He was one of the colonels closest to the Supreme Commander. When they meet, years later, far from their country of birth, a strange, equivocal relationship develops between them. Both their shared past of suffering and old romantic passions come rushing back accompanied by recollections of the perverse logic of violence that dominated the dicatorship under which they lived. The Man Who Snapped His Fingers is a novel of ideas, exploring power and memory by an important female writer from a part of the world where female voices are routinely silenced.

    It was a chilly spring morning in Brooklyn when a nineteen-year-old Linda Sarsour stared at her reflection, dressed in a hijab for the first time showing the woman she was growing to be--unapologetic in her faith and her activism. A young Palestinian Muslim American woman discovering her innate sense of justice in the aftermath of 9/11. Now, most heralded for her award-wining leadership with the Women's March on Washington, We Are Not Here to Be Bystanders presentsstory of love, justice, and family. From the Brooklyn bodega her father owned where Linda learned the real meaning of intersectionality to protesting in the streets of Washington, DC, Linda's story as a woman, daughter of immigrants, wife, mother, and friend is a portrayal of what it means to find one's voice and use it for the good of others.

    The source of this enmity was the Armenian genocide of 1915 at the hands of the Ottoman Turkish government, and Turkey's refusal to acknowledge it. A century onward, Armenian and Turkish lobbies spend hundreds of millions of dollars to convince governments, courts and scholars of their clashing versions of history.Frustrated by her community's all-consuming campaigns for genocide recognition, Toumani leaves a promising job at The New York Times and moves to Istanbul. Instead of demonizing Turks, she sets out to understand them, and in a series of extraordinary encounters over the course of four years, she tries to talk about the Armenian issue, finding her way into conversations that are taboo and sometimes illegal. Along the way, we get a snapshot of Turkish society in the throes of change, and an intimate portrait of a writer coming to terms with the issues that drove her halfway across the world.In this far-reaching quest, told with eloquence and power, Toumani probes universal questions: how to belong to a community without conforming to it, how to acknowledge a tragedy without exploiting it, and most importantly how to remember a genocide without perpetuating the kind of hatred that gave rise to it in the first place.

    Benazir Bhutto, the country’s former prime minister and the first woman ever to lead a Muslim country, had been assassinated at a political rally just outside Islamabad. Back in Karachi—Bhutto’s birthplace and Pakistan’s other great metropolis—Rafia Zakaria’s family was suffering through a crisis of its own: her Uncle Sohail, the man who had brought shame upon the family, was near death. In that moment these twin catastrophes—one political and public, the other secret and intensely personal—briefly converged.    Zakaria uses that moment to begin her intimate exploration of the country of her birth. Her Muslim-Indian family immigrated to Pakistan from Bombay in 1962, escaping the precarious state in which the Muslim population in India found itself following the Partition. For them, Pakistan represented enormous promise. And for some time, Zakaria’s family prospered and the city prospered. But in the 1980s, Pakistan’s military dictators began an Islamization campaign designed to legitimate their rule—a campaign that particularly affected women’s freedom and safety. The political became personal when her aunt Amina’s husband, Sohail, did the unthinkable and took a second wife, a humiliating and painful betrayal of kin and custom that shook the foundation of Zakaria’s family but was permitted under the country’s new laws. The young Rafia grows up in the shadow of Amina’s shame and fury, while the world outside her home turns ever more chaotic and violent as the opportunities available to post-Partition immigrants are dramatically curtailed and terrorism sows its seeds in Karachi.   Telling the parallel stories of Amina’s polygamous marriage and Pakistan’s hopes and betrayals, The Upstairs Wife is an intimate exploration of the disjunction between exalted dreams and complicated realities.

    The most extreme and radical of all Islamic organizations, the Taliban inspires fascination, controversy, and especially fear in both the Muslim world and the West. Correspondent Ahmed Rashid brings the shadowy world of the Taliban into sharp focus in this enormously interesting and revealing book. It is the only authoritative account of the Taliban and modern day Afghanistan available to English language readers.Based on his experiences as a journalist covering the civil war in Afghanistan for twenty years, traveling and living with the Taliban, and interviewing most of the Taliban leaders since their emergence to power in 1994, Rashid offers unparalleled firsthand information. He explains how the growth of Taliban power has already created severe instability in Russia, Iran, Pakistan, and five Central Asian republics. He describes the Taliban' s role as a major player in a new "Great Game"—a competition among Western countries and companies to build oil and gas pipelines from Central Asia to Western and Asian markets. The author also discusses the controversial changes in American attitudes toward the Taliban—from early support to recent bombings of Osama Bin Laden's hideaway and other Taliban-protected terrorist bases—and how they have influenced the stability of the region.

    For A Magazine Dedicated to debunking the nation's business culture, the final years of the twentieth century overflowed with bounty. "It was the most spectacular outbreak of mass delirium that we are likely to see in our lifetimes, " wrote the editors of The Baffler. What was for others the dawn of a "New Economy" was for The Baffler a cornucopia of absurdity--the costliest political and financial hustle in living memory. Reporting from places far from the white-hot centers of the libertarian revolution, Baffler writers were the people of whom it was fashionable to say they just don't get it. While New Democrats turned somersaults for Wall Street and economic commentary became puffery, these bold, talented, and very funny writers observed the crescendo of folly with which the century turned. Here their best writings are selected, updated, and reaffirmed, to sharpen our wits and inoculate us against follies yet to come.

     Negin Farsad is an Iranian-American-Muslim female stand-up comedian who believes she can change the world through jokes. And yes, sometimes that includes fart jokes. In this candid and uproarious book, Farsad shares her personal experiences growing up as the "other" in an American culture that has no time for nuance. In fact, she longed to be black and/or Mexican at various points of her youth, you know, like normal kids. Right? RIGHT? Writing bluntly and hilariously about the elements of race we are often too politically correct to discuss, Farsad takes a long hard look at the iconography that still shapes our concepts of "black," "white," and "Muslim" today-and what it means when white culture defines the culture. Farsad asks the important questions like, What does it mean to have a hyphenated identity? How can we actually combat racism, stereotyping, and exclusion? Do Iranians get bunions at a higher rate than other ethnic groups? (She's asking for a friend.) How to Make White People Laugh tackles these questions with wit, humor, and incisive intellect. And along the way, you might just learn a thing or two about tetherball, Duck Dynasty, and wine slushies.

    This unique collection seeks to shed light on that injustice and subjugation, as well as the hard-won literary progress made, putting some of America’s most cherished voices in a conversation in one magnificent volume that presents reading as an act of resistance. Organized into three sections, the Peril, the Power, and Pleasure, and with an array of contributors both classic and contemporary, Black Ink presents the brilliant diversity of black thought in America while solidifying the importance of these writers within the greater context of the American literary tradition. At times haunting and other times profoundly humorous, this unprecedented anthology guides you through the remarkable experiences of some of America’s greatest writers and their lifelong pursuits of literacy and literature. The foreword was written by Nikki Giovanni. Contributors include: Frederick Douglass, Solomon Northup, Booker T. Washington, W.E.B. Du Bois, Zora Neale Hurston, Langston Hughes, James Baldwin, Malcolm X, Maya Angelou, Martin Luther King, Jr., Toni Morrison, Walter Dean Myers, Stokely Carmichael [Kwame Ture], Alice Walker, Jamaica Kincaid, Henry Louis Gates, Jr., Terry McMillan, Junot Diaz, Edwidge Danticat, Colson Whitehead, Marlon James, Roxane Gay, Ta-Nehisi Coates, Chimamanda Ngozi Adichie, and Colson Whitehead. The anthology features a bonus in-depth interview with President Barack Obama.

    Anthony, Simone de Beauvoir, W.E.B. Du Bois, Hélène Cixous, Betty Friedan, Charlotte Perkins Gilman, Emma Goldman, Guerrilla Girls, Ding Ling, Audre Lorde, John Stuart Mill, Christine de Pizan, Adrienne Rich, Margaret Sanger, Huda Shaarawi, Sojourner Truth, Mary Wollstonecraft, and Virginia Woolf.The Essential Feminist Reader is the first anthology to present the full scope of feminist history. Prizewinning historian Estelle B. Freedman brings decades of teaching experience and scholarship to her selections, which span more than five centuries. Moving beyond standard texts by English and American thinkers, this collection features primary source material from around the globe, including short works of fiction and drama, political manifestos, and the work of less well-known writers. Freedman’s cogent Introduction assesses the challenges facing feminism, while her accessible, lively commentary contextualizes each piece. The Essential Feminist Reader is a vital addition to feminist scholarship, and an invaluable resource for anyone interested in the history of women.

    For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death.  Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation.  It is a ritual no woman can refuse.  But Fauziya dared to try.  This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S.  prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars.  Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic.  In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf.  Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996.  Do They Hear You When You Cry is her unforgettable chronicle of triumph.

    In an old ruined city, emptied of most of its inhabitants, Ustad Ramzi, a famous wrestler past his prime, and Gohar Jan, a well-known courtesan whose kotha once attracted the wealthy and the eminent, contemplate the former splendour of their lives and the ruthless currents of time and history that have swept them into oblivion.

    Bearing witness to stories that are too often overlooked, it is a raw and intimate journey to crises in four corners of the world: war in Chechnya, ethnic cleansing in Burma, globalization in Mexico, and AIDS in Malawi. The voices we encounter are those of displaced women and children, in their own words or in stories told in text and images by noted writers and artists. The stories unfold in an avalanche: An orphan goes to jail for stealing leftovers. A teenage girl falls in love in a city of disappeared women. A child soldier escapes his army only to be saved by the people he was taught to kill. Mia Kirshner’s journals guide us through a unique paper documentary brought vividly to life in collaboration with J.B. MacKinnon, Paul Shoebridge, and Michael Simons, with featured works by Joe Sacco, Ann-Marie MacDonald, Phoebe Gloeckner, Chris Abani, Karen Connelly, Kamel Khelif, and many others.~THE JOURNEYS ~IngushetiaThe border of the Russian republic of Ingushetia is not even fifty miles from Grozny, the capital city of Chechnya. Today, some 15,000 Chechen refugees live in Ingushetia. Mia Kirshner and Joe Sacco traveled here together, returning with first-person accounts, video, photographs, and other materials gathered in Nazran and Moscow. The chapter includes journals by Mia Kirshner, the story of a young refugee as told by J.B. MacKinnon, the story of a young piano virtuoso as told by Ann-Marie Macdonald, and a graphic novella of Chechen refugees by Joe Sacco.BurmaEthnic cleansing by the Burmese military has displaced an estimated 500,000 to 1 million people; over 100,000 live in refugee camps along the Thailand-Burma border. Burma is also believed to be home to more child soldiers than any other country in the world. Mia Kirshner and Michael Simons took separate trips to the region; this chapter is based on their interviews, photos, and video, as well as writing by sex workers and Karen refugees. It includes journals by Mia Kirshner, as well as work by Chris Abani, Karen Connelly, J.B. Mackinnon, and a graphic novella by Kamel Khélif.Juárez Ciudad Juárez is a large industrial border city in Mexico across the Rio Grande from El Paso, Texas. Since 1993, young women, many of them employees of Juárez’s more than three hundred maquiladoras, or global trade zone factories, have been disappearing from the streets. Mia Kirshner and Phoebe Gloeckner made independent journeys to this region; this book is informed by the stories and images they brought home. It includes journals, a story of one of the victims by Lauren Kirshner, and a graphic novella by Phoebe Gloeckner. MalawiMalawi is one of the world’s poorest countries, and has an AIDS rate close to twenty percent. The disease touches every aspect of daily life in the African nation, introducing immense chaos, particularly in the case of orphan children. Mia Kirshner and J.B. MacKinnon made the trip to Malawi and returned with interviews, photographs, writing, and artworks. This book includes journals, a children’s story by J.B. MacKinnon with art by Julie Morstad, and the stories and artwork of boys in a local prison.

    They are bons vivants. They are three young Pakistani men in New York City at the turn of the millennium: AC, a gangsta-rap-spouting academic; Jimbo, a hulking Pushtun DJ from the streets of Jersey City; and Chuck, a wideeyed kid, fresh off the boat from the homeland, just trying to get by. Things start coming together for Chuck when he unexpectedly secures a Wall Street gig and begins rolling with socialites and scenesters flanked by his pals, who routinely bring down the house at hush-hush downtown haunts. In a city where origins matter less than the talent for self-invention, the three Metrostanis have the guts to claim the place as their own. But when they embark on a road trip to the hinterland weeks after 9/11 in search of the Shaman, a Gatsbyesque compatriot who seemingly disappears into thin air, things go horribly wrong. Suddenly, they find themselves in a changed, charged America.Rollicking, bittersweet, and sharply observed, Home Boy is at once an immigrant’s tale, a mystery, and a story of love and loss, as well as a unique meditation on Americana and notions of collective identity. It announces the debut of an original, electrifying voice in contemporary fiction.

    Others don’t willingly pass but are “passed” in specific situations by someone else. We Wear the Mask, edited by Brando Skyhorse and Lisa Page, is an illuminating and timely anthology that examines the complex reality of passing in America.Skyhorse, a Mexican American, writes about how his mother passed him as an American Indian before he learned who he really is. Page shares how her white mother didn’t tell friends about her black ex-husband or that her children were, in fact, biracial.The anthology includes writing from Gabrielle Bellot, who shares the disquieting truths of passing as a woman after coming out as trans, and MG Lord, who, after the murder of her female lover, embraced heterosexuality. Patrick Rosal writes of how he “accidentally” passes as a waiter at the National Book Awards ceremony, and Rafia Zakaria agonizes over her Muslim American identity while traveling through domestic and international airports. Other writers include Trey Ellis, Marc Fitten, Susan Golomb, Margo Jefferson, Achy Obejas, Clarence Page, Sergio Troncoso, Dolen Perkins-Valdez, and Teresa Wiltz.

    On November 4, 1979, a group of radical Islamist students, inspired by the revolutionary Iranian leader Ayatollah Khomeini, stormed the U.S. embassy in Tehran. They took fifty-two Americans hostage, and kept nearly all of them hostage for 444 days.In Guests of the Ayatollah, Mark Bowden tells this sweeping story through the eyes of the hostages, the soldiers in a new special forces unit sent to free them, their radical, naïve captors, and the diplomats working to end the crisis. Bowden takes us inside the hostages' cells and inside the Oval Office for meetings with President Carter and his exhausted team. We travel to international capitals where shadowy figures held clandestine negotiations, and to the deserts of Iran, where a courageous, desperate attempt to rescue the hostages exploded into tragic failure. Bowden dedicated five years to this research, including numerous trips to Iran and countless interviews with those involved on both sides.Guests of the Ayatollah is a detailed, brilliantly re-created, and suspenseful account of a crisis that gripped and ultimately changed the world.