Furious, he speeds away from the gates of his luxury home and life into the unknown. When he finds himself stranded on the side of the road in a remote village, his future looking bleak, his dreams wasted on a fairy tale that turned out to be a nightmare, he doesn’t expect the handsome but shaggy-looking bookshop owner, Nathan Marshall, to come to his rescue. A Divine Intervention if Charlie ever saw one.But the village is foreign land to glamour puss Charlie, who’s more at home in the bustling city, shopping for the latest trends. getting his hair coiffed and his nails buffed by his best friends, glamour girls Trinny, Kylie and Sasha than he is trekking through muddy hills in jeans and wellies. And Nathan’s never even seen the inside of a beauty salon, let alone considered having that tumbleweed on his chest waxed. How on earth can a queen even begin to craft himself into something fabulous in such dire circumstances?Hope seems lost until Charlie discovers that an amateur dramatics group are looking for budding stars to fill in two of their starring roles at the last minute. Could the village offer more than babbling streams, scenic moorland and the smell of horse manure? Could it offer a chance for Charlie to claim back the dreams he thought he’d lost? And, more importantly, could an unlikely romance be brewing on the horizon, even when the dark characters from this unlikely pairing’s pasts come back to make matters worse for them?A darkly comic look at love, death, dysfunctional family, emotional trauma and finding yourself, with a huge cast of characters. More than a romance. A story of self discovery. Gay romance. Gay romantic comedy.

    Though she is long due for a break and exhausted from her previous assignment, Adamina accepts the assignment and heads for Edge. But when she arrives, the simple assignment she anticipated proves instead to be complicated—complicated enough she must consult with a witch. A beautiful, compelling witch that makes Adamina sharply aware of her own lonely life, and temps her to make it less lonely.Assuming the forest doesn't kill them first.

    Instead of being imprisoned, she is soon chosen to be Artride's only bodyguard on a perilous secret mission! Why and how?The two women set out on their quest and have to work their way through their difficulties whilst trying to fight the undeniable chemistry between them and everything along the way. Will they find the much-needed sorceress - and if so- will she be willing to help them? For what price? Will they be back in time to save Tirsa's brother?Enter the world that is 'The Queen's Curse' and cling to Artride and Tirsa to experience a mind-blowing, heart-gripping, psychological romantic fantasy adventure where nothing is certain.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    Sub Rosa's reluctant heroine is a teenaged runaway named "Little"; she stumbles upon an underground society of ghosts and magicians, missing girls and would-be johns: a place called Sub Rosa. Not long after she is initiated into this family of magical prostitutes, Little is called upon to lead them through a maze of feral darkness: a calling burdened with grotesque enemies, strange allies, and memories from a foggy past. Sub Rosa is a beautiful, gutsy, fantastical allegory of our times.

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

    Disgusted by an overabundance of phallocratic narratives and Freytag’s pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonized single mother figuring things out.

    Just sayin’.” – Regina CallahanReggie Callahan has come to terms with her prognosis of less than a year to live. She’s been dealing with it all summer thanks to blacking out and falling off her horse back home in Wisconsin. Instead of starting her junior year, she’s only back at New York University to tie up loose ends. One of them is breaking the news to her childhood friend, actress and model, Desi St. Clair. For Reggie, telling her that she is sick, and leaving the city is harder than learning you’re going to die.Until Desi kisses her.This isn’t a story about gender preference or about living with cancer. Plain and simple, it’s about love and what people are willing to endure to live without regrets and savor every moment.Portion of all sales will go to Free2Luv, a non-profit charity that supports anti-bullying & the freedom of expression. **This is a STANDALONE novella. It is not part of a series, and does not contain a cliffhanger. This book is intended for mature audiences. Does NOT contain explicit or graphic sexual scenes. **

    This new edition—including a new introduction and three new essays—remains a testament of Moraga's coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.Moraga's new essays, written with a voice nearly a generation older, continue the project of "loving in the war years," but Moraga's posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the "cultural tyranny" of the mainstream art world and a celebration of the strategic use of "cultural memory" in the creation of an art of resistance.Cherríe Moraga is the co-editor of the classic feminist anthology This Bridge Called My Back and the author of The Last Generation. She is Artist-in-Residence at Stanford University.

    The impact is at once harrowing and thrilling.An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

    Join fifteen of today’s most talented writers of young adult literature on a thrill ride through history with American girls charting their own course. They are monsters and mediums, bodyguards and barkeeps, screenwriters and schoolteachers, heiresses and hobos. They're making their own way in often-hostile lands, using every weapon in their arsenals, facing down murderers and marriage proposals. And they all have a story to tell.With stories by:J. Anderson CoatsAndrea CremerY. S. LeeKatherine LongshoreMarie LuKekla MagoonMarissa MeyerSaundra MitchellBeth RevisCaroline Tung RichmondLindsay SmithJessica SpotswoodRobin TalleyLeslye WaltonElizabeth Wein

    In A Ghost in the Closet, dark-haired, muscular Frank and his lovable kid brother Joe return from a gay trip to Europe to find that their parents -- world-famous detective Fennel P. Hardly and his wife, Mrs. Hardly -- have been kidnapped! Even worse, so have six poodles from the Lake Merrimen Dog Show! Pals Nancy Clue, Cherry Aimless, R.N., and Police Detective Jackie Jones help the Hardly boys track down the criminals -- and in the meantime, pick up useful tips on fingerprinting, evidence retrieval, and the laundering of sporty twill slacks. Like her beloved camp classics, The Case of the Not-So-Nice Nurse and The Case of the Good-For-Nothing Girlfriend, Mabel Maney's A Ghost in the Closet brilliantly parodies 1950s boys and girls adventure series. Pull on a casual rayon shirt and join the queer caper!

    A woman trapped at a dinner party comes up against an ugly obsession. In the harsh light of dislocation, the people in these stories still find connections, words blowing in the street, and love in unexpected places.

    Mosh Pit, a compelling story of rebel girls in the modern city, stars Simone - torn between her loyalty to her rebellious heart - throb Cherry and her feelings for Carol, streetwise and distant enough to be alluring.This edgy young adult novel takes Simone through the modern equivalent of Hades where she gradually gains a sense of who she is and more importantly who she can be.

    A young, probably gay, boy named Gordo puts on a wrestler's mask and throws fists with a boy in the neighborhood, fighting his own tears as he tries to grow into the idea of manhood so imposed on him by his father. As he comes of age, Gordo learns about sex, watches his father's drunken fights, and discovers even his own documented Mexican-American parents are wary of illegal migrants. Fat Cookie, high schooler and resident artist, uses tiny library pencils to draw huge murals of graffiti flowers along the camp's blank walls, the words "CHICANO POWER" boldly lettered across, until she runs away from home one day with her mother's boyfriend, Manny, and steals her mother's Panasonic radio for a final dance competition among the camp kids before she disappears. And then there are Los Tigres, the perfect pair of twins so dark they look like indios, Pepito and Manuel, who show up at Gyrich Farms every season without fail. Los Tigres, champion drinkers, end up assaulting each other in a drunken brawl, until one of them is rushed to the emergency room still slumped in an upholstered chair tied to the back of a pick-up truck. These scenes from Steinbeck Country seen so intimately from within are full of humor, family drama, and a sweet frankness about serious matters - who belongs to America and how are they treated? How does one learn decency, when laborers, grown adults, must fear for their lives and livelihoods as they try to do everything to bring home a paycheck? Written with balance and poise, Cortez braids together elegant and inviting stories about life on a California camp, in essence redefining what all-American means.