For no crime on his record, the young officer had been identity wiped, and his innumerable, now-forgotten enemies were still tracking him across the galaxy.

    A smile across a counter at a coffee shop or video store. A secret revealed in a song from another place and time. Or in a love ballad crooned at a high school dance. In this anthology of never-before-published sweet LGBTQ+ stories, six authors explore the beginnings of love between young and new adult couples. All proceeds will support The Trevor Project's work with crisis intervention and suicide prevention for LGBTQ+ youth.

    In the beautifully monstrous realms of his imagination, he is safe from the pain of his losses: his family, his friends, his hope.Until war breaks out, and he is forced to flee the only home he's known since he was thirteen.Captured by an enemy soldier, young Luka is marched across brutal terrain, toward a fate known only by the bearded menace holding him prisoner. Quick with a knife, tireless and strong, Tarik guards the purpose of his mission as he takes Luka deeper and deeper into enemy territory.When the soldier discovers the painful secret he has been hiding since childhood, Luka fears he is about to endure a new kind of cruelty, worse than being abandoned, ostracized or beaten. Or is it possible the soldier holding Luka prisoner is the one person who isn't afraid of the truth behind Luka's silence and lies?

    It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

    All of 31 inches tall, Cady is a true survivor in a town where -- as she says -- "you can die of encouragement." Her early starring role as a lovable elf in an immensely popular American film proved a major disappointment, since moviegoers never saw the face behind the stifling rubber suit she was required to wear. Now, after a decade of hollow promises from the Industry, she is reduced to performing at birthday parties and bat mitzvahs as she waits for the miracle that will finally make her a star.In a series of mordantly funny journal entries, Maupin tracks his spunky heroine across the saffron-hazed wasteland of Los Angeles -- from her all-too-infrequent meetings with agents and studio moguls to her regular harrowing encounters with small children, large dogs and human ignorance. Then one day a lanky piano player saunters into Cady's life, unleashing heady new emotions, and she finds herself going for broke, shooting the moon with a scheme so harebrained and daring that it just might succeed. Her accomplice in the venture is her best friend, Jeff, a gay waiter who sees Cady's struggle for visibility as a natural extension of his own war against the Hollywood Closet.As clear-eyed as it is charming, Maybe the Moon is a modern parable about the mythology of the movies and the toll it exacts from it participants on both sides of the screen. It is a work that speaks to the resilience of the human spirit from a perspective rarely found in literature.

    But when Jamie returns home after twelve years in the Army, Sean finds himself still drawn to the boy who broke his heart. It's a choice between the past and present, and Sean is determined to choose Tyler, the man who has his heart now. Just when Sean thinks he's got it all figured out, sparks begin to fly between Tyler and Jamie, and Sean realizes that maybe he won't have to choose after all.(Originally published by Loose Id, October 2011)

    But after a photo of her dressed as Rosie the Riveter is mocked online, she's having trouble seeing the good in the world. As a result, Poppy trades her beloved vintage clothes for a feathered chicken costume and accepts a job as an anonymous sign waver outside a restaurant. There, Poppy meets six-year-old girl Miracle, who helps Poppy see beyond her own pain, opening her eyes to the people around her: Cam, her twin brother, who is adjusting to life as an openly gay teen; Buck, a charming photographer with a cute British accent and a not-so-cute mean-streak; and Lewis a teen caring for an ailing parent, while struggling to reach the final stages of his gender transition. As the summer unfolds, Poppy stops glorifying the past and starts focusing on the present. But just as she comes to terms with the fact that there is good and bad in everyone, she is tested by a deep betrayal.

    It begins with the reappearance of his ex-boyfriend, Sebastian—the guy who stomped his heart out like a spent cigarette. Just as Rufus is getting ready to move on, Sebastian turns up out of the blue, saying they need to "talk." Things couldn’t get much worse, right?But then Rufus gets a call from his sister April, begging for help. And then he and Sebastian find her, drenched in blood and holding a knife, beside the dead body of her boyfriend, Fox Whitney.April swears she didn’t kill Fox—but Rufus knows her too well to believe she’s telling him the whole truth. April has something he needs, though, and her price is his help. Now, with no one to trust but the boy he wants to hate yet can’t stop loving, Rufus has one night to prove his sister’s innocence…or die trying.

    Every day, he leads his squadron into battle over Earth’s cities in a seemingly endless war against a vicious alien race, defending his home and his loved ones.Millions of miles away, the Fleet’s Elite Squadron attacks from another angle, engaging the enemy on its home turf. Casualties are high, and the Squadron needs more of the Fleet’s very best. But joining the Elite is a death sentence—a surety Kyle isn’t willing to face. Until a devastating attack wipes out the family he refused to leave.Commander Andrei Dezhnyov, an Elite Squadron gunner, isn’t sure what to make of the cocky new American pilot. Kyle is equally uncertain about the snarly Russian, but as they warm up to each other, their tentative alliance becomes a deep bond—one that endangers them both when a daring and disobedient rescue reveals secrets that call into question everything they’ve ever believed about their enemy. Secrets that their superiors would kill to protect.

    At the best of times, his social life consists of work, role-playing games at a local toyshop, and making YouTube videos with his Teddy Bear hamsters. The arrival of the holidays—with the annoying music, Christmas shopping, and all the reminders of how he disappointed his father—just reinforces his reclusive nature.When James Olsen, a gorgeous daddy bear who frequents the bathhouse, notices him, Brian is at a loss. He’s not proud of his own bear status or his struggle with weight. The idea that James has interest in him beyond an easy hookup is more than Brian can fathom. But with a little bit of holiday magic, James might help Brian learn to accept Christmas again—and himself.

    Blair loves Finn too, but he’s not in love with him. How can you be in love with someone you’ve known your entire life? Shouldn’t in love feel...different? Newer. Bigger. More…exciting?Sure, maybe Blair is too romantic—but wasn’t Finn the one who always said there were plenty of fish in the sea?

    Those words don’t comfort Emily, because she was born Christopher and her insides know that her outsides are all wrong.They say that it gets better, be who are you and it’ll be fine. For Emily, telling her parents who she really is means a therapist who insists Christopher is normal and Emily is sick. Telling her girlfriend means lectures about how God doesn’t make that kind of mistake.Emily desperately wants high school in her small Minnesota town to get better. She wants to be the woman she knows is inside, but it’s not until a substitute therapist and a girl named Natalie come into her life that she believes she has a chance of actually Being Emily.A story for anyone who has ever felt that the inside and outside don’t match and no one else will understand...

    Estranged from his abusive mother, he's made a new life for himself as a successful lawyer in Los Angeles.When Cory's mother dies he grudgingly returns to his hometown to handle the estate. Rhys Tucker owns the construction company that is going to renovate Cory's childhood home. But Cory is unaware that Rhys has harbored a crush on him since they were in high school. When Cory comes home Rhys takes that opportunity to get close to Cory. Or at least try to.Their physical chemistry is undeniable, but will Cory ever be able to have a real relationship with Rhys after being so emotionally scarred by his past? Can a heart as damaged as Cory's every really come home?

    He is a little disappointed by the facilities on the Border, but he gets to meet Serene-Heart-In-The-Chaos-Of-Battle, an elf warrior, and Luke Sunborn, an annoyingly brave human warrior native to the magical land he’s crossed into. There are also mermaids, unicorns, harpies and assorted battles and political issues, with Elliot alternating between diplomatic genius and saying the completely wrong thing.Rees Brennan is an expert storyteller than can have you laughing out loud one moment and in tears the next. Her characters are tridimensional and varied and nobody is without good reason to do good and terrible things. "The Turn of the Story" was inspired in the magical worlds of Tamora Pierce, Diana Wynne Jones’s Witch Week, Harry Potter, Neil Gaiman’s The Books of Magic, Eva Ibbotson’s Which Witch? and Jill Murphy's Worst Witch but it's an original piece which awknowledges and comments in its influences, engaging with its predecessors both with the joy of a reader and the critical self awareness of a writer. Elliot is marked by SRB's distinctive voice and the reader is constantly delighted by his referencing of a world that, accross the Border, it's as fictional as the Border is for us, creating a metafictional loop in which the reader and Elliot are the only ones aware of the implications of the plot in its context in our reality. So far magic school was total rubbish.Elliot sat on the fence bisecting two fields and brooded tragically over his wrongs.He had been taken away from geography class, one of his most interesting classes, to take some kind of scholarship test out in the wild. A woman in odd clothing had ‘tested’ him by asking him if he could see a wall standing in the middle of a field. When he told her “Obviously, because it’s a wall. Walls tend to be obvious” she had pointed out other people blithely walking through the wall as if it was not there, and told him that he was one of the chosen few with the sight.“Are you telling me that I have magical powers?” Elliot had asked, extremely excited for a moment, and then he added: “… because I can’t walk through walls? That doesn’t seem right.”