They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its ability to reflect our deepest concerns.The stories in this selection range from pure whimsy and romance to witty satire and darker, uncanny mystery. Paradox proves central to a form offered equally to children and adults. Fairyland is a dynamic and beguiling place, one that permits the most striking explorations of gender, suffering, love, family, and the travails of identity. Michael Newton's introduction and notes explore the literary marketplace in which these tales appeared, as well as the role they played in contemporary debates on scepticism and belief. The book also includes a selection of original illustrations by some of the masters of the field such as Richard Doyle, Arthur Hughes, and Walter Crane.

    “In the capital of one of China’s vast and wealthy kingdoms,” begins Shahrazad— the tale’s imperiled-yet-ingenious storyteller—there lived Aladdin, a rebellious fifteen-year-old who falls prey to a double-crossing sorcerer and is ultimately saved by the ruse of a princess.One of the best-loved folktales of all time, Aladdin has been capturing the imagination of readers, illustrators, and filmmakers since an eighteenth-century French publication first added the tale to The Arabian Nights. Yet, modern English translators have elided the story’s enchanting whimsy and mesmerizing rhythms. Now, translator Yasmine Seale and literary scholar Paulo Lemos Horta offer an elegant, eminently readable rendition of Aladdin in what is destined to be a classic for decades to come.

    A contemporary of Randolph Caldecott and Walter Crane, she attracted a wide audience in the United States and England, and many of her books were even translated into German and French.One of Greenaway's early successes was Mother Goose, or the Old Nursery Rhymes, first published in 1881, featuring such favorite poems as "Little Jack Horner," "Little Bo Peep," and "Jack and Jill" paired with whimsical illustrations of children playing in an idyllic countryside. Her enchanting watercolors evoked the urban Victorian reader's nostalgia for the rural life of earlier times and echoed Greenaway's own longing to retreat to a more tranquil setting than her native London.This new edition of Kate Greenaway's Mother Goose reproduces illustrations from the rare 1881 edition in the Huntington Library's collections. The Huntington owns an extensive collection of books illustrated by Greenaway, several of her manuscripts, and nearly one hundred of her original drawings.

    Including Sleeping Beauty, Bluebeard, Cinderella, Thumbelina, and Hansel and Gretel, as well as many others, this collection provides a historical introduction for each tale and a general Introduction which traces the history of fairy tales collected in Asia and Europe long before they appeared in English.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

     Buy Once Upon a Happy Ending to start the timeless anthology today! Note:The current available edition only contains 13 Stories from 14 different authors.

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    Rose is one of three daughters of a rich merchant who always brings gifts for his girls from the market. One day Rose asks for the seed of a blue bean, but he fails to find one for her. She lets out a sigh in resignation, and her sigh attracts the Sigh, a mysterious being that brings the seed she desired to the merchant. But every debt has to be paid, and every gift has a price, and the Sigh returns a year later to take the merchant's daughter to a secret and distant palace.

    While such speculation is murky, it is clear that de Maupassant—hailed alongside Chekhov as father of the short story—was at the peak of his powers in this innovative precursor of first-person psychological fiction. Indeed, he worked for years on The Horla’s themes and form, first drafting it as “Letter from a Madman,” then telling it from a doctor’s point of view, before finally releasing the terrified protagonist to speak for himself in its devastating final version. In a brilliant new translation, all three versions appear here as a single volume for the first time.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Includes The Sleeping Beauty, The Frog Prince, Puss in Boots, Thumbelina, Cinderella, Little Red Riding Hood, and Beauty and the Beast.

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    But when he turns up at the cottage to warm himself by the fire, they realise this is a very special scarecrow indeed.

    This volume brings together all eleven of his shorter fairy stories as well as his essay "The Fantastic Imagination". The subjects are those of traditional fantasy: good and wicked fairies, children embarking on elaborate quests, and journeys into unsettling dreamworlds. Within this familiar imaginative landscape, his children's stories were profoundly experimental, questioning the association of childhood with purity and innocence, and the need to separate fairy tale wonder from adult scepticism and disbelief.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    This dramatic Kindle in Motion edition presents seven classic stories—each restored to its original version and reimagined with modern digital illustrations.Each tale is lovingly portrayed by a different artist: Kali Ciesemier’s vibrant colors animate the thorny path of “Briar Rose.” The sinister course of “Hansel and Gretel” takes a twist in the candy hues of Peter Diamond. Daniel Krall’s richly detailed line work shines amid the wickedly dark “The Juniper-Tree.” Nicolas Rix’s charming storybook style delights in “The Frog-Prince or Iron Henry.” Ashley Mackenzie’s golden tones light up the ball in “Cinderella.” Horses, ducks, and birds turn macabre in Wesley Allsbrook’s wildly gestural portrayal of “The White Snake.” And Rapunzel lets down her hair in Rovina Cai’s hauntingly beautiful drawings.Experience the iconic classics you know and love, lavishly illustrated to breathe new life into age-old tales.