Clover traces Eurasianism’s origins in the writings of White Russian exiles in 1920s Europe, through Siberia’s Gulag archipelago in the 1950s, the dissolution of the Soviet Union in the early 1990s, and up to its steady infiltration of the governing elite around Vladimir Putin. This eye-opening analysis pieces together the evidence for Eurasianism’s place at the heart of Kremlin thinking today and explores its impact on recent events, the annexation of Crimea, the rise in Russia of anti-Western paranoia and imperialist rhetoric, as well as Putin’s sometimes perplexing political actions and ambitions.Based on extensive research and dozens of interviews with Putin’s close advisers, this quietly explosive story will be essential reading for anyone concerned with Russia’s past century, and its future.

    How did this unimaginable transformation take place? How was a ravaged and backward country, swept up in a desperately unpopular war, rocked by not one but two revolutions?This is the story of the extraordinary months between those upheavals, in February and October, of the forces and individuals who made 1917 so epochal a year, of their intrigues, negotiations, conflicts and catastrophes. From familiar names like Lenin and Trotsky to their opponents Kornilov and Kerensky; from the byzantine squabbles of urban activists to the remotest villages of a sprawling empire; from the revolutionary railroad Sublime to the ciphers and static of coup by telegram; from grand sweep to forgotten detail.Historians have debated the revolution for a hundred years, its portents and possibilities: the mass of literature can be daunting. But here is a book for those new to the events, told not only in their historical import but in all their passion and drama and strangeness. Because as well as a political event of profound and ongoing consequence, Miéville reveals the Russian Revolution as a breathtaking story.From the Hardcover edition.

    Its uniquely qualified author, a diplomat and historian who represented this country as our Ambassador to the Soviet Union, George F. Kennan believes like Thucydides that the history of the past is our best source of guidance for the present. Mr. Kennan’s narrative takes the reader through three decades of the most profound violence and change, tracing diplomatic relations between the Western powers and the Soviet Union from the Russian Revolution of 1917 to the end of World War II. At every stage of the story Mr. Kennan points up the successive dilemmas, sometimes leading to tragedy, which grew out of ignorance and mutual distrust. From the deposition of the Russian Tsar in 1917 to the illusions and errors of 1945, one confrontation after another has expanded from misunderstanding to hostility. The Allied intervention in Russia, into which we muddled ourselves in 1918 while our gaze was fixed on winning the first World War in Europe; the Russian fixation on their domestic revolution at the expense of waging the war against Germany; the conflicting and short-sighted aims of the Western statesmen at the Versailles conference in 1919; the incredible Western stuffiness (the only word for it) which drove a renascent Germany into Russia’s arms at Rapallo in 1922; Stalin’s bottomless mistrust, not only of foreign statesmen, but of his own most intimate colleagues in Moscow, which hurled Russia into the bloody purges of 1934-1938; the Russian cupidity in China; the fantastic yet grimly tragic story of events leading up to the Soviet-German Nonaggression Pact of 1939, and the cynical piracy which Hitler and Stalin practised on each other thereafter; and the unquenchable innocence governing the actions of Roosevelt and the Western military leaders during World War II and culminating in Yalta — all of these episodes serve Mr. Kennan as the raw material for lessons for the present day. As he takes us with him on this dangerous dramatic path of frustration and misunderstanding, Mr. Kennan pauses to illuminate the hazards attendant upon all summit meetings; to speculate on the perennial fantasy inherent in Western notions about China; to question the extent to which world events can be controlled from any central point, whether it be Moscow or Washington; to comment on the havoc raised by the conduct of two World Wars with the objective of unconditional surrender; to etch brilliant portraits of such figures as Woodrow Wilson, Rathenau, Lenin, Curzon, Chicherin, Stalin, Molotov, Hitler, Ribbentrop, Roosevelt and those others who on both sides have been entrusted with our destinies for the last forty-five years. The result is a narrative which the publishers are proud to present as a world-significant contribution to history. It will be read with fascination and with profit by both the specialist and the intelligent general reader—and it is urgently needed at a time when the Soviet historians are fabricating their interpretations of these very years in a way that is deeply discreditable to the free world.

    In A People's History of the Russian Revolution, Neil Faulkner sets out to debunk the myths and pry fact from fiction, putting at the heart of the story the Russian people who are the true heroes of this tumultuous tale. In this fast-paced introduction, Faulkner tells the powerful narrative of how millions of people came together in a mass movement, organized democratic assemblies, mobilized for militant action, and overturned a vast regime of landlords, profiteers, and warmongers.   Faulkner rejects caricatures of Lenin and the Bolsheviks as authoritarian conspirators or the progenitors of Stalinist dictatorship, and forcefully argues that the Russian Revolution was an explosion of democracy and creativity—and that it was crushed by bloody counter-revolution and replaced with a form of bureaucratic state-capitalism.   Grounded by powerful first-hand testimony, this history marks the centenary of the Revolution by restoring the democratic essence of the revolution, offering a perfect primer for the modern reader.

    Petersburg, a failed uprising ignited a process that would, one red October, finally sweep the autocracy away. The Shadow of the Winter Palace recounts an extraordinary century of Russian history, a politically tempestuous time that was also a Golden Age of intellectual and artistic achievement -- the century of Dostoyevsky and Tolstoy, of Rimsky-Korsakov and Tchaikovsky. A master stylist and a distinguished historian, Edward Crankshaw limns dazzling portraits of the czars, the revolutionaries, and a host of other unforgettable characters -- and provides a riveting, sweeping history "jam-packed with information about the past and implications for the present"(Atlantic Monthly).

    While Vladimir Putin has been president and prime minister of Russia, the Kremlin has deployed the security services to intimidate the political opposition, reassert the power of the state, and carry out assassinations overseas. At the same time, its agents and spies were put beyond public accountability and blessed with the prestige, benefits, and legitimacy lost since the Soviet collapse.The security services have played a central— and often mysterious—role at key turning points in Russia during these tumultuous years: from the Moscow apartment house bombings and theater siege, to the war in Chechnya and the Beslan massacre. The security services are not all-powerful; they have made clumsy and sometimes catastrophic blunders. But what is clear is that after the chaotic 1990s, when they were sidelined, they have made a remarkable return to power, abetted by their most famous alumnus, Putin.

    

    His novellas are celebrated as being in the tradition of great nineteenth-century Russian writing. In "Another Life," a woman suddenly widowed attempts to grasp the memory of her brilliant, erratic husband, and to understand their life together. "The House on the Embankment" is the story of an academic opportunist who rises to apparatchik but suffers the oppression of society, friends, and most of all his inability to make decisions.

    Drawing on interviews with Gorbachev himself, transcripts and documents from the Russian archives, and interviews with Kremlin aides and adversaries, Taubman’s intensely personal portrait extends to Gorbachev’s remarkable marriage to a woman he deeply loved. Nuanced and poignant, yet unsparing and honest, this sweeping account has all the amplitude of a great Russian novel.

    The prospect of a summer job as a tour guide at the Pushkin Hills Preserve offers him hope of regaining some balance in life as his wife makes plans to emigrate to the West with their daughter Masha, but during Alikhanov’s stay in the rural estate of Mikhaylovskoye, his life continues to unravel.Populated with unforgettable characters—including Alikhanov’s fellow guides Mitrofanov and Pototsky, and the KGB officer Belyaev—Pushkin Hills ranks among Dovlatov’s renowned works The Suitcase and The Zone as his most personal and poignant portrayal of the Russian attitude towards life and art.

    Mikhail Gorbachev, a sophisticated and urbane reformer, sought to modernize and preserve the USSR; Boris Yeltsin, a coarse and a hard drinking “bulldozer,” wished to destroy the union and create a capitalist Russia. The defeat of the August 1991 coup attempt, carried out by hardline communists, shook Gorbachev’s authority and was a triumph for Yeltsin. But it took four months of intrigue and double-dealing before the Soviet Union finally collapsed, and the day arrived when Yeltsin could hustle Gorbachev out of the Kremlin, and move in as ruler of Russia.Conor O’Clery has written a unique and truly suspenseful thriller of the day the Soviet Union died. The internal power plays, the shifting alliances, the betrayals, the mysterious three colonels carrying the briefcase with the nuclear codes, and the jockeying to exploit the future are worthy of John Le Carré or Alan Furst. The Cold War’s last act was a magnificent dark drama played out in the shadows of the Kremlin.

    Their showdown in Reykjavik, Iceland, held the world spellbound for two months with reports of psychological warfare, ultimatums, political intrigue, cliffhangers, and farce to rival a Marx Brothers film.Thirty years later, David Edmonds and John Eidinow have set out to reexamine the story we recollect as the quintessential cold war clash between a lone American star and the Soviet chess machine - a machine that had delivered the world title to the Kremlin for decades. Drawing upon unpublished Soviet and U.S. records, the authors reconstruct the full and incredible saga, one far more poignant and layered than hitherto believed.The authors chronicle how Fischer, a manipulative, dysfunctional genius, risked all to seize control of the contest as the organizers maneuvered frantically to save it - under the eyes of the world's press. They can now tell the inside story of Moscow's response, and the bitter tensions within the Soviet camp as the anxious and frustrated apparatchiks strove to prop up Boris Spassky, the most un-Soviet of their champions - fun-loving, sensitive, and a free spirit. Edmonds and Eidinow follow this careering, behind-the-scenes confrontation to its climax: a clash that displayed the cultural differences between the dynamic, media-savvy representatives of the West and the baffled, impotent Soviets. Try as they might, even the KGB couldn't help.

    - an Australian metals trader named Garry-with help from the CIA-inadvertently triggered the invasion of Iraq - coalition troops were killed by bombs made with explosives that, according to the White House, never existed - the United States Air Force bombed a wedding in Afghanistan by mistake - the U.S. gave material support to the president of Uzbekistan, who, as it happens, boils people aliveThese are not merely random disasters from an otherwise effective war. A History of the World Since 9/11shows us just why, a decade after the horrifying attacks on New York and Washington, we are no closer towinning the war on terror than we were on September 10, 2001. We failed to find Osama bin Laden or quellextremism. We sparked civil wars in Afghanistan and Iraq. Around the world, innocents were incarcerated,tortured, and murdered-all in the name of justice.Acclaimed author and journalist Dominic Streatfeild traveled across the world for years in pursuit ofanswers for this stunning collapse of international law. The results of his search form the most fully realized study of the war on terror yet written. Piercing reportage blends with sobering human drama, woven into eight narratives of how our world went wrong after 9/11.

    But it was clear - to some - that the Soviet Union was already executing a plan to expand and foment revolution around the world. The American government's strategy in response relied on the secret efforts of a newly-formed CIA.The Quiet Americans chronicles the exploits of four spies - Michael Burke, a charming former football star fallen on hard times, Frank Wisner, the scion of a wealthy Southern family, Peter Sichel, a sophisticated German Jew who escaped the Nazis, and Edward Lansdale, a brilliant ad executive. The four ran covert operations across the globe, trying to outwit the ruthless KGB in Berlin, parachuting commandos into Eastern Europe, plotting coups, and directing wars against Communist insurgents in Asia.But time and again their efforts went awry, thwarted by a combination of stupidity and ideological rigidity at the highest levels of the government - and more profoundly, the decision to abandon American ideals. By the mid-1950s, the Soviet Union had a stranglehold on Eastern Europe, the U.S. had begun its disastrous intervention in Vietnam, and America, the beacon of democracy, was overthrowing democratically-elected governments and earning the hatred of much of the world. All of this culminated in an act of betrayal and cowardice that would lock the Cold War into place for decades to come.Anderson brings to the telling of this story all the narrative brio, deep research, skeptical eye, and lively prose that made Lawrence in Arabia a major international bestseller. The intertwined lives of these men began in a common purpose of defending freedom, but the ravages of the Cold War led them to different fates. Two would quit the CIA in despair, stricken by the moral compromises they had to make; one became the archetype of the duplicitous and destructive American spy; and one would be so heartbroken he would take his own life.The Quiet Americans is the story of these four men. It is also the story of how the United States, at the very pinnacle of its power, managed to snatch defeat from the jaws of victory.

    Oligarchs and oil barons may still dominate international news coverage, but their prosperity masks a deep-rooted demographic tragedy. Faced with staggering population decline—and near-certain economic collapse—driven by toxic levels of alcohol abuse, Russia is also battling a deeper sickness: a spiritual one, born out of the country’s long totalitarian experiment. In The Last Man in Russia, award-winning journalist Oliver Bullough uses the tale of a lone priest to give life to this national crisis. Father Dmitry Dudko, a dissident Orthodox Christian, was thrown into a Stalinist labor camp for writing poetry. Undaunted, on his release in the mid-1950s he began to preach to congregations across Russia with little concern for his own safety. At a time when the Soviet government denied its subjects the prospect of advancement, and turned friend against friend and brother against brother, Dudko urged his followers to cling to hope. He maintained a circle of sacred trust at the heart of one of history’s most deceitful systems. But as Bullough reveals, this courageous group of believers was eventually shattered by a terrible act of betrayal—one that exposes the full extent of the Communist tragedy. Still, Dudko’s dream endures. Although most Russians have forgotten the man himself, the embers of hope that survived the darkness are once more beginning to burn. Leading readers from a churchyard in Moscow to the snow-blanketed ghost towns of rural Russia, and from the forgotten graves of Stalin’s victims to a rock festival in an old gulag camp, The Last Man in Russia is at once a travelogue, a sociological study, a biography, and a cri de coeur for a dying nation—one that, Bullough shows, might yet be saved.