof of their love. Eating the fruits of the tree together seems a distant dream, an impossibility. Made resilient by repeated tribulations, will Diya overcome her biggest problems and find peace? Will Aditya and Diya ever reunite? Will Rajagopal mend his ways? Will her confidence help her find the balance in turmoil? And will life come a full circle for Diya under the very mango tree she had planted? To know more, undertake this nostalgic trip with true incidents, happenings and emotions interspersed with a dosage of fiction.

    With influences from Shakespeare and William Blake, Sendak pays homage to his late brother, Jack, whom he credited for his passion for writing and drawing. Pairing Sendak's poignant poetry with his exquisite and dramatic artwork, this book redefines what mature readers expect from Maurice Sendak while continuing the lasting legacy he created over his long, illustrious career. Sendak's tribute to his brother is an expression of both grief and love and will resonate with his lifelong fans who may have read his children's books and will be ecstatic to discover something for them now. Pulitzer Prize–winning literary critic and Shakespearean scholar Stephen Greenblatt contributes a moving introduction.

    Book of Longing is Cohen’s eagerly awaited new collection of poems, following his highly acclaimed 1984 title, Book of Mercy, and his hugely successful 1993 publication, Stranger Music, a Globe and Mail national bestseller. Book of Longing contains erotic, playful, and provocative line drawings and artwork on every page, by the author, which interact in exciting and unexpected ways on the page with poetry that is timeless, meditative, and at times darkly humorous. The book brings together all the elements that have brought Leonard Cohen’s artistry with language worldwide recognition.From the Hardcover edition.

    Told through the engaging voice of Eleanor, One Last Look takes the reader to the heart of nineteenth-century India. Surrounded by a constant entourage of servants and aides, overwhelmed by the suffocating heat and her own physical vulnerability, Elenanor begins to realize that nothing is as it seems. Will her brother's politicall ambitions lead them inexorably to disaster? Is her sister's sanity under threat? As fragile boundaries begin to dissolve, and desire and horror overcome her, it is clear that Eleanor's vision of this land and herself will be irrevocably transformed.

    . . . Ammons makes you laugh and forces you to think hard about the way humans relate to natural phenomena and to themselves. From such simple, short expression emerge complex, often confounding ideas. New readers of poetry as well as those with an active interest in lyric verse will love this volume.”—Booklist

    The poems deal with the impossibility of such an endeavor and celebrate our persistence in striving anyway.At its core, the collection is built around a very wise line from a Beatles song: I want to hold your hand. I want to hold your hand with no further expectations. I want to hold your hand instead of telling you I understand when I don’t. I want to hold your hand although we don’t always get along. I want to hold your hand despite the calluses, scratches, and scars that get in the way. I want to hold your hand knowing I’ll have to let it go one day.I just want to hold your hand.

    Brand New!! Re-check ISBN before Purchase

    Beginning with: "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her. What does the word mean?", Carson examines her subject from numerous points of view and styles, transcending the constraints of the scholarly exercise for an evocative and lyrical meditation in the tradition of William Carlos William's Spring and All and William H. Gass's On Being Blue.