Massive change. More radical than you could imagine. Her mother is not happy, in fact she’s imploding. Her dad walked out.Alex has turned vegetarian, ditched one school, enrolled in another, thrown out her clothes. And created a new identity. An identity that changes her world.And Alex—the other Alex—has a lot to say about it. Alex As Well is a confronting and heartfelt story of adolescent experience—of questioning identity, discovering sexuality, navigating friendships and finding a place to belong. Alex is a strong, vulnerable, confident, shy and determined character, one you will never forget.With the same tenderness and insight as YA stars such as John Green and David Levithan, Alyssa Brugman has crafted a knockout story about identity, sexuality and family that speaks effortlessly to a universal teen experience.

    Through monologues, emails, and text exchanges, she brilliantly weaves together the coming of age of five distinct characters: a woman who’s “gone off sausage” (men); her brother, in a secret affair with a powerful married man; a lesbian couple confronting an important transition; and the troubled young woman who forces them all to face their fears. With vibrant imagery and daring prose, Korneliussen writes honestly about finding yourself and growing into the person you were meant to be. Praised for creating “its own genre” (Politiken, Denmark), Last Night in Nuuk is a brave entrance onto the literary scene and establishes her as a voice that cannot be ignored.

    Her alienation grows when her mother is swept up in an evangelical church, replete with abstinent salsa dancers and baptisms for the dead. But there, Francisca meets the magnetic Carmen: head of the youth group and the pastor’s daughter. As her mother’s mental health deteriorates, Francisca falls for Carmen and is saved to grow closer with her, even as their relationship hurtles toward a shattering conclusion.

    Arriving in Buenos Aires, she discovers that he has been killed, but she remains: living in a tenement, without friends or family, on the brink of destitution. Still, she is seduced by the music that underscores life in the city: tango, born from lower-class immigrant voices, now the illicit, scandalous dance of brothels and cabarets. Leda eventually acts on a long-held desire to master the violin, knowing that she can never play in public as a woman. She cuts off her hair, binds her breasts, and becomes “Dante,” a young man who joins a troupe of tango musicians bent on conquering the salons of high society. Now, gradually, the lines between Leda and Dante begin to blur, and feelings that she has long kept suppressed reveal themselves, jeopardizing not only her musical career, but her life. Richly evocative of place and time, its prose suffused with the rhythms of the tango, its narrative at once resonant and gripping, this is De Robertis’s most accomplished novel yet.

    Characterized by formal poise, vulnerability, and compassion, Johnson's debut collection is one of resounding generosity and grace.Jenny Johnson is a recipient of the 2015 Whiting Writers' Award, and the 2016 Hodder Fellowship at Princeton. She lives in Pittsburgh, Pennsylvania.

    When the list began to take its toll on his mental health, he changed tack by asking different questions: how is beauty in transmasculinity found? And how is it maintained in a transphobic world?The Appendix, in its new incarnation, begins at the end. Considering the final item on the list, we travel back in time through Liam’s life and his formative experiences on both sides of the globe, and examine the wider hostile climate that trans people face today. In response, focus shifts to celebrate trans joy, the complexities of finding it and, crucially, holding on to it.

    So, when Ana learns that next season's program will be princess themed, doubt forms fast. Still, Ana tries to focus on training and putting together a stellar routine worthy of national success.Once Ana meets Hayden, a transgender boy new to the rink, thoughts about the princess program and gender identity begin to take center stage. And when Hayden mistakes Ana for a boy, Ana doesn't correct him and finds comfort in this boyish identity when he's around. As their friendship develops, Ana realizes that it's tricky juggling two different identities on one slippery sheet of ice. And with a major competition approaching, Ana must decide whether telling everyone the truth is worth risking years of hard work and sacrifice.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    Influenced by everyday moments of Washington, DC living, the poems live outside of the outside and beyond the language of categorical difference, inviting anyone listening to listen a bit closer. Inheritance is about the self’s struggle with definition and assumption.

    In these poems, Smith opens the reader to a world of desire, longing, and deep mourning that picks up where his brothers Hopkins and Whitman left off. Startling in their formal range and virtuosity, these poems interrogate the ways the body not only inhabits but actually becomes public and private space: …tonight, I am no one’s pet, maybe an animal, wounded & hungry for revenge or sympathy but what’s the difference? Danez Smith lays down the gauntlet for all of us to speak our deepest truths with more elegance, more ferocity, and almost more beauty than a reader can bear.—Gabrielle Calvocoressi, Apocalyptic Swing, Poetry Editor for The LA Review of BooksDanez Smith is the crown prince of innovation and ferocity, a stunningly original voice that chooses not to recognize or respect those vexing artistic boundaries. Here is forte unleashed, an elicit glimpse of poetry's yet-to-be-turned page, a reason to stomp and romp in your church shoes. Hallelujah is an understatement.—Patricia Smith, Shoulda Been Jimi Savannah and Blood Dazzler

    She is exhausted from spending eternity doing her job and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death, but until now hadn’t met Death in person – a black, working-class woman who shape-shifts and does her work unseen.Enthralled by her stories, Wolf becomes Mrs Death’s scribe, and begins to write her memoirs. Using their desk as a vessel and conduit, Wolf travels across time and place with Mrs Death to witness deaths of past and present and discuss what the future holds for humanity. As the two reflect on the losses they have experienced – or, in the case of Mrs Death, facilitated – their friendship grows into a surprising affirmation of hope, resilience and love. All the while, despite her world-weariness, Death must continue to hold humans’ fates in her hands, appearing in our lives when we least expect her . . .

    Copperfield at a party. Two serious ladies who want to live outside of themselves, they go in search of salvation: Mrs. Copperfield visits Panama with her husband, where she finds solace among the women who live and work in its brothels; while Miss Goering becomes involved with various men. At the end the two women meet again, each changed by her experience. Mysterious, profound, anarchic and very funny, 'Two Serious Ladies' is a daring, original work that defies analysis.

    Everyone knows nobody wants a transgender boyfriend, right? So he's as shocked as anyone when seemingly-straight Jude Kalinowski asks him out, and doesn't appear to be joking.The only problem is ... well, Jude doesn't actually know.Anton can see how this will play out: Jude is a nice guy, and nice guys finish last. And Anton is transgender, and transgender people don't get happy endings. If he tells Jude, it might destroy everything.And if Jude tells anyone else ... it will.

    In order to help create that community, YA authors David Levithan and Billy Merrell have collected original poems, essays, and stories by young adults in their teens and early 20s. The Full Spectrum includes a variety of writers—gay, lesbian, bisexual, straight, transitioning, and questioning—on a variety of subjects: coming out, family, friendship, religion/faith, first kisses, break-ups, and many others. This one of a kind collection will, perhaps, help all readers see themselves and the world around them in ways they might never have imagined. We have partnered with the Gay, Lesbian and Straight Education Network (GLSEN) and a portion of the proceeds from this book will be donated to them.

    Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp's children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya's secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants displacement, as well as her own constraints in helping them. Not since the inimitable Aaliya of An Unnecessary Woman has Rabih Alameddine conjured such a winsome heroine to lead us to one of the most wrenching conflicts of our time. Cunningly weaving in stories of other refugees into Mina's singular own, The Wrong End of the Telescope is a bedazzling tapestry of both tragic and amusing portraits of indomitable spirits facing a humanitarian crisis.