Featuring fourteen short stories, The Life to Come spans six decades of E. M. Forster's literary career, tracking every phase of his development. Never having sought publication for most of the stories--only two were published in his lifetime--Forster worried his career would suffer because of their overtly homosexual themes. Instead they were shown to an appreciative circle of friends and fellow writers, including Christopher Isherwood, Siegfried Sassoon, Lytton Strachey, and T. E. Lawrence. With stories that are lively and amusing ("What Does It Matter?"; "The Obelisk"), and others that are more somber and thought-provoking ("Dr Woolacott"; "Arthur Snatchfold"), The Life to Come sheds a light on Forster's powerful but suppressed explorations beyond the strictures of conventional society.- Ansell- Albergo Empedocle- The Purple Envelope- The Helping Hand- The Rock- The Life to Come- Dr. Woolacott- Arthur Snatchfold- The Obelisk- What Does It Matter? A Morality- The Classical Annex- The Torque- The Other Boat- Three Courses and a Dessert: Being a New and Gastronomic Version of the Game of Consequences

    Wonderful stories. Impressive range. Delightfully, compellingly queer. -Roxane GaySparkling, imaginative, and inventive. -Karen Thompson WalkerThe vision of a singular and exciting artist. -Torrey Peters.The nine stories in Morgan Thomas's shimmering debut collection witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, whatever the cost. As Thomas's subjects trace deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.A trans woman finds her independence with the purchase of a pregnancy bump; a young Virginian flees their relationship, choosing instead to immerse themself in the life of an intersex person from Colonial-era Jamestown. A writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag, and in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.Winding between reinvention and remembrance, transition and transcendence, these origin stories resound across centuries. With warm, meticulous emotional intelligence, Morgan Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.

    These thirty-three short stories and poems, crafted with a deliberate delicacy, each capture the candid, private moments of women in love.Together, these stories and the women who inhabit them reveal an illuminating portrait of the sacred female romance, with all its nuances, complexities, burdens, and triumphs revealed. Violence, sickness, chaos, tenderness, beauty, and freedom adorn these pages in a mosaic of unforgettable moments, including a lesbian granddaughter discovering unexpected commonalities with her grandmother, a teenager’s tryst with her friend after disenchanting sex with a boy, and an old couple’s dreamy Sunday-morning ritual.Sweeping nearly every major Brazilian literary prize in 2016—including the Prêmio Jabuti and Prêmio Açorianos de Literatura—Amora has propelled Natália Borges Polesso to the forefront of the international literary world.

    Romantic and sensual, dark and terrifying, old and new, these ten stories move beyond the old trope of prince and princess living happily ever.Sleeping Beauty, Indeed offers readers imaginative tales based on the classic works - Cinderella, the Pied Piper - but retold through the lavender lens of lesbian experience.With such talented contributors as Meredith Schwarz, Catherynne M. Valente, and Erzebet YellowBoy, turning a page is like taking a bite of that luscious apple. Sweet and dangerous but fated.

    Instead, strong, passionate females race to the rescue of their female lovers in this new collection of erotic fantasy.The stories within Witches, Princesses, and Women at Arms are masterfully crafted to lead your mind down unexpected paths to your favorite fantasy adventure, from the classic fairy-tales of Little Red Riding Hood to Rapunzel to the modern marvel of Game of Thrones. They will wash over you in an epic sea of words meant to entice and embolden your inner princess, heroine, or both.Enter a time where you may be abducted by bandits or seduced by witches one second and find your heart spellbound by a dryad the next. But be warned, gentle traveler! With this new, provocative collection edited by Sacchi Green, the stories may begin with "Once upon a time", but they will leave you coming back, time and time again.

    "A WOMAN APPEARED TO ME is Renée Vivien's feverish, dream-like account of her tormented relationship with her muse and mistress, Natalie Clifford Barney." - Introduction

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

    Outside, the Ragers lurk, ever hungry and hunting. But Greta and her brother, half-starved and now alone, must risk death for the dream of safety they hope to find within the metal forest. Once there, nothing is as it seems: in the confines of a crumbling old candy factory, the woman who rescues them with sweet words and sweeter treats harbors a dangerous secret.The novella CRUMBS is the lesbian retelling of the classic fairy tale, "Hansel and Gretel." It is part of the series SAPPHO'S FABLES: LESBIAN FAIRY TALES.

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    Amy Bloom writes great short stories. Her first collection, Come to Me, was a finalist for the National Book Award, and here she deepens and extends her mastery of the form.Real people inhabit these pages, the people we know and are, the people we long to be and are afraid to be: a mother and her brave, smart little girl, each coming to terms with the looming knowledge that the little girl will become a man; a wildly unreliable narrator bent on convincing us that her stories are not harmless; a woman with breast cancer, a frightened husband, and a best friend, all discovering that their lifelong triangle is not what they imagined; a man and his stepmother engaged in a complicated dance of memory, anger, and forgiveness. Amy Bloom takes us straight to the center of these lives with rare generosity and sublime wit, in flawless prose that is by turns sensuous, spare, heartbreaking, and laugh-out-loud funny.These are transcendent stories: about the uncertain gestures of love, about the betrayals and gifts of the body, about the surprises and bounties of the heart, and about what comes to us unbidden and what we choose.A blind mand can see how much I love you --Rowing to Eden --Lionel and Julia (Night vision, Light into dark) --Stars at elbow and foot --Hold tight --The gates are closing --The story

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    From Honduras to Lanzarote and from beach houses to camping, there’s something for everyone.Including:Stranded Lise GoldBlisters and Beer Claire Highton-StevensonBeach House KC LuckOrder Up! Cara MaloneTropical Heat TB MarkinsonAlways Check The Reviews Amanda RadleyPark Service Aurora Rey#MissedOpportunities Erin ZakInsomnia Club Emma Radley⚠ This collection is limited edition and will only be available for sale during the summer of 2020, so grab your copy now! ⚠

    Shaftal's ruling house has been scattered by the invading Sainnites. The Shaftali have mobilized a guerrilla army against these marauders, but every year the cost of resistance grows, leaving Shaftal's fate in the hands of three people: Emil, scholar and reluctant warrior; Zanja, the sole survivor of a slaughtered tribe; and Karis the metalsmith, a half-blood giant whose earth powers can heal, but only when she can muster the strength to hold off her addiction to a deadly drug.Separately, all they can do is watch as Shaftal falls from prosperity into lawlessness and famine. But if they can find a way to work together, they just may change the course of history.

    George, the protagonist, is adjusting to life on his own after the sudden death of his partner, determined to persist in the routines of his daily life. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the true textures of life itself."--BOOK JACKET.

    Her roommate has a boyfriend—and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she’s treading water in a dead-end job, her know-it-all therapist gives her advice she doesn’t ask for, and the men she is surrounded by are, to be polite, subpar. Enough is enough.So when Julia gets invited to a warehouse party in a part of town where “trendy people who have lots of sex might go on a Friday night”—she readily accepts. Whom she meets there, however, is surprising: a conceptual artist, also a woman.Julia’s sexual awakening begins; her new lesbian life, as she coins it, is exhilarating. She finds her tribe at queer swing dancing classes, and guided by her new lover Sam, she soon discovers London’s gay bars and BDSM clubs, and . . . the complexities of polyamory. Soon it becomes clear that Sam needs to call the shots, and Julia’s newfound liberation comes to bear a suspicious resemblance to entrapment . . . In at the Deep End is an unforgettably frank, funny, and racy odyssey through the pitfalls and seductions we encounter on the treacherous—and more often, absurd—path to love and self.