Now the author of the Lincoln Rhyme series ("The Cold Moon" and "The Bone Collector," among others) has compiled a second volume of his award-winning, spine-tingling short stories of suspense.While best known for his twenty-four novels, Jeffery Deaver is also a short story master -- he is a three-time recipient of the Ellery Queen Reader's Award for Best Short Story, and he won the Short Story Dagger from the Crime Writers Association for a piece that appeared in his first short story collection, "Twisted. The New York Times" said of that book: "A mystery hit for those who like their intrigue short and sweet . . . [The stories] feature tight, bare-bones plotting and the sneaky tricks that Mr. Deaver's title promises." The sneaky tricks are here in spades, and Deaver even gives his fans a new Lincoln Rhyme and Amelia Sachs story.Deaver is back with sixteen stories in the tradition of O. Henry and Edgar Allan Poe. His subjects range from a Westchester commuter to a brilliant Victorian England caper. With these intricately plotted, bone-chilling stories, Jeffery Deaver is at the top of his crime-writing game.

    It's perfect for anyone who loves Sherlock Holmes -- or any mystery fan who's looking for the very best in short fiction.Contents include:The Watch Night Bell by Anne PerryThe Sleuth of Christmas Past by Barbara PaulA Scandal in Winter by Gillian LinscottThe Adventure in Border Country by Gwen MoffatThe Adventure of the Three Ghosts by Loren D. EstlemanThe Adventure of the Canine Ventriloquist by Jon L. BreenThe Adventure of the Man Who Never Laughed by J.N. WilliamsonThe Yuletide Affair by John StoesselThe Adventure of the Christmas Tree by William L. DeAndreaThe Adventure of the Christmas Ghosts by Bill CriderThe Thief of Twelfth Night by Carole Nelson DouglasThe Italian Sherlock Holmes by Reginald HillThe Christmas Client by Edward D. HochThe Adventure of the Angel's Trumpet by Carolyn Wheat

    P. Beaumont may be an old homicide hand now, but back when he was a rookie working with his first partner, Milton Gurkey—a.k.a. Pickles—things took a turn for the worse . . . One day, at the end of Beaumont and Pickles's shift, a stop at the Doghouse restaurant quickly turns deadly. Not feeling well, Pickles steps out into the parking lot for a breath of fresh air and stumbles into a crime in progress. Suffering from a heart attack, he is found unconscious, with a dead woman on the ground nearby and the murder weapon in his hand. With Pickles under investigation from Internal Affairs, it's up to the new kid on the block, J. P. Beaumont, and his friends on the force to find out the truth.

    In this volume, best-selling writers such as Mary Higgins Clark, Walter Mosley, Lawrence Block, Jay McInerney, and Donald E. Westlake stand alongside an impressive array of new talent. As Grafton writes in her introduction, "Nowhere is iniquity, wrongdoing, and reparation more satisfying to behold than in the well-crafted yarns spun by the writers represented here." Already a bestseller in its first year, this year's collection of The Best American Mystery Stories promises to keep readers intrigued and coming back for more.

    Based on an actual 19th century legal case, join Sherlock Holmes and Dr. Watson as they journey to America to solve the Adventure of the Greenbriar Ghost!

    For most people, that would easily qualify as the holiday from hell. For George Gently, it is a case of business as usual. The Chief Inspector's quiet Easter break in Norchester is rudely interrupted when a local timber merchant is found dead. His son, with whom he had been seen arguing, immediately becomes the prime suspect, although Gently is far from convinced of his guilt. Norchester City Police gratefully accept Gently's offer to help investigate the murder, but he soon clashes with Inspector Hansom, the officer in charge of the case. Hansom's idea of conclusive evidence appals Gently almost as much as Gently's thorough, detailed, methodical style of investigation exasperates Hansom, who considers the murder to be a straightforward affair.Locking horns with the local law is a distraction Gently can do without when he's on the trail of a killer.GENTLY BY THE SHORE: You'll find plenty of bodies stretched out on a summer beach - but they're not usually dead...In a British seaside holiday resort at the height of the season, you would expect to find a promenade and a pier, maybe some donkeys, 'Kiss-Me-Quick' hats, candy floss and kids building sandcastles. You would not expect to find a naked corpse, punctured with stab wounds, lying on the sand.Chief Inspector George Gently is called in to investigate the disturbing murder. The case has to be wrapped up quickly to calm the nerves of concerned holidaymakers. No one wants to think that there is a maniac on the loose in the town but with no clothes or identifying marks on the body, Gently has a tough time establishing who the victim is, let alone finding the killer. In the meantime, who knows where or when the murderer might strike again?GENTLY DOWN THE STREAM: Time spent messing about on the river isn't supposed to end with a brutal murder.The staff at Stoley's Boatyard were used to holidaymakers returning their pleasure cruisers a little late after a week or so exploring the network of waterways around Norchester. They were not used to finding their yachts burned almost beyond recognition with the charred remains of a client still aboard.Taking on the murder investigation, Chief Inspector George Gently faces an enquiry like no other he has ever handled. Somewhere beneath the lies of the victim's wife, somewhere obscured by the brittle edge of her daughter's fear, somewhere hidden by her son's hysteria, lies the truth. Gently's only hope is to sweep aside the litter of chaos and confusion to uncover the identity of the killer.LANDED GENTLY: Having been invited to spend Christmas in the country, fishing for pike, Gently finds himself hunting a completely different predator when a guest at Merely Hall, a nearby stately home, is found dead at the foot of the grand staircase on Christmas morning.At first the tragedy is assumed to be a simple accident, but Gently is not one to jump to conclusions and is soon in no doubt whatsoever that this was murder. Merely produces the finest tapestries in England but the threads that Gently must unravel in his investigation are more complex than any weaver's design, with everyone from the lord of the manor to his most lowly servant falling under suspicion.

    The Grand Master whom the New York Times Book Review calls, “the greatest crime writer of our time, perhaps ever,” has written a wry and twisting tale that any of the other all-time greats—Dashiell Hammett, Raymond Chandler, John D. MacDonald, James M. Cain, Robert Parker…every noir author who ever walked a detective, cop, or criminal into a shadowy alley—would be thrilled to call their own. Leonard, the man who has given us U.S. Marshal Raylan Givens (currently starring in TV’s Justified) is at his storytelling best, as a spurned wife decides to take a rightful—and profitable—revenge on her deceiving hubby by teaming up with the two thugs he hired to abduct her.

    

    Includes: Unnatural Causes; An Unsuitable Job for a Woman; The Black Tower

    Here, Uncle Oswald gets more than he bargained for in Arabia . . . The Visitor is taken from the short story collection Switch Bitch, which includes three other black comedies which capture the ins and outs, highs and lows of sex (including another Uncle Oswald story, Bitch). 'One of the most widely read and influential writers of our generation.' (The Times ) This story is also available as a Penguin digital audio download read by Richard E. Grant and Derek Jacobi. Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    But when for the first time in Doc's long criminal career, his shot doesn't hit the mark, everything begins to fall apart. And Doc begins to realize that the perfect bank robbery isn't complete without the perfect getaway to back it up.THE GETAWAY is the classic story of a bank robbery gone horribly wrong, where the smallest mistakes have catastrophic consequences, and shifting loyalties lead to betrayals and chaos. The basis for the classic Steve McQueen film of the same name, as well as a 1994 remake with Alec Baldwin, Thompson's novel set the bar for every heist story that followed--but as Thompson's proved time and again, nobody's ever done it better than the master.

    In these eight stories, the master burglar indulges his passion for cricket and crime: stealing jewels from a country house, outwitting the law, pilfering from the nouveau riche, and, of course, bowling like a demon-all with the assistance of his plucky sidekick, Bunny. Encouraged by his brother-in-law, Arthur Conan Doyle, to write a series about a public school villain, and influenced by his own experiences at Uppingham, E. W. Hornung created a unique form of crime story, where, in stealing as in sport, it is playing the game that counts, and there is always honor among thieves.

    A short story.

    Morris.The chance discovery of a young man’s body floating in a Sussex stream provides the first clue to the mysterious disappearance of Sir James Lyttleton, who sent his daughter a curt wire announcing his departure for America before completely vanishing. But this is no ordinary missing persons inquiry – when Sir James’s body turns up inside another man’s coffin, journalist James Dawson and Chief Inspector Candlish of Scotland Yard find themselves on the trail of a particularly ruthless and ingenious murderer.This Detective Story Club classic is introduced by author and editor Douglas A. Anderson, whose authoritative books on Kenneth Morris led to the discovery of R.A.V. Morris’s true identity.

    The hardscrabble streets of Oakland offer crime aplenty...Thompson and Muller have taken such pains to choose stories highlighting Oakland's diversity and history that the result is a volume rich in local culture as well as crime."-- Kirkus Reviews "The legendarily tough California city of Oakland finally gets an entry in the Akashic noir series."-- Publishers Weekly Brand-new stories by: Nick Petrulakis, Kim Addonizio, Keenan Norris, Keri Miki-Lani Schroeder, Katie Gilmartin, Dorothy Lazard, Harry Louis Williams II, Carolyn Alexander, Phil Canalin, Judy Juanita, Jamie DeWolf, Nayomi Munaweera, Mahmud Rahman, Tom McElravey, Joe Loya, and Eddie Muller.In the wake of San Francisco Noir, Los Angeles Noir, and Orange County Noir—all popular volumes in the Akashic Noir Series—comes the latest California installment, Oakland Noir. Masterfully curated by Jerry Thompson and Eddie Muller (the "Czar of Noir"), this volume will shock, titillate, provoke, and entertain. The diverse cast of talented contributors will not disappoint.From the introduction:Jerry Thompson: Discovering the wang-dang-doodle jams of the Pointer Sisters shifted my entire focus. Stunning black women were scatting and bebopping all the way into my soul. I think what we’ve put together in Oakland Noir is a volume where this city is a character in every story. He’s a slick brother strutting over a bacon-grease bass line and tambourine duet. She’s a white chick with a bucket of hot muffins heading to farmer and flea markets, to sell crafts and get hooked up with some fine kat with dreadlocks and a criminal record. And it’s in the faces of young fearless muthafuckers pounding keyboards and snapping fingers, lips, Snapchats, and Facebook timelines. It’s the core of not only Black Lives Matter but all lives matter. We are the children of fantasy and of the funk . . .Eddie Muller: These days, writers and readers aren’t denying the darker parts of our existence as much as they used to, especially in crime fiction. Some writers just do it for fun, because it’s become the fashionable way to get published. You know, “gritty violence” and all that bullshit. The genuine darkness in noir stories comes from two places—the cruelty of the world’s innate indifference, and the cruelty that people foster within themselves. If you’re not seriously dealing with one, the other, or both, then you’re not really writing noir.