Through the example and guidance of her mother—who dotes on Edward constantly—and her mentor, Mrs. Buxton, Maggie learns that self-sacrifice is the key to living a fulfilled life. The precursor to and arguably the template for George Eliot’s The Mill on the Floss, this feminist masterpiece begs the question How much personal happiness can one forgo in the name of duty and devotion to another? Maggie’s love story, Edward’s perfidy, and the dramatic conclusion at sea all blend together seamlessly to make this story a timeless tale.

    Now, in the summer of 970, adopted daughter Helga is awaiting the arrival of her unknown siblings: dark, dangerous Karl, lithe, clever Jorunn, gentle Aslak, henpecked by his shrewish wife, and the giant Bjorn, made bitter by Volund, his idiot son.And they're coming with darkness in their hearts.The siblings gather, bad blood simmers and old feuds resurface as Unnthor's heirs make their moves on the old man's treasure - until one morning Helga is awakened by screams. Blood has been shed: kin has been slain.No one confesses, but all the clues point to one person - who cannot possibly be the murderer, at least in Helga's eyes. But if she's going to save the innocent from the axe and prevent more bloodshed, she's got to solve the mystery - fast . . .

    But after leaving the boring village and foster home for the excitement of London, Raya finds out she’s a witch, with this annoying habit of time-travelling – by accident. And this sarcastic witch’s cat Oscar tags along for the ride. But why would she fling herself into the midst of the Essex Witch Trials in 1645 England? After being arrested by Matthew Hopkins, one of history’s most notorious witch hunters, her social worker and witch mentor Bryony goes back to try to save them from the gallows. But returning to present day London remains out of reach with Raya’s powers still out of control when they find themselves in 1645 Istanbul/Constantinople. There, life is more amazing than she ever dreamed. Can she stay? And at what cost?

    Now, in China: The Novel, Rutherfurd takes readers into the rich and fascinating milieu of the Middle Kingdom..The story begins in 1839, at the dawn of the First Opium War, and follows Chinese history through Mao's Cultural Revolution and up to the present day. Rutherfurd chronicles the rising and falling fortunes of members of Chinese, British, and American families, as they negotiate the tides of history. Along the way, in his signature style, Rutherfurd provides a deeply researched portrait of Chinese history and society, its ancient traditions and great upheavals, and China's emergence as a rising global power. As always, we are treated to romance and adventure, heroines and scoundrels, grinding struggle and incredible fortunes. China: The Novel brings to life the rich terrain of this vast and constantly evolving country. From Shanghai to Nanking to the Great Wall, Rutherfurd chronicles the turbulent rise and fall of empires as the colonial West meets the opulent and complex East in a dramatic struggle between cultures and people.Extraordinarily researched and majestically told, Edward Rutherfurd paints a thrilling portrait of one of the most singular and remarkable countries in the world.

    An Icelandic detective and a member of the American military police are on the trail of a brutal killer.THE PRESENTA 90-year-old man is discovered dead on his bed, smothered with his own pillow. Konrad, a former detective now bored with retirement, finds newspaper cuttings reporting the WWII shadow district murder the dead man’s home. It’s a crime that Konrad remembers, having grown up in the same neighborhood.A MISSING LINKWhy, after all this time, would an old crime resurface? Did the police arrest the wrong man? Will Konrad's link to the past help him solve the case and finally lay the ghosts of WWII Reykjavik to rest?

    Her father has insisted she marry a man with a title, but the men her father deems acceptable are either boring or are only interested in increasing their own diminishing coffers. With her future looking dismal, Olivia vows to enjoy the last few months of freedom with her childhood friends, including Emerson Latham. His devilish smile and flirtatious teasing stirs up feelings she knows she cannot entertain.Emerson is struggling to rise to his responsibilities after his father's death. Though he is still learning his place, one thing he knows for certain is that he wants Olivia Wilde to be his wife. Emerson had long ago fallen in love with her quick wit, beauty, and passionate heart. Yet, without a title, he will never be permitted to court Olivia openly. But he has a plan that may give him a chance to court her in secret.As the Season kicks off, Emerson proposes a playful game of tag. Olivia's friends are delighted by the idea, though Olivia is wary. After all, the game must be played in secret as they tag each other at dinners and balls. As the romance builds between Olivia and Emerson, so does the risk of being discovered. Not only are their reputations at stake, so is their safety if they are caught by Olivia's strict father.Can their love find a happily ever after before the game ends?

    Warriors, raiders, and rulers, Ragnar and his sons inspired unknown writers to set down their stories over seven centuries ago. This volume presents new and original translations of the three major Old Norse texts that tell Ragnar's story: the Saga of Ragnar Lodbrok, the Tale of Ragnar's Sons, and the Sogubrot. Ragnar's death song, the Krakumal, and a Latin fragment called the List of Swedish Kings, complete the story. Extensive notes and commentary are provided, helping the reader to enter the world of these timeless stories of Viking adventure.

    But a future of housework, childcare, and servicing a parish doesn’t appeal to the restless and unconventional Mimi. She has ambitions of her own—to follow in the footsteps of her beloved uncle Josef and become a traveling photographer. Leaving behind all that has been mapped out for her, Mimi dares to pursue her passion and sets out alone to make her own mark.A visit to her ailing uncle in the idyllic mountain town of Laichingen, Germany, pauses Mimi’s journey. Here, among provincialism and rejection, she struggles to find her place within a vibrant but wary community. But Mimi’s resilience is only strengthened by adversity. Her courage is indomitable. Maybe here, among surprising kindred spirits and longing hearts, in a place she never expected, Mimi’s dreams might be coming into focus.

    In this selection of tales, spanning the whole of his brilliant career, unnerving encounters occur, lonely individuals try to connect, families and relationships are fractured, and we are confronted by the fragility and absurdity of life.

    His consistently faithful depiction of these humble people's lives is a major strength of the Emigrant Novels.Moberg's extensive research in the papers of Swedish emigrants in archival collections, including the Minnesota Historical Society, enabled him to incorporate many details of pioneer life. First published between 1949 and 1959 in Swedish, these four books were considered a single work by Moberg, who intended that they be read as documentary novels. These editions contain introductions written by Roger McKnight, Gustavus Adolphus College, and restore Moberg's bibliography not included in earlier English editions.Book 1 introduces Karl Oskar and Kristina Nilsson, their three young children, and eleven others who make up a resolute party of Swedes fleeing the poverty, religious persecution, and social oppression of Sm�land in 1850."It's important to have Moberg's Emigrant Novels available for another generation of readers." --Bruce Karstadt, American Swedish Institute

    The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.

    When he is released by a German officer who expects political intelligence in return, he goes back to the family home on the rainswept promenade - to find his once powerful father dramatically changed. Always hopelessly unable to express their feelings for each other, father and son now find that they are literally beyond language. And the fumbling, triangular relationship between the two men and Rose, Donal's beautiful young stepmother, becomes more fraught than ever.

    As a young university student, she is quickly smitten with the intelligent, beautiful young man from school who quotes Derrida and reads Latin and cooks balanced vegetarian meals. Before she even realizes, she’s moved in with him, living in his cramped apartment, surrounded by sour towels and flat Diet Cokes. As the newfound intimacy of sharing a shower and a bed fuels her desire to please her partner, his quiet and pervasive manipulations start to unravel her.In an era of pornification, his acts of nearly imperceptible abuse continue to mount as their relationship develops. Lilja wants to hold onto him, take care of him and be the perfect lover. But in order to do so, she gradually lets go of her boundaries and concurrently starts to lose her sense of self.With astounding clarity and restraint, Hjörleifsdóttir sheds light on the commonplace undercurrents of violence that so often go undetected in romantic relationships. She deftly illustrates the failings of our culture in recognizing symptoms of cruelty, and in powerful, poetic prose depicts the unspooling of a tender-hearted woman desperate to love well. “A compulsive, propulsive debut about a young woman’s exploration of love and sex. In spare, harrowing prose, Thóra Hjörleifsdóttir’s narrator pulls us into the tale of her near undoing and her struggle to find her own value. It is the masterful writer who can shock us and make it ring so true.”—Lily King “Magma is a luminous and poetic novel unlike any I have ever read. How to describe the slow escalation by which possession becomes control, and power abuse? Thóra Hjörleifsdóttir shows how and the effects are shocking and beautiful, it seethes like lava. She has created a whole new landscape for storytelling.” —John Freeman

    Selma Lagerlof was the first woman to win a Nobel Prize in literature, in 1909.

    In "The Immortal Story," a miserly old tea-trader living in Canton wishes for power and finds redemption as he turns an oft-told sailors' tale into reality for a young man and woman. And in the magnificent novella Ehrengard, Dinesen tells of the powerful yet restrained rapport between a noble Wagnerian beauty and a rakish artist. Hauntingly evoked and sensuously realized, the five stories and novella collected here have the hold of "fairy stories read in childhood . . . of dreams . . . and of our life as dreams" (The New York Times).