This funny, irreverent story collection by Helene Tursten, author of the Irene Huss investigations, features two-never-before translated stories that will keep you laughing all the way to the retirement home.Ever since her darling father’s untimely death when she was only eighteen, Maud has lived in the family’s spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late eighties, Maud contents herself with traveling the world and surfing the net from the comfort of her father’s ancient armchair. It’s a solitary existence, but she likes it that way.Over the course of her adventures—or misadventures—this little bold lady will handle a crisis with a local celebrity who has her eyes on Maud’s apartment, foil the engagement of her long-ago lover, and dispose of some pesky neighbors. But when the local authorities are called to investigate a murder in her apartment complex, will Maud be able to avoid suspicion, or will Detective Inspector Irene Huss see through her charade?

    Beloved for the lens of the strange he places on small town life, Steven Millhauser further reveals in Voices in the Night the darkest parts of our inner selves to brilliant and dazzling effect. Here are stories of wondrously imaginative hyperrealism, stories that pose unforgettably unsettling what-ifs, or that find barely perceivable evils within the safe boundaries of our towns, homes, and even within our bodies. Here, too, are stories culled from religion and fables: Samuel, who hears the voice of God calling him in the night; a young, pre-enlightenment Buddha, who searches for his purpose in life; Rapunzel and her Prince, who struggle to fit the real world to their dream. Heightened by magic, the divine, and the uncanny, shot through with sly and winning humor, Voices in the Night seamlessly combines the whimsy and surprise of the familiar with intoxicating fantasies that take us beyond our daily lives, all done with the hallmark sleight of hand and astonishing virtuosity of one of our greatest contemporary storytellers.

    The Continental Op was his great first contribution to the genre and these seven stories, which first appeared in the magazine Black Mask, are the best examples of Hammett's early writing, in which his formidable literary and moral imagination is already operating at full strength. The Continental Op is the dispassionate fat man working for the Continental Detective Agency, modelled on the Pinkerton Agency, whose only interest is in doing his job in a world of violence, passion, desperate action and great excitement.The tenth clew.--The golden horseshoe.--The house in Turk Street.--The girl with the silver eyes.--The whosis kid.--The main death.--The farewell murder.

    Selby's second novel is a claustrophobic descent into the tormented soul of a man trapped in a loveless society.

    Caleb Maddox is a San Francisco toxicologist studying the chemical effects of pain. After a bruising breakup with his girlfriend, he’s out drinking whiskey when a hauntingly seductive woman appears by his side. Emmeline whispers to Caleb over absinthe, gets his blood on her fingers and then brushes his ear with her lips as she says goodbye. He must find her.As his search begins, Caleb becomes entangled in a serial-murder investigation. The police have been fishing men from the bay, and the postmortems are inconclusive. One of the victims vanished from the bar the night Caleb met Emmeline. When questioned, Caleb can’t offer any information, nor does he tell them he’s been secretly helping the city’s medical examiner, an old friend, study the chemical evidence on the victims’ remains. The search for the killer soon entwines with Caleb’s hunt for Emmeline, and the closer he gets to each, the more dangerous his world becomes.From the first pages up to the haunting, unforgettable denouement, The Poison Artist is a gripping thriller about obsession and damage, about a man unmoored by an unspeakable past and an irresistible woman who offers the ultimate escape.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    S. slave using codes in her quilts as a message system to freedom; from an ex-journalist and her Hopi Indian maid solving a cold case together involving Katchina spirits, to a couple hiding Christian passports in a comforter in Nazi Germany; from a wedding quilt curse dating back to the Salem Witchcraft trials, to a mystery involving a young seamstress in the infamous Triangle Shirt Factory fire; from a 1980's Romeo and Juliet romance between a rising Wall Street financial 'star' and an eclectic fiber artist, to a Haight-Asbury love affair between a professor and a beautiful macrame artist gone horribly askew, just to name a few.

    But then she discovers a string of suggestive texts on his secret burner phone. Even worse, he’s flirting with the woman who shook their unstable marriage once before. But knowledge is power. What’s more dangerous—what Liz knows or what Phil doesn’t know?Laura Lippman’s Slow Burner is part of Hush, a collection of six stories, ranging from political mysteries to psychological thrillers, in which deception can be a matter of life and death. Each piece can be read or listened to in one truly chilling sitting.

    A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” (The New York Times Book Review), “funny and heartbreaking” (The Boston Globe), and “a true marvel” (San Francisco Chronicle), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior.   In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers.

    Each Christmas Eve thereafter, fans rejoiced when Johnson sent out a new short story featuring an episode in Walt’s life that doesn’t appear in the novels; over the years, many have asked why they can’t buy the stories in book form.Wait for Signs collects those beloved stories—and one entirely new story, “Petunia, Bandit Queen of the Bighorns”—for the very first time in a single volume, regular trade hardcover. With glimpses of Walt’s past from the incident in “Ministerial Aide,” when the sheriff is mistaken for a deity, to the hilarious “Messenger,” where the majority of the action takes place in a Port-A-Potty, Wait for Signs is a necessary addition to any Longmire fan’s shelf and a wonderful way to introduce new readers to the fictional world of Absaroka County, Wyoming.

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders' signature blend of exuberant prose, deep humanity, and stylistic innovation.Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov's dictum that art should "prepare us for tenderness."

    Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit. Set against the remarkable backdrop of Denver, Colorado–a place that is as fierce as it is exquisite–these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual.Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.