Using an array of examples from Melville and Dostoyevsky to contemporary writers Paula Fox, Edward P. Jones, and Lorrie Moore, Baxter explains how fiction writers create those visible and invisible details, how what is displayed evokes what is not displayed.The Art of Subtext is part of The Art of series, a new line of books by important authors on the craft of writing, edited by Charles Baxter. Each book examines a singular, but often assumed or neglected, issue facing the contemporary writer of fiction, nonfiction, or poetry. The Art of series means to restore the art of criticism while illuminating the art of writing.

    He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe.Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the post-psychological novel.

    In the world of writing, "story" physics can be harnessed in much the same way to make your novel or screenplay the best it can be. In Story Physics, best-selling author Larry Brooks introduces you to six key literary forces that, when leveraged in just the right way, enable you to craft a story that's primed for success--and publication.Inside Story Physics, you'll learn how to: Understand and harness the six storytelling forces that are constantly at work in your fiction. Transform your story idea into a dramatically compelling concept. Optimize the choices you make in terms of character, conflict, subplot, subtext, and more to render the best possible outcome. These literary forces will elevate your story above the competition and help you avoid the rejection pile. With Story Physics, you won't just give your story wings--you'll teach it how to fly."Larry Brooks speaks my kind of language about story. Any writer, even those trucking in the world of nonfiction, will benefit from going deeper into the physics of storytelling as Brooks explains in these pages." - James Scott Bell, best-selling author of Plot & Structure"Larry Brooks has done it again! If you liked "Story Engineering," I suspect you're going to love "Story Physics," which dives even deeper into the essence of story. "Story Physics" is an essential addition to every novelist's bookshelf." - Randy Ingermanson, author of Writing Fiction for Dummies

    A rare, revelatory portrait, as close as you're ever going to get to the Escher drawing that is Christopher Nolan's remarkable brain (Sam Mendes). In chapters structured by themes and motifs (Time; Chaos; Dreams), Shone offers an unprecedented intimate view of the director. Shone explores Nolan's thoughts on his influences, his vision, his enigmatic childhood past--and his movies, from plots and emotion to identity and perception, including his latest blockbuster, the action-thriller/spy-fi Tenet (Big, brashly beautiful, grandiosely enjoyable--Variety).Filled with the director's never-before-seen photographs, storyboards, and scene sketches, here is Nolan on the evolution of his pictures, and the writers, artists, directors, and thinkers who have inspired and informed his films.Fabulous: intelligent, illuminating, rigorous, and highly readable. The very model of what a filmmaking study should be. Essential reading for anyone who cares about Nolan or about film for that matter.--Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood and Walt Disney, The Biography

    He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.

    What form should the narrator take? An omniscient, invisible force, or one--or more--of the characters? But in what voice, and from what vantage point? How to decide? Avoiding prescriptive instructions or arbitrary rules, Christopher Castellani brilliantly examines the various ways writers have solved the crucial point-of-view problem. By unpacking the narrative strategies at play in the work of writers as different as E. M. Forster, Grace Paley, and Tayeb Salih, among many others, he illustrates how the author's careful manipulation of distance between narrator and character drives the story. An insightful work by an award-winning novelist and the artistic director of GrubStreet, The Art of Perspective is a fascinating discussion on a subject of perpetual interest to any writer.

    In Media Unlimited, a remarkable and original look at our media-glutted, speed-addicted world, Todd Gitlin makes us stare, as if for the first time, at the biggest picture of all. From video games to elevator music, action movies to reality shows, Gitlin evokes a world of relentless sensation, instant transition, and nonstop stimulus. He shows how all media, all the time fuels celebrity worship, paranoia, and irony; and how attempts to ward off the onrush become occasions for yet more media. Far from signaling a "new information age," the media torrent, as Gitlin argues, encourages disposable emotions and casual commitments, and threatens to make democracy a sideshow.Both a startling analysis and a charged polemic, Media Unlimited reveals the unending stream of manufactured images and sounds as a defining feature of our civilization and a perverse culmination of Western hopes for freedom.

    These fantastic stories have travelled across cultural borders, and been passed down from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over her long writing career, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich collection of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. She makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.

    It reprints the 1885 text of the first American edition (with a portfolio of illustrations) along with critical essays representing major critical and cultural controversies surrounding the work. The novel and essays are supported by distinctive editorial material — including introductions to critical conflict in literary studies, to Twain’s life and work, and to each critical controversy highlighted in this edition — that helps students grapple not only with the novel’s critical issues but also with cultural debates about literature itself. In addition to several new critical essays, the second edition includes an appendix on how to argue about the novel so that students may more effectively enter the critical conversation about its issues.

    In this singular study, Amanda Adams uses poetic language and invokes a wide range of representations and disciplines — from literature, poetry, and mythology to anthropology and folklore — to reclaim this icon of female power for modern readers. Beginning with Melusina, the bathing mermaid par excellence, Adams describes the seductive sirens and their honeyed songs, the powerful Arctic sea goddess Sedna, and the long-haired rusalki of Russian lore, among other legendary mermaids. As she tells their stories, she considers the womanly, passionate, rage-filled, and seductively sweet sides of the mermaid and how those traits reflect the lives and moods of women who live on drier shores. In discovering mermaids and their stories, the author presents a striking narrative of uncovering the unusual, the beautiful, and the extraordinary in her own life.

    Tales such as 'Hansel and Gretel', 'Little Red Cape' and 'The Robber Bridegroom' depict the dangers lurking in dark forests, and others, including 'Briar-Rose' and 'Snow White' show young beauties punished by unforgiving sorceresses. Other tales include 'Thickasathumb', which portrays a childless young couple whose wish for a baby is granted in an unexpected way, while 'The Frog King' tells of a rash promise made by a haughty princess to share her bed with a frog, and a fortune is won in 'The Blue Lamp', when a soldier gains a kingdom with the help of a magic lamp.David Luke's vibrant translation is accompanied by an introduction discussing the key themes of the tales and the literary background of the Brothers Grimm. This edition also includes new further reading and a chronology, with notes and a glossary.Jacob (1785-1863) and Wilhelm (1786-1859) are nowadays simply known as 'the brothers Grimm'. Both brothers were state-appointed librarians in Kassel, and later members of the Academy of Arts and Sciences in Berlin, where Frederick William IV of Prussia had invited them to settle. Two of Germany's greatest scholars, Jacob is regarded as the founder of the scientific study of the German language, and with his brother Wilhelm initiated the Deutsches Wörterbuch, a dictionary of all words in modern High German since 1450.If you enjoyed the Selected Tales of the Brothers Grimm, you might like Hans Christian Andersen's Fairy Tales, also available in Penguin Classics.

    That means you must be willing to take risks and sometimes look the fool. You must be willing to transform experience, not simply record it. If you were a good liar, daydreamer, or troublemaker as a child, you'll probably make a good fiction writer. Daydreams, lies, and trouble. That's the stuff of fiction. In Turning Life into Fiction, Robin Hemley offers a highly entertaining and in-depth manual—with writing exercises on how to convert real life into good storytelling. He covers a wide range of subjects, including how to record and generate ideas from daily life and how to write effectively using true anecdotes, real places, and real people. A self-proclaimed liar and thief, Hemley also addresses the legal and ethical concerns of "borrowing" experience from the lives of strangers and loved ones.Lively, informative, and inspirational, Turning Life into Fiction is an invaluable text for any fiction writer. First published in 1994, this new edition is updated and expanded to include nearly a dozen short stories that Hemley refers to throughoutthe book.

    Grammar gurus agree: Drama in writing emerges from the interplay of a subject (noun) and a predicate (verb). Constance Hale, the best-selling author of Sin and Syntax, zooms in on the colorful world of verbs. Synthesizing the pedagogical and the popular, the scholarly and the scandalous, Hale combines the wit of Bill Bryson with the practical wisdom of William Zinsser. She marches through linguistic history to paint a layered picture of our language—from before it really existed to the quirky usages we see online today. She warns about habits to avoid and inspires with samples of brilliant writing. A veteran teacher, Hale gives writing prompts along the way, helping readers “try, do, write, play.” Vex, Hex, Smash, Smooch guides us to more powerful writing by demonstrating how to use great verbs with style.

    One of the group's most noteworthy and enduring achievements was the Slave Narrative Collection, consisting of more than 2,000 transcripts of interviews with former slaves, who, in blunt, simple words, provided often-startling first-person accounts of their lives in bondage. This book reprints some of the most detailed and engrossing life histories in the collection. Each narrative is complete.Thirty-four gripping testimonies are included, with all slave occupations represented — from field hand and cook to French tutor and seamstress. Personal treatment reported by these individuals also encompassed a wide range — from the most harsh and exploitative to living and working conditions that were intimate and benevolent.An illuminating and unique source of information about life in the South before, during, and after the Civil War, these memoirs, most importantly, preserve the opinions and perspective of those who were enslaved. Invaluable to students, teachers, and specialists in Southern history, this compelling book will intrigue anyone interested in the African-American experience.

    Prepared to be awed and inspired by Chris Froome riding on at the Tour de France with a broken wrist or Geraint Thomas finishing it with a broken pelvis.In The Hardmen the writers behind cycling superblog Velominati.com and The Rules will tell the stories and illuminate the myths of not just the greatest cyclists ever, but the toughest. From Eddy Merckx to Beryl Burton, and from Marianne Vos to Edwig Van Hooydonk, the book will lay bare the secrets of their extraordinary and inspirational endurance in the face of pain, danger and disaster. After all, suffering is one of the joys of being a cyclist. Embrace climbs, relish the descents, and get ready to harden up. . .