Only two little girls know where he is but they’re too scared to tell. Time is running out for the policeman. Will the girls get help before it’s too late? Piggy Monk Square is a dark yet frequently very funny novel set in 1970's Liverpool. The action takes place in the volatile period before the Toxteth riots burned much of the inner city down. A BRITISH THRILLER This unusual yet very readable British thriller describes a world tainted with deep mistrust and hostility between the local people and the police force. This harsh world is viewed through the eyes of a nine-year-old girl, Rebecca. Rebecca’s world is changing. Her parents are fighting. Her teachers are cruel. She doesn’t know what to do and turns to her best friend Debbie more and more. But Debbie’s life is just as tough. With a father who is always dodging the police, and a mother who works her to the bone, Debbie is no Cinderella. The world these girls inhabit is no fairy tale, it is confusing and can be brutally violent. A TERRIFYING SECRET No wonder the girls mix reality with fantasy - it’s how they survive, especially when it comes to coping with what will soon become their terrifying secret. A secret that will infuse their childhood with fear and change their lives forever. The nightmare begins when Rebecca and Debbie are playing in the cellar of a derelict house. A policeman catches them there and warns them not to return to this dangerous old building. But they are both determined little girls with nowhere else to play, so they come back, again and again. Unfortunately for them so does the policeman. The policeman tries to chase the girls away, but he falls down a ladder and goes ‘asleep.’ The girls try to wake him but can’t. They want to get help but at the same time they know they shouldn’t have been playing in that cellar. They have learned not to trust the police and are so afraid of getting into trouble that they leave the injured policeman alone. NOWHERE TO TURN Wishful thinking makes the girls hope that he will get up and go of his own accord and that everything will be okay again. But when they return and find him still there, conscious but unable to move they find another way to help him. A way that doesn’t involve adults. But, their interpretation of ‘helping’ the dying policeman has terrible consequences for them all.

    Now updated with new material that brings the killer's picture into clearer focus.In the fall of 1888, all of London was held in the grip of unspeakable terror.  An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End.  Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim.  And then the Ripper’s violent spree seemingly ended as abruptly as it had begun.  He had struck out of nowhere and then vanished from the scene.  Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel.  But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death.  Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer.In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history.  Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert.It has been said of Cornwell that no one depicts the human capability for evil better than she.   Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate.  She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press.  Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created.New information and startling revelations detailed in Portrait of a Killer include:- How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...

    A young American woman, Alexandra Boyd, has traveled to Sofia, Bulgaria, hoping that life abroad will salve the wounds left by the loss of her beloved brother. Soon after arriving in this elegant East European city, however, she helps an elderly couple into a taxi and realizes too late that she has accidentally kept one of their bags. Inside she finds an ornately carved wooden box engraved with a name: Stoyan Lazarov. Raising the hinged lid, she discovers that she is holding an urn filled with human ashes. As Alexandra sets out to locate the family and return this precious item, she will first have to uncover the secrets of a talented musician who was shattered by oppression and she will find out all too quickly that this knowledge is fraught with its own danger. Kostova's new novel is a tale of immense scope that delves into the horrors of a century and traverses the culture and landscape of this mysterious country. Suspenseful and beautifully written, it explores the power of stories, the pull of the past, and the hope and meaning that can sometimes be found in the aftermath of loss.

    The city of Miami is Detective Tom Moon's back yard. He's always kept it local, attending University of Miami on a football scholarship, and, as a Miami PD officer, protecting the city's most vulnerable. Now, as the new leader of an FBI task force called "Operation Guardian," it's his mission to combat international crime. Moon's investigative team discovers that the opportunistic "Blood Brothers" -- Russian nationals Roman and Emile Rostoff -- have evaded authorities while building a vast, powerful, and deadly crime syndicate throughout Europe and metropolitan Miami. Moon played offense for U of M, but he's on the other side of the field this time. And as the Rostoffs zero in on a target dear to Tom, they're not playing by anyone's rules.

    Barder does not return alone: with him is his new wife, Rachel, a beautiful blonde woman whom he met in Warsaw shortly after the war - a Jewish survivor who lost her entire family and remained alone in the world. Jacob fell in love with her and brought her to the states. Now he will defend her in the biggest battle of her life. A Jewish lawyer’s wife is accused of committing Nazi war crimes One evening, in a Broadway theater, Rachel is attacked by a woman who accuses her of being Matilda Krause - a German SS officer who served at the Nazi concentration camps. Rachel’s arrest and police investigation open the way to a sensational trial that will be written in the pages of history. With no one willing to protect a Nazi officer, Barder decides to defend his wife himself. Why would a Jewish survivor speak for a Nazi in the court of law? Barder is called to make an impossible case in the name of his beloved wife, and that of humanity altogether. The jury, the judge, and the readers will be astounded by what he has to say.

    Joyland is a brand-new novel and has never previously been published.

    Then he discovered that the olive grove in front of their 14th century farmhouse had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known as the Monster of Florence. Preston, intrigued, meets Italian investigative journalist Mario Spezi to learn more.This is the true story of their search for—and identification of—the man they believe committed the crimes, and their chilling interview with him. And then, in a strange twist of fate, Preston and Spezi themselves become targets of the police investigation. Preston has his phone tapped, is interrogated, and told to leave the country. Spezi fares worse: he is thrown into Italy's grim Capanne prison, accused of being the Monster of Florence himself. Like one of Preston's thrillers, The Monster of Florence, tells a remarkable and harrowing story involving murder, mutilation, and suicide—and at the center of it, Preston and Spezi, caught in a bizarre prosecutorial vendetta.

    Adam Banting, a somewhat aimless young scholar at Cambridge University, is called to his professor's office one afternoon and assigned a special summer project: to write a scholarly monograph about a famous garden built in the 1500s. Dedicated to the memory of Signor Docci's dead wife, the garden is a mysterious world of statues, grottoes, meandering rills, and classical inscriptions. But during his three-week sojourn at the villa, Adam comes to suspect that clues to a murder are buried in the strange iconography of the garden: the long-dead Signor Docci most likely killed his wife and filled her memorial garden with pointers as to both the method and the motive of his crime. As the mystery of the garden unfolds, Adam finds himself drawn into a parallel intrigue. Through his evolving relationship with the lady of the house - the ailing, seventy-something Signora Docci - he finds clues to yet another possible murder, this one much more recent. The signora's eldest son was shot by Nazi officers on the third floor of the villa, and her husband, now dead, insisted that the area be sealed and preserved forever. Like the garden, the third-floor rooms are frozen in time. Delving into his subject, Adam begins to suspect that his summer project might be a setup. Is he really just the naive student, stumbling upon clues, or is Signora Docci using him to discover for herself the true meaning of the villa's murderous past?

    The grisly evidence leads police to the terrifying assumption that a serial killer is on the loose in the quiet suburb. But soon a rumor begins to spread that the evil stalking local teens is not entirely human. Law enforcement, as well as members of the FBI are certain that the killer is a living, breathing madman—and he’s playing games with them. For a once peaceful community trapped in the depths of paranoia and suspicion, it feels like a nightmare that will never end. Recent college graduate Richard Chizmar returns to his hometown just as a curfew is enacted and a neighborhood watch is formed. In the midst of preparing for his wedding and embarking on a writing career, he soon finds himself thrust into the real-life horror story. Inspired by the terrifying events, Richard writes a personal account of the serial killer’s reign of terror, unaware that these events will continue to haunt him for years to come. A clever, terrifying, and heartrending work of metafiction, Chasing the Boogeyman is the ultimate marriage between horror fiction and true crime. Chizmar’s writing is on full display in this truly unique novel that will haunt you long after you turn the final page.

    Never before had a medium possessed such power to influence. Yet Hollywood’s glittering ascendency was threatened by a string of headline-grabbing tragedies—including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.In a fiendishly involving narrative, bestselling Hollywood chronicler William J. Mann draws on a rich host of sources, including recently released FBI files, to unpack the story of the enigmatic Taylor and the diverse cast that surrounded him—including three beautiful, ambitious actresses; a grasping stage mother; a devoted valet; and a gang of two-bit thugs, any of whom might have fired the fatal bullet. And overseeing this entire landscape of intrigue was Adolph Zukor, the brilliant and ruthless founder of Paramount, locked in a struggle for control of the industry and desperate to conceal the truth about the crime. Along the way, Mann brings to life Los Angeles in the Roaring Twenties: a sparkling yet schizophrenic town filled with party girls, drug dealers, religious zealots, newly-minted legends and starlets already past their prime—a dangerous place where the powerful could still run afoul of the desperate.A true story recreated with the suspense of a novel, Tinseltown is the work of a storyteller at the peak of his powers—and the solution to a crime that has stumped detectives and historians for nearly a century.

    

    No one can explain what killed him. Another tech industry titan is missing. No one can explain how he disappeared. The FBI assigns David and Martin Yerxa to investigate. But father and son are outside their comfort zone among the Internet CEOs, tech journalists, and intelligentsia of Northern California. Together, David and Martin must unravel the mystery of one man's death and another's disappearance while battling the larger forces that seem to be working against them. Ghosts in the Machine is a tense, thought-provoking thriller that will leave you guessing until the final shocking pages.

    At the urging of his FBI friend, Jesuit Nicholas Branson joins the investigation. His effort to uncover the truth behind the murder draws him into a web of ecclesiastical and political intrigue, and sets him on a quest for an eight-hundred-year-old treasure that could shake the foundations of the Judeo-Christian world.

    One night in Waterloo, Iowa, with young policeman Virgil Holt watching from the audience, she swaps her trademark saw for a fire ax. Is it a new version of the illusion, or an all-too-real murder? When Arden’s husband is found lifeless beneath the stage later that night, the answer seems clear.But when Virgil happens upon the fleeing magician and takes her into custody, she has a very different story to tell. Even handcuffed and alone, Arden is far from powerless—and what she reveals is as unbelievable as it is spellbinding. Over the course of one eerie night, Virgil must decide whether to turn Arden in or set her free… and it will take all he has to see through the smoke and mirrors.

    He turns to disgraced detective James Brindle for help.When further attacks occur the shattered community becomes the focus of an accelerating media that favours immediacy over truth. Murder and myth collide in a folk-crime story about place, identity and the tangled lives of those who never leave.