I hope that this book makes everyone feel what I felt while writing it, and that love is a universal thing, and my story is not unique. And I hope that this makes them see that there is a beyond and that they can come out happy and clean. And, that this makes them braver than they already are, and gives them that little extra push and strength that they probably need

    A Bulgarian immigrant, Dimitrov writes as both observer of and fervent participant in this "American Youth," as his speakers navigate both the physical and emotional landscapes of desire, intimacy, and longing--whether for a friend, a lover, or a self, "Saint or stranger, I still recklessly seek you."

     She has just been made redundant from her job as an accountant and she finds herself with no career, no direction in life and no relationship to fall back on. To make matters worse, the one thing that she could always depend on – genius astrological readings from her idol, Mark Ainsley-Thomas – is even beginning to fail her. At a crossroads in her life and starting a career as a full-time writer, Katherine cannot believe that the readings from the world-renowned astrologist are failing to guide her through this tumultuous time. She sends an email to Mark’s webpage, venting her frustration at the recent unhelpful readings. Little does Katherine know that Mark’s busy publicity schedule and his overbearing agent are taking over his life and that he has hired an assistant astrologist, James, to take over the readings. James, returning to astrology after a failed business career and disastrous marriage, is also at a vulnerable stage in his life and reacts angrily when he receives Katherine’s emails criticising his work. Their heated email exchange reveals the frustrations in both their lives but the reappearance of Mark Ainsley-Thomas helps to smooth this friction over, and Katherine and James begin a tentative friendship which soon blossoms into something much more. Katherine, James and Mark realise just how small the world is when their complicated lives become forever entangled. Amidst the chaos of their lives, including a cat named No. 4, a local writing group, a difficult ex, an old war veteran named Jake, a potential book deal and a last-minute trip to LA, will there ever be a happy ever after for Katherine and James…? 'Under The Stars' is a page-turning story of new love and new beginnings. 'A memorable story'. - Robert Foster, best-selling author of 'The Lunar Code'. Bristol-born Linn B Halton lives in the small village of Lydbrook, which nestles on the edge of the Forest of Dean, in the UK. She resides there with her husband and feline with 'catitude'- Mr Tiggs. Linn began writing in March 2009 and her debut novel was published in February 2011. Lynn says about her writing – “my stories are about love, life and real relationships - but romance is always the one thing that holds each story together. Often there's a light, psychic touch and I never dreamed I would write drawing upon my personal psychic experiences. But as my interest and understanding in the subject has grown, it is now such a part of my life that it finds its way into my fictional tales. However, what is heartening is that most of my experiences have been uplifting and it's wonderful to know loved ones are around me always. I hope it will make readers stop and wonder 'What if?' Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    A beloved and gifted artist, Ashbery takes his place beside Whitman, Dickinson, Stevens, and Hart Crane in the canon of great American poets. With Quick Question, a new collection of poems published in time for his 85th birthday, John Ashbery proves that his creative power has only grown stronger with age.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    Styled as  entries from a journal, Hunter Summerall’s poetry takes the personal and constructs a universal story about unrequited love and anguish.

    Each chapter holds the symbol of a petal containing a multitude of thoughts crowned with passion, love, light, hope and kindness.

    Her co-workers are surprised when Coal turns out to be female. Coal, used to the reaction, quickly earns the respect of the crew with her work ethic and skill with horses. Coal uses the strenuous work and friendship of the ranch hands to try and forget her broken past. Melissa Conway, owner of MC2, offers Coal a place to live in her home. They both are shocked to find they are linked in a way neither of them imagined. Mary Leah, Melissa’s sister, arrives at the ranch to recover from a recent tragedy. The attraction between Mary Leah and Coal is instant and mutual. Can the three women survive their personal dilemmas? The love and friendship they develop certainly helps but will it be enough to bring them together. Ride along with the MC2, for boot scootin’, butt kickin’, dirt eatin’, rodeo adventures, with a love story thrown into the mix.

    It is the idea that each of us carries an infinity - an oblivion - and love, of any kind, is a falling upward; a falling in. Each chapter explores a different stage of that journey.

    A brush of thigh against thigh and a sideways, then a downward, glance. Nineteen-year-olds Tom and Mick could hardly have guessed the epic nature of the journey they were setting out on. A journey that would take them into business partnership together. A journey that would bring them little by little to the deepest reaches of the human heart. An adventure that would catapult them into the sweet and sometimes painful mysteries of of life and sex and love.

    Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, competition judge Louise Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”

    Asked by author Alexandra del Torre to provide as much detail as possible, they held nothing back in their retelling of these intensely intimate encounters. In “Lesbian Firsts,” you will hear from real lesbians and read about their real first times, including:HEATHER, a 24-year-old high school English teacher who discovered her lesbianism with a volleyball teammate at the age of 19.MEGHAN, a 32-year-old attorney who lost her lesbian virginity to her first-year dormmate in college.KRISTEN, a 26-year-old accountant who discovered her preference for women at 18 during a sleepover with her more advanced 22-year-old friend, Michelle.MARIA, a 36-year-old basketball coach who found sapphic love in a locker room shower with a teammate.KORI, a 28-year-old makeup artist who, at 18, was stimulated in a movie theatre by her cousin’s suave, butch neighbor.DEBBIE, a 41-year-old psychologist whose first lesbian experience came at age 30, following her divorce from her husband of two years. Trapped overnight during a rainstorm at her book club friend’s house, Debbie discovers pleasures she never knew with a man.JENNIFER, a 34-year-old police officer who lost her lesbian virginity on the same night she gained the legal right to drink – her 21st birthday. A mysterious stranger in a lesbian bar introduces Jennifer to strap-on sex in the bathroom, much to her delight.DIANE, a 25-year-old assistant book editor who engaged in her first lesbian sexual encounter with her current boss when she was a 20-year-old intern at a publishing company.TAYLOR, a 37-year-old personal chef who, as a student at a women’s Catholic college, shared an intimate encounter with a classmate in her car during half-time of a school basketball game.SARAH, a 22-year-old flight attendant who found lesbian love in the skies with a flirtatious flight attendant who was serving as her mentor when she was a 20-year-old trainee.***

    As we got closer, I continued to tell myself: I don’t love you. I held your hand, I cried when you cried, I smiled when you smiled; but still, I told myself: No, I don’t love you. I must not love you, for I may leave this world anytime. But, just now, someone told me something meaningful. I was taking a rest at the park when I saw an old man in his seventies. We chatted, and he said this to me, “In love, either you love, or you don’t.” It was then I remembered the day when I walked you home. A frail old woman, also in her seventies, chatted with me. Somehow, our conversation also ended with this sentence, “In love, either you love, or you don’t.” In love, either I love you, or I don’t. Joanna, I have been thinking. I have been trying not to love you, but the fact remains: I love you. I can try to forget you, I can try not to love you; but still, it eventually boils down to this single sentence: I love you. Who am I to fight love?

    The Single Guy is a popular new reality series, where dozens of women are trying to woo bachelor veterinarian Austin Hawke. As the filming gets underway, though, accident-prone Chloe finds herself in one predicament after another: a wayward puck hits her in the face during a hockey game, she sprains her ankle at a dude ranch, and she falls out of a boat at high speed. But Chloe has bigger problems. The stress of her home life with her nutty but loveable Gramps and Aunt Ollie is getting to her, her job is consuming her, and painful memories from her past threaten to overwhelm her. To top it off, her co-worker Amanda is pressuring her to find a boyfriend. It doesn't take long before Chloe realizes that not having all her wishes come true might not be such a bad idea.

    It's for the seekers searching for a new home, for the wanderers leaving their old homes, for the lovers creating a home wherever they are. Sometimes you hold on to what is left, sometimes you just let go to start afresh.