It’s almost forty years since they left the convent and went their separate ways, but now the old school friends are planning to meet again.Bonnie, shattered by the death of her husband, is back in Australia after decades in Europe, and she’s discovering that while financial security eliminates worry, she seems not to have a life.Fran, long divorced, is a struggling freelance food writer, battling to balance her diet, her bank balance and her relationship with her adult children.And Sylvia, marooned in a long and sterile marriage to an ambitious Anglican minister, and facing a crisis that will crack her world wide open.They had almost forgotten how it feels confide in women friends, but back together again, sharing their past lives, their secrets, their aspirations and their deepest fears Sylvia, Fran and Bonnie embark on a creative venture that will challenge everything they thought they knew about themselves and will change their lives for ever.

    Haunted by his memories and the disappearance of a fellow survivor, George’s fractured life is intertwined with that of a woman from another dimension, seeking refuge on Earth. This is a novel imbued with beauty and feeling, filled both with existential loneliness and a deep awareness that all life is interdependent.

    Amy Bloom writes great short stories. Her first collection, Come to Me, was a finalist for the National Book Award, and here she deepens and extends her mastery of the form.Real people inhabit these pages, the people we know and are, the people we long to be and are afraid to be: a mother and her brave, smart little girl, each coming to terms with the looming knowledge that the little girl will become a man; a wildly unreliable narrator bent on convincing us that her stories are not harmless; a woman with breast cancer, a frightened husband, and a best friend, all discovering that their lifelong triangle is not what they imagined; a man and his stepmother engaged in a complicated dance of memory, anger, and forgiveness. Amy Bloom takes us straight to the center of these lives with rare generosity and sublime wit, in flawless prose that is by turns sensuous, spare, heartbreaking, and laugh-out-loud funny.These are transcendent stories: about the uncertain gestures of love, about the betrayals and gifts of the body, about the surprises and bounties of the heart, and about what comes to us unbidden and what we choose.A blind mand can see how much I love you --Rowing to Eden --Lionel and Julia (Night vision, Light into dark) --Stars at elbow and foot --Hold tight --The gates are closing --The story

    But when all contact is lost with this mystery island, four crack special force units are brought in - can anything prepare them for the horror of what they will find there?

    With "Nightfall," written in 1941, Asimov triggered a spark of awareness in the publishing community that science fiction could be more than Buck Rogers comic books. His "Foundation" series and robot novels (he coined the word "robotics") are acknowledged as the cornerstone of modern science fiction. Asimov's Foundation series was awarded the Best All-time Novel Series Hugo Award in 1966. He was awarded the special lifetime Nebula Grandmaster award in 1987.Over the next fifty years, Isaac Asimov would distinguish himself as one of the most prolific, versatile, and creative authors ever. His broad range of works includes histories, children's books, collections of articles, mysteries, and books concerning the Bible, literature, geography, humor, and nonfiction science material. He managed over his creative lifetime to have at least one book included in each of the Dewey Decimal System's 10 major library classifications. He was known for his profound knowledge of Shakespeare, the Bible, Gilbert and Sullivan, limericks, and history, whether it be Roman, Greek or American. Isaac Asimov died in 1992 at the age of 72.Volume 1 of "Isaac Asimov: Short Stories" contains the Hugo and Nebula Award Nominee, Locus Poll Award Winner and Asimov's Reader's Choice Award Winner "Robot Dreams," the Hugo Award Winner and Locus Poll Award Nominee "Gold," the Locus Poll Award Nominee "Potential," the Asimov's Reader's Choice Award Nominated "Kid Brother," and more excellent short science fiction, including arare 1974 Saturday Evening Post four-part series, collectively entitled the "The Dream."

    Violence! Time travel! Midgets! Yes, tremble in fear at Tank Girl: The Novel!Tank Girl and Booga have launched an all-out assault on the town of Chankers, starting with the church. But what prompted this attack? Could it have something to do with Booga’s nightmare vacation there years ago? Well whaddyou think?Destined to become a literary classic — y’know, like Watership Down or something — and a mainstay of high school syllabuses, this is Tank Girl as you’ve never experienced her before: in attractively justified eight point serif.

    Neither as pretty as cousin Alicia nor as domineering as mother Drusilla, she seems doomed to a quiet life of near poverty at Missalonghi, her family's pitifully small homestead in Australia's Blue Mountains. But it's a brand new century--the twentieth--a time for new thoughts and bold new actions. And Missy Wright is about to set every self-righteous tongue in the town of Byron wagging. Because she has just set her sights on a mysterious, mistrusted, and unsuspecting stranger... who just might be Prince Charming in disguise.

    They hide in back yards, car lots, shopping malls. They devour neighbors, dogs and police officers. And they are here to stay. The real question is, what are you going to do about it? How will you survive?How will the world change when the dead begin to rise? Stoker-award-winning author Christopher Golden has assembled an original anthology of never-before-published zombie stories from an eclectic array of today's hottest writers. Inside there are stories about military might in the wake of an outbreak, survival in a wasted wasteland, the ardor of falling in love with a zombie, and a family outing at the circus. Here is a collection of new views on death and resurrection.With stories from Joe Hill, John Connolly, Max Brooks, Kelley Armstrong, Tad Williams, David Wellington, David Liss, Aimee Bender, Jonathan Maberry, and many others, this is a wildly diverse and entertaining collection... the last word on The New Dead.

    In dystopias that are exaggerated versions of the world in which we live, these characters strive for intimacy and struggle to resolve their fraught relationships with each other, with themselves, and with their place in the natural world. We meet a wealthy woman who purchases a high-tech sex toy in the shape of a man, a rowdy, moody crew of college students who resolve the energy crisis, and orphaned twin sisters who work as futuristic strippers--and we see that no one is quite who they appear.

    Gabriel Kane goes from a struggling architect to one of the most powerful men in the world; Armonía Solorsano -- a young Hispanic girl who grew up in a dilapidated suburban McMansion-turned-tenement -- invents one of the most important and influential pieces of technology in history; a non-profit organization goes from a charity to a decentralized domestic terrorist group; and the greatest democracy in the world finds itself falling into the ever-tightening grip of a dictator.As five people come together with the shared goal of changing the world, they discover that their approaches are fundamentally and irreconcilably at odds. Their partnership becomes a bitter political and high-tech rivalry from which only one of them can emerge.This novella by Christian Cantrell (about 16,000 words) portrays an intersection of politics and technology which is both extremely relevant, and frighteningly feasible.

    Greenberg / The King of Beasts / My Sister's Brother / The Alley Man / The God Business / Mother / Sail On! Sail On!

    .Poppy's world has been tipped sideways: the husband who never wanted children has betrayed her with her broody best friend.At least Annalise is on her side. Her new friend is determined to celebrate their freedom from kids, so together they create a Facebook group to meet up with like-minded women, and perhaps vent just an little about smug mummies' privileges at work.Meanwhile, their colleague Frankie would love a night out, away from her darlings - she's not had one this decade and she's heartily sick of being judged by women at the office as well as stay-at-home mums.Then Poppy and Annalise's group takes on a life of its own and frustrated members start confronting mums like Frankie in the real world. Cafés become battlegrounds, playgrounds become war zones and offices have never been so divided.A rivalry that was once harmless fun is spiraling out of control.Because one of their members is a wolf in sheep's clothing. And she has an agenda of her own . . .

    For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the many who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.Contents: Introduction (Book 1: The Hanged Man, Tales of Dread) • essay by Orson Scott Card Eumenides in the Fourth Floor Lavatory (1979) / novelette by Orson Scott Card Quietus (1979) / short story by Orson Scott Card Deep Breathing Exercises (1979) / short story by Orson Scott Card Fat Farm (1980) / short story by Orson Scott Card Closing the Timelid (1979) / short story by Orson Scott Card Freeway Games (1979) / short story by Orson Scott Card A Sepulchre of Songs (1981) / novelette by Orson Scott Card Prior Restraint (1986) / short story by Orson Scott Card The Changed Man and the King of Words (1982) / novelette by Orson Scott Card Memories of My Head (1990) / short story by Orson Scott Card Lost Boys (1989) / short story by Orson Scott Card Afterword (Book 1: The Hanged Man, Tales of Dread) • essay by Orson Scott Card Introduction (Book 2: Flux, Tales of Human Futures) • essay by Orson Scott Card A Thousand Deaths [Tales of Capitol] (1978) / novelette by Orson Scott Card Clap Hands and Sing (1982) / short story by Orson Scott Card Dogwalker (1989) / novelette by Orson Scott Card But We Try Not to Act Like It (1979) / short story by Orson Scott Card I Put My Blue Genes On (1978) / short story by Orson Scott Card In the Doghouse (1978) / short story by Orson Scott Card and Jay A. Parry The Originist [Foundation] (1989) / novella by Orson Scott Card Afterword (Book 2: Flux, Tales of Human Futures) • essay by Orson Scott Card Introduction (Book 3: Maps in a Mirror, Fables and Fantasies) • essay by Orson Scott Card Unaccompanied Sonata (1979) / short story by Orson Scott Card A Cross-Country Trip to Kill Richard Nixon (1980) / novelette by Orson Scott Card The Porcelain Salamander (1981) • short story by Orson Scott Card Middle Woman (1981) / short story by Orson Scott Card The Bully and the Beast (1979) / novella by Orson Scott Card The Princess and the Bear (1980) / novelette by Orson Scott Card Sandmagic [Mither Mages] (1979) / novelette by Orson Scott Card The Best Day (1984) / short story by Orson Scott Card A Plague of Butterflies (1981) / short story by Orson Scott Card The Monkeys Thought 'Twas All in Fun (1979) / novelette by Orson Scott Card Afterword (Book 3: Maps in a Mirror, Fables and Fantasies) • essay by Orson Scott Card Introduction (Book 4: Cruel Miracles, Tales of Death, Hope, and Holiness) • essay by Orson Scott Card Mortal Gods (1979) / short story by Orson Scott Card Saving Grace (1987) / short story by Orson Scott Card Eye for Eye (1987) / novella by Orson Scott Card St. Amy's Tale (1980) / novelette by Orson Scott Card Kingsmeat (1978) / short story by Orson Scott Card Holy (1980) / novelette by Orson Scott Card Afterword (Book 4: Cruel Miracles, Tales of Death, Hope, and Holiness) • essay by Orson Scott Card Introduction (Book 5: Lost Songs, The Hidden Stories) • essay by Orson Scott Card Ender's Game [Ender Wiggin] (1977) / novelette by Orson Scott Card Mikal's Songbird (1978) / novelette by Orson Scott Card Prentice Alvin and the No-Good Plow [The Alvin Maker Saga] (1989) • poem by Orson Scott Card Malpractice (1977) / short story by Orson Scott Card Follower (1978) / short story by Orson Scott Card Hitching (1978) / short story by Orson Scott Card Damn Fine Novel (1989) / short story by Orson Scott Card Billy's Box (1978) / short story by Orson Scott Card The Best Family Home Evening Ever (1978) / short story by Orson Scott Card Bicicleta (1977) / short story by Orson Scott Card I Think Mom and Dad Are Going Crazy, Jerry (1979) / short story by Orson Scott Card Gert Fram (1977) / short story by Orson Scott Card Afterword (Book 5: Lost Songs, The Hidden Stories) • essay by Orson Scott Card

    Standouts include "Kirinyaga" and "For I Have Touched the Sky," two installments from Resnick's well-regarded Kirinyaga series, set on an orbital space habitat modeled on a pre-colonial African culture. Contentsxi • Foreword: The Man Who Hated Short Stories • (1992) • essay by Mike Resnick1 • Introduction: Will the Last Person to Leave the Planet Please Shut off the Sun? • (1992) • essay by Mike Resnick3 • Will the Last Person to Leave the Planet Please Shut off the Sun? • (1992) • shortstory by Mike Resnick7 • Introduction: Kirinyaga • (1992) • essay by Mike Resnick8 • Kirinyaga • [Kirinyaga • 2] • (1988) • novelette by Mike Resnick31 • Introduction: Me and My Shadow • (1992) • essay by Mike Resnick32 • Me and My Shadow • (1984) • shortstory by Mike Resnick51 • Introduction: Mrs. Hood Unloads • (1992) • essay by Mike Resnick52 • Mrs. Hood Unloads • (1991) • shortfiction by Mike Resnick57 • Introduction: Over There • (1992) • essay by Mike Resnick58 • Over There • [Teddy Roosevelt] • (1991) • novelette by Mike Resnick85 • Introduction: The Last Dog • (1992) • essay by Mike Resnick86 • The Last Dog • (1977) • shortstory by Mike Resnick95 • Introduction: King of the Blue Planet • (1992) • essay by Mike Resnick96 • King of the Blue Planet • (1988) • shortstory by Mike Resnick111 • Introduction: Watching Marcia • (1992) • essay by Mike Resnick112 • Watching Marcia • (1981) • shortstory by Mike Resnick125 • Introduction: Death Is an Acquired Trait • (1992) • essay by Mike Resnick126 • Death Is an Acquired Trait • (1988) • shortstory by Mike Resnick133 • Introduction: The Crack in the Cosmic Egg • (1992) • essay by Mike Resnick134 • The Crack in the Cosmic Egg • (1988) • shortstory by Mike Resnick137 • Introduction: Revolt of the Sugar Plum Fairies • (1992) • essay by Mike Resnick138 • Revolt of the Sugar Plum Fairies • (1992) • shortstory by Mike Resnick151 • Introduction: For I Have Touched the Sky • (1992) • essay by Mike Resnick152 • For I Have Touched the Sky • [Kirinyaga • 3] • (1989) • novelette by Mike Resnick183 • Introduction: Frankie the Spook • (1992) • essay by Mike Resnick184 • Frankie the Spook • (1990) • shortstory by Mike Resnick203 • Introduction: Beibermann's Soul • (1992) • essay by Mike Resnick204 • Beibermann's Soul • (1988) • shortstory by Mike Resnick209 • Introduction: Balance • (1992) • essay by Mike Resnick210 • Balance • [Susan Calvin (Robot)] • (1989) • shortstory by Mike Resnick217 • Introduction: Posttime in Pink • (1992) • essay by Mike Resnick218 • Posttime in Pink • (1991) • novelette by Mike Resnick249 • Introduction: Beachcomber • (1992) • essay by Mike Resnick250 • Beachcomber • (1980) • shortstory by Mike Resnick255 • Introduction: Blue • (1992) • essay by Mike Resnick256 • Blue • (1979) • shortstory by Mike Resnick261 • Introduction: Stalking the Unicorn with Gun and Camera • (1992) • essay by Mike Resnick262 • Stalking the Unicorn with Gun and Camera • (1986) • shortstory by Mike Resnick271 • Introduction: Monsters of the Midway • (1992) • essay by Mike Resnick272 • Monsters of the Midway • (1991) • shortstory by Mike Resnick279 • Introduction: Malish • (1992) • essay by Mike Resnick280 • Malish • (1991) • shortstory by Mike Resnick285 • Introduction: The Light that Blinds, the Claws that Catch • (1992) • essay by Mike Resnick286 • The Light that Blinds, the Claws that Catch • [Teddy Roosevelt] • (1992) • shortstory by Mike Resnick295 • Introduction: His Award-Winning Science Fiction Story • (1992) • essay by Mike Resnick296 • His Award-Winning Science Fiction Story • (1988) • shortstory by Mike Resnick309 • Introduction: Was It Good For You, Too? • (1992) • essay by Mike Resnick310 • Was It Good For You, Too? • (1989) • shortstory by Mike Resnick317 • Introduction: God and Mr. Slatterman • (1992) • essay by Mike Resnick318 • God and Mr. Slatterman • (1984) • shortstory by Mike Resnick327 • Introduction: The Fallen Angel • (1992) • essay by Mike Resnick328 • The Fallen Angel • (1984) • shortfiction by Mike Resnick331 • Introduction: How I Wrote the New Testament, Ushered in the Renaissance, and Birdied the 17th Hole at Pebble Beach • (1992) • essay by Mike Resnick332 • How I Wrote the New Testament, Ushered in the Renaissance, and Birdied the 17th Hole at Pebble Beach • (1990) • shortstory by Mike Resnick339 • Introduction: Winter Solstice • (1992) • essay by Mike Resnick340 • Winter Solstice • (1991) • shortstory by Mike Resnick

    For almost three years, the Federation and the Klingon Empire, allied under the Khitomer Accords, have contended with the nascent coalition on a predominantly cold-war footing. But as Starfleet rebuilds itself, factions within the Typhon Pact grow restive, concerned about their own inability to develop a quantum slipstream drive to match that of the Federation. Will leaders such as UFP President Bacco and RSE Praetor Kamemor bring about a lasting peace across the Alpha and Beta Quadrants, or will the cold war between the two alliances deepen, and perhaps even lead to an all-out shooting war? Raise the Dawn After the disastrous events in the Bajoran system, Captain Benjamin Sisko must confront the consequences of the recent choices he has made in his life. At the same time, the United Federation of Planets and its Khitomer Accords allies have come to the brink of war with the Typhon Pact. While factions within the Pact unsuccessfully used the recent gestures of goodwill—the opening of borders and a joint Federation-Romulan exploratory mission—to develop quantum-slipstream drive, they have not given up their goals. Employing a broad range of assets, from Romulus to Cardassia, from Ab-Tzenketh to Bajor, they embark on a dangerous new plan to acquire the technology they need to take control of the Alpha and Beta Quadrants. While UFP President Bacco and Romulan Praetor Kamemor work feverishly to reestablish peace, Captains Sisko, Jean-Luc Picard, and Ro Laren stand on the front lines of the conflict...even as a new danger threatens the Bajoran wormhole as it once more becomes a flashpoint of galactic history. Brinkmanship The Venette Convention has always remained independent, but it is about to become the flashpoint for a tense military standoff between the two power blocs now dominating interstellar space—the United Federation of Planets and the recently formed Typhon Pact. The Venetan government turns to the Typhon Pact’s Tzenkethi Coalition for protection in the new order, and has agreed to allow three of their supply bases for Tzenkethi use. But these bases—if militarized—would put Tzenkethi weapons unacceptably close to Federation, Cardassian, and Ferengi space. While Captain Ezri Dax and the crew of the U.S.S. Aventine are sent to investigate exactly what is happening at one of the Venette bases, Captain Jean-Luc Picard and the U.S.S. Enterprise are assigned to a diplomatic mission sent to the Venette homeworld in order to broker a mutually acceptable resolution. But the Cardassian delegates don’t seem particularly keen on using diplomacy to resolve the situation, which soon spirals out of control toward all-out war. . .