Frank gives a scrupulously detailed explanation of the critical months leading up to the dropping of the atomic bomb. Frank explains how American leaders learned in the summer of 1945 that their alternate strategy to end the war by invasion had been shattered by the massive Japanese buildup on Kyushu, and that intercepted diplomatic documents also revealed the dismal prospects of negotiation. Here also, for the first time, is a comprehensive account of how Japan's leaders were willing to risk complete annihilation to preserve the nation's existing order. Frank's comprehensive account demolishes long-standing myths with the stark realities of this great historical controversy.

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    (Timur Lenk would leave piles of severed heads in his conquered cities; another tribe sent nine sacks of ears to their khan.) Less studied is the remarkable effectiveness of their battle techniques: For two thousand years, these horse-archer armies were an unstoppable force to sedentary peoples, be they Romans, Crusaders, Chinese, or medieval. Erik Hildinger introduces the most important of these raiders as well as a host of other tribes and examines in detail their tactics, strategies, and weaponry—a form of highly mobile and defensive warfare that even armies of today can learn from.

    At the war’s end in September 1945, under General MacArthur’s media blackout, correspondents were forbidden to enter both Nagasaki and Hiroshima. But instead of obediently staying with the press corps in northern Japan, Weller broke away. The intrepid newspaperman reached Nagasaki just weeks after the atomic bomb hit the city. Boldly presenting himself as a U.S. colonel to the Japanese military, Weller set out to explore the devastation.As Nagasaki’s first outside observer, long before any American medical aid arrived, Weller witnessed the bomb’s effects and wrote “the anatomy of radiated man.” He interviewed doctors trying to cure those dying mysteriously from “Disease X.” He typed far into every night, sending his forbidden dispatches back to MacArthur’s censors, assuming their importance would make them unstoppable. He was wrong: the U.S. government censored every word, and the dispatches vanished from history.Weller also became the first to enter the nearby Allied POW camps. From hundreds of prisoners he gathered accounts of watching the atomic explosions bring an end to years of torture and merciless labor in Japanese mines. Their dramatic testimonies sum up one of the least-known chapters of the war—but those stories, too, were silenced.It is a powerful experience, more than 60 years later, to walk with Weller through the smoldering ruins of Nagasaki, or hear the sagas of prisoners who have just learned that their torment is over, and watch one of the era’s most battle-experienced reporters trying to accurately and unsentimentally convey to the American people scenes unlike anything he—or anyone else—knew. Weller died in 2002, believing it all lost forever. Months later, his son found a fragile copy in a crate of moldy papers. This historic body of work has never been published.Along with reports from the brutal POW camps, a stirring saga of the worst of the Japanese “hellships” which carried U.S. prisoners into murder and even cannibalism, and a trove of Weller’s unseen photos, First into Nagasaki provides a moving, unparalleled look at the bomb that killed more than 70,000 people and ended WWII. Amid current disputes over the controlled embedding of journalists in war zones and a government’s right to keep secrets, it reminds us how such courageous rogue reporting is still essential to learning the truth.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Authentic samurai, farmers, craftsmen, merchants, courtiers, priests, entertainers and outcasts come to life in this magnificently illustrated portrait of a colorful society.

    Includes the work of many of Japan's most brilliant artists, including Hiroshige, Hokusai, and Yoshitoshi.

    Thrust into the closed society that is seventeenth-century Japan, a land where the line between life and death is razor-thin, Blackthorne must negotiate not only a foreign people, with unknown customs and language, but also his own definitions of morality, truth, and freedom. As internal political strife and a clash of cultures lead to seemingly inevitable conflict, Blackthorne's loyalty and strength of character are tested by both passion and loss, and he is torn between two worlds that will each be forever changed.Powerful and engrossing, capturing both the rich pageantry and stark realities of life in feudal Japan, Shōgun is a critically acclaimed powerhouse of a book. Heart-stopping, edge-of-your-seat action melds seamlessly with intricate historical detail and raw human emotion. Endlessly compelling, this sweeping saga captivated the world to become not only one of the best-selling novels of all time but also one of the highest-rated television miniseries, as well as inspiring a nationwide surge of interest in the culture of Japan. Shakespearean in both scope and depth, Shōgun is, as the New York Times put it, "...not only something you read--you live it." Provocative, absorbing, and endlessly fascinating, there is only one: Shōgun.

    This little book is both thought-provoking and a delight to read. Edwin O. Reischauer, Former U.S. Ambassador to Japan

    The young soldiers discover that the trials of war involve more than just opposing the enemy. The alien climate and terrain, the strange behavior of foreigners, the constant struggle to overcome homesickness and nostalgia, and the emotions stirred by the senselessness of war—all of these forces, new and baffling to the soldiers, contribute to their distress and disorientation.In the midst of these overwhelming challenges, they discover the power of music to make even the most severe situations tolerable—through their commander's ability to lead them in song. Even though they face the inevitability of defeat, singing the songs of their homeland revives their will to live. Through the story of these men and of the music that saw them through the war, Takeyama presents thought-provoking questions about political hostilities and the men who unleash them. Harp of Burma is Japan's classic novel of pathos and compassion in the midst of senseless warfare.Harp of Burma was made into a critically acclaimed movie (The Burmese Harp) by the celebrated director Ichikawa Kon.

    The sketches are written in the "haibun" style--a linking of verse and prose. The title piece, in particular, reveals Basho striving to discover a vision of eternity in the transient world around him and his personal evocation of the mysteries of the universe.

    Peopling the pages are nobles, peasants, women, students, writers, and rebels--all offering their own distinct and colorful perspective. Illuminating the many ways in which Chinese society has been influenced by foreign cultures, The Open Empire depicts China as a country with a dynamic, open history.

    1008 at the height of the Heian period, Lady Sarashina (as she is known) probably wrote most of her work towards the end of her life, long after the events described. Thwarted and saddened by the real world with all its deaths and partings and frustrations, Lady Sarashina protected herself by a barrier of fantasy and so escaped from harsh reality into a rosier more congenial realm. She presents her vision of the world in beautiful prose, the sentences flowing along smoothly so that we feel we are watching a magnificent scroll being slowly unrolled.'It is like seeing a garden at night in which certain parts are lit up so brightly that we can distinguish each blade of grass, each minute insect, each nuance of colour, while the rest of the garden and the tidal wave that threatens it remain in darkness'--Ivan Morris

    Ranging through history, literature, folklore, linguistics, and sociology, this is a breezy, straightforward primer of surprising breadth.

    As you will discover in The Sword & the Mind, this pivotal seventeenth-century how-to guide for the swordsman is also a penetrating philosophical and psychological treatise on strategy. Yagyu Munenori's step-by-step instructions for positioning, striking—with one and two swords—and defending oneself against an opponent can be applied with equal success to many types of conflict, from sword fight to political struggle to business competition.The techniques and disciplines presented in this classic of tactical and strategic wisdom were developed and refined by three of Japan's greatest swordsman: Kamiizumi Hidetsuna (1508-1577), who founded the Shinkage school of swordsmanship; his greatest student Yagyu Muneyoshi (1529-1606), who further perfected many of Hidetsuna's techniques; and Muneyoshi's son, Munenori (1571-1646), who set down this timeless masterpiece to be passed on from teacher to student.In this exquisite translation, P.E.N. translation award winner Hiroaki Sato brings the legacy of these three superior swordsmen to the modern Western reader. With more than 25 black-and-white illustrations, glossary, chronology, bibliography, and comprehensive annotations The Sword & the Mind illuminates the lives and times of the three masters as well as the cultural and philosophical landscape in which they lived.