Nancy Mitford's most famous novel, The Pursuit of Love satirizes British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

    Suddenly orphaned, their three children are cruelly separated. Megan, the baby, adopted by a family of comfortable means, becomes doctor in the rural Appalachia. Alexandra, raised in lavish wealth, marries a powerful man whose pride is his pedigree and who assumes that Alexandra is her parents' natural offspring. Neither of them has the remotest suspicion that she is adopted, or what turbulent tragedy lurks in her past. And Hilary, oldest of the Walker children, remembers them all, and the grief that tore them apart and cast them into separate lives. Feeling the loss throughout her life, and unable to find her sisters, she builds an extraordinary career and has no personal life. When John Chapman, lawyer and prestigious private investigator, is asked to find these three women, he wonders why. Their parents' only friend, he did nothing to keep them together  as children and has been haunted by remorse all his life. The investigator follows a trail that leads from chic New York to Boston slums, from elegant Parisian salons to the Appalachian hills, to the place where the three sisters face each other and one more final, devastating truth before they can move on.

    Blandings has impostors like other houses have mice. Now there are two of them – both intent on a dangerous enterprise. Lord Emsworth’s secretary, the efficient Baxter, is on the alert and determined to discover what is afoot – despite the distractions caused by the Honorable Freddie Threepwood’s hapless affair of the heart.

    By the time the last diary shuts, there have been great changes in the Mortmain household, not the least of which is that Cassandra is deeply, hopelessly, in love.

    With the sure touch of a master, Michener pulls us into the dark center of their private world, whether it's in Spain, Marrakech, or Mozambique, and exposes the naked nerve ends with shocking candor and infinite compassion."A superior, picaresque novel...and a revealing mirror held up to contemporary society."JOHN BARKHAM REVIEWS

    Since she left Dublin, she’s been spending her days teaching English to rich children—she’s been assigned the grammar classes because she lacks warmth—and her nights avoiding petulant roommates in her cramped apartment.When Ava befriends Julian, a witty British banker, he offers a shortcut into a lavish life her meager salary could never allow. Ignoring her feminist leanings and her better instincts, Ava finds herself moving into Julian’s apartment, letting him buy her clothes, and, eventually, striking up a sexual relationship with him. When Julian’s job takes him back to London, she stays put, unsure where their relationship stands.Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her. Ava has been carefully pretending that Julian is nothing more than an absentee roommate, so when Julian announces that he’s returning to Hong Kong, she faces a fork in the road. Should she return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.

    192 pages.Evie Decker is a shy, slightly plump teenager, lonely and silent. But her quiet life is shattered when she hears the voice of Drumstrings Casey on the radio and becomes instantly attracted to him. She manages to meet him, bursting out of her lonely shell--and into the attentive gaze of the intangible man who becomes all too real....

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    Her normally dispassionate father breaks down, her mother becomes distant and unavailable, and matters only get worse when her cousin and her best friend start doing things to each other that leave Maggie confused about sex and terrified of sin.With all of this upheaval, how can she be sure that what she wants is even worth having?

    When Tom Brangwen marries a Polish widow,Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. All are seeking individual fulfilment, but it is Ursula, Anna's spirited daughter, who, in search for self-knowledge, rejects the conventional role of womanhood.

     Dr Richard Buckley returns to his beloved Dunderrig, disillusioned and damaged by the futility of war. At his side is Solange Allingham, his best friend’s widow who has lost everything she ever loved. Richard’s wife Edith is bitter at what she sees as her husband’s betrayal of his country by wearing a British uniform. After giving birth to twins, she withdraws into a silent world, finally leaving her family for strange new bedfellows. Solange is obliged to overcome her own heartbreak to become the mother Edith’s children so badly need. James and Juliet are inseparable and incorrigible and the life blood of Dunderrig. As they grow up, they come of age into a world where despite the horrors of the past, war looms large yet again. From tranquil West Cork to wartime Belfast, from neutral Dublin to occupied France, the twins lives diverge in unforeseen ways as Dunderrig waits anxiously once more for the safe return of its children.

    Wodehouse documented the lives of the inimitable Jeeves and Wooster for nearly sixty years, from their first appearance in 1915 ("Extricating Young Gussie") to his final completed novel (Aunts Aren't Gentlemen) in 1974. These two were the finest creations of a novelist widely proclaimed to be the finest comic English writer by critics and fans alike.Now, forty years later, Bertie and Jeeves return in a hilarious affair of mix-ups and mishaps. With the approval of the Wodehouse estate, acclaimed novelist Sebastian Faulks brings these two back to life for their legion of fans. Bertie, nursing a bit of heartbreak over the recent engagement of one Georgina Meadowes to someone not named Wooster, agrees to "help" his old friend Peregrine "Woody" Beeching, whose own romance is foundering. That this means an outing to Dorset, away from an impending visit from Aunt Agatha, is merely an extra benefit. Almost immediately, things go awry and the simple plan quickly becomes complicated. Jeeves ends up impersonating one Lord Etringham, while Bertie pretends to be Jeeves' manservant "Wilberforce,"—and this all happens under the same roof as the now affianced Ms. Meadowes. From there the plot becomes even more hilarious and convoluted, in a brilliantly conceived, seamlessly written comic work worthy of the master himself.A Kirkus Reviews Best Fiction Book of 2013

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, Elena Ferrante tells the story of a sixty-year friendship between the brilliant and bookish Elena and the fiery, rebellious Lila with unmatched honesty and brilliance.