If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them?Maybe nothing. After all, they get separated.Maybe everything. After all, they get reunited.But what if they can’t quite nail a first date . . . or a second first date . . . or a third?What if Arthur tries too hard to make it work . . . and Ben doesn’t try hard enough?What if life really isn’t like a Broadway play?But what if it is?

    To cover is to downplay a disfavored trait so as to blend into the mainstream. Because all of us possess stigmatized attributes, we all encounter pressure to cover in our daily lives. Given its pervasiveness, we may experience this pressure to be a simple fact of social life.Against conventional understanding, Kenji Yoshino argues that the demand to cover can pose a hidden threat to our civil rights. Though we have come to some consensus against penalizing people for differences based on race, sex, sexual orientation, religion, and disability, we still routinely deny equal treatment to people who refuse to downplay differences along these lines. Racial minorities are pressed to “act white” by changing their names, languages, or cultural practices. Women are told to “play like men” at work. Gays are asked not to engage in public displays of same-sex affection. The devout are instructed to minimize expressions of faith, and individuals with disabilities are urged to conceal the paraphernalia that permit them to function. In a wide-ranging analysis, Yoshino demonstrates that American civil rights law has generally ignored the threat posed by these covering demands. With passion and rigor, he shows that the work of civil rights will not be complete until it attends to the harms of coerced conformity. At the same time, Yoshino is responsive to the American exasperation with identity politics, which often seems like an endless parade of groups asking for state and social solicitude. He observes that the ubiquity of the covering demand provides an opportunity to lift civil rights into a higher, more universal register. Since we all experience the covering demand, we can all make common cause around a new civil rights paradigm based on our desire for authenticity–a desire that brings us together rather than driving us apart. Yoshino’s argument draws deeply on his personal experiences as a gay Asian American. He follows the Romantics in his belief that if a human life is described with enough particularity, the universal will speak through it. The result is a work that combines one of the most moving memoirs written in years with a landmark manifesto on the civil rights of the future. “This brilliantly argued and engaging book does two things at once, and it does them both astonishingly well. First, it's a finely grained memoir of young man’s struggles to come to terms with his sexuality, and second, it's a powerful argument for a whole new way of thinking about civil rights and how our society deals with difference. This book challenges us all to confront our own unacknowledged biases, and it demands that we take seriously the idea that there are many different ways to be human. Kenji Yoshino is the face and the voice of the new civil rights.” -Barbara Ehrenreich, author of Nickel and Dimed“Kenji Yoshino has not only given us an important, compelling new way to understand civil rights law, a major accomplishment in itself, but with great bravery and honesty, he has forged his argument from the cauldron of his own experience. In clear, lyrical prose, Covering quite literally brings the law to life. The result is a book about our public and private selves as convincing to the spirit as it is to the mind.” -Adam Haslett, author of You Are Not A Stranger Here“Kenji Yoshino's work is often moving and always clarifying. Covering elaborates an original, arresting account of identity and authenticity in American culture.”-Anthony Appiah, author of The Ethics of Identity and Laurance S. Rockefeller University Professor Of Philosophy at Princeton University“This stunning book introduces three faces of the remarkable Kenji Yoshino: a writer of poetic beauty; a soul of rare reflectivity and decency; and a brilliant lawyer and scholar, passionately committed to uncovering human rights. Like W.E.B. DuBois's The Souls of Black Folk and Betty Friedan's The Feminine Mystique, this book fearlessly blends gripping narrative with insightful analysis to further the cause of human emancipation. And like those classics, it should explode into America's consciousness.”-Harold Hongju Koh Dean, Yale Law School and former Assistant Secretary of State for Human Rights“Covering is a magnificent work - so eloquently and powerfully written I literally could not put it down. Sweeping in breadth, brilliantly argued, and filled with insight, humor, and erudition, it offers a fundamentally new perspective on civil rights and discrimination law. This extraordinary book is many things at once: an intensely moving personal memoir; a breathtaking historical and cultural synthesis of assimilation and American equality law; an explosive new paradigm for transcending the morass of identity politics; and in parts, pure poetry. No one interested in civil rights, sexuality, discrimination - or simply human flourishing - can afford to miss it.” -Amy Chua, author of World on Fire“In this stunning, original book, Kenji Yoshino demonstrates that the struggle for gay rights is not only a struggle to liberate gays---it is a struggle to free all of us, straight and gay, male and female, white and black, from the pressures and temptations to cover vital aspects of ourselves and deprive ourselves and others of our full humanity. Yoshino is both poet and lawyer, and by joining an exquisitely observed personal memoir with a historical analysis of civil rights, he shows why gay rights is so controversial at present, why “covering” is the issue of contention, and why the “covering demand,” universal in application, is the civil rights issue of our time. This is a beautifully written, brilliant and hopeful book, offering a new understanding of what is at stake in our fight for human rights.” -Carol Gilligan, author of In a Different Voice

    Struggling to be, or at least to imitate, a straight man, through Ivy League halls of privilege and bohemian travels abroad, loveless intimacy and unrequited passion, Paul Monette was haunted, and finally saved, by a dream of "the thing I'd never even seen: two men in love and laughing."Searingly honest, witty, and humane, Becoming a Man is the definitive coming-out story in the classic coming-of-age genre.

    Based on eighteen months of fieldwork in a racially diverse working-class high school, Dude, You're a Fag sheds new light on masculinity both as a field of meaning and as a set of social practices. C. J. Pascoe's unorthodox approach analyzes masculinity as not only a gendered process but also a sexual one. She demonstrates how the "specter of the fag" becomes a disciplinary mechanism for regulating heterosexual as well as homosexual boys and how the "fag discourse" is as much tied to gender as it is to sexuality.

    From Egyptian pharaohs, Catholic popes and Abraham Lincoln to Bishop Gene Robinson, Neil Patrick Harris and Angelina Jolie, Queers in History brings these figures, from their work to their sexuality, to life. The hundreds of people whose stories appear in this book are some of the most intriguing personalities of their times: actors and actresses, writers and musicians, businessmen and politicians, scientists and soldiers. But this irresistibly readable encyclopedia intended for gays and straights alike doesn't just report those details that get left out of the standard biographies; it reveals a fascinating picture of queer society and culture throughout recorded history, from the homosexual shudo tradition practiced by samurai in Japan to the modern struggles for equal rights in America. Sir Ian McKellen offers a foreword.

    Determined not to let anything ruin his senior year, Sky decides to make a splash at his high school’s annual beach bum party by asking his crush, Ali, to prom—and he has thirty days to do it. What better way to start living loud and proud than by pulling off the gayest promposal Rock Ledge, Michigan, has ever seen? Then, Sky’s plans are leaked by an anonymous hacker in a deeply homophobic e-blast that quickly goes viral. He’s fully prepared to drop out and skip town altogether—until his classmates give him a reason to fight back by turning his thirty-day promposal countdown into a school-wide hunt to expose the e-blast perpetrator. But what happens at the end of the thirty days? Will Sky get to keep his hard-won visibility? Or will his small-town blues stop him from being his true self?

    As he fills his drawers with letters to the people in his world -- letters he never intends to send -- he spills the truth: he’s trying hard, but he just isn’t into Theresa. It’s a boy who lingers in his thoughts.He feels trapped by his parents, his teammates, and the lies they've helped him tell, and he has no idea how to escape. Is he destined to live a life of fiction?

    When Peter’s nipples begin speaking to him one day and inform him of their diabolical plan to expose his secret desires to the world, Peter finds himself cornered in a world that seems to have no tolerance for difference.Peter’s only solace is “The Bedtime Movies” — perfect-world fantasies that lull him to sleep every night. But when the lines between Peter’s fantasy world and his reality begin to blur, no one is safe from the depths of Peter’s imagination — especially Peter himself.

    Using comics, activities and examples, they give encouragement and context for new and confusing feelings and experiences. Inclusive of different kinds of genders, sexualities, and other identities, they talk about important topics like: - Bodies, including puberty, body parts and body image - Sexual and gender identity - Gender roles and stereotypes - Crushes, relationships, and sexual feelings - Boundaries and consent - The media and cultural messages, specifically around bodies and sex - How to be sensitive, kind, accepting, and mature - Where to look for more information, support and help A fun and easy-to-read guide from expert sex educators that gives readers a good basis and an age-appropriate start with sex, bodies and relationships education! The perfect complement to any school curriculum.

    His is a story of personal tragedies and political intrigues, assassination in City Hall and massive riots in the streets, the miscarriage of justice and the consolidation of gay power and gay hope.

    Unlike celibacy, which people choose, asexuality is an intrinsic part of who we are.” (www.asexuality.org)This is an anthology of 17 true stories by real people about asexuality -- the invisible orientation that everyone's heard of, but few actually talk about or understand. Whether you’re a newly-discovered asexual, someone who’s known they’re asexual for years, the friend or family of someone asexual, or someone who’s just intrigued by asexuality in general, you’re sure to find something in this anthology that interests you. So sit back, relax, and enjoy a selection of personal experiences, insights, and anecdotes from asexual writers around the world! The contents of this book include:Foreword by Victoria Beth (AVEN Project Team)"My Self-discovery, Thus Far"—Rebecca Nesor shares her experience as a 21st century asexual teenager, which involves an amusing anecdote about phone shopping and Minecraft. "A Geeky Love Story"—Suma walks us through the romantic tale of how sie joined a comics group looking for friendship and good times, and ended up falling in love."Growing Up"—Phil Dalton offers a series of vignettes stretching over 30 years, from his childhood to the present day, about his attempts to fit into a sexual society."Coming Out"—Melissa Keller explains why she has chosen not to come out to her friends and family, and explores the struggles that many asexual people face when coming out."Being 'Normal' Is Overrated Anyway"—Ren describes how she discovered she wasn’t as “normal” as she’d thought, and how she’s come to embrace her asexuality."Finding Grace"—Betty Badinbed reflects on the 20+ years of relationships—brief and lengthy, platonic and romantic, failed and successful—which have helped her hone her gray-ace identity."Black Women Can Be Asexual Too"—Gabriella Grange explores her experiences as a black asexual young woman, including a sweet story about a handsome cellist and their shared passion for philosophy."Fixing What Isn’t Broken"—Emma Hopwood shares a humorous piece of prose poetry about how tough it is to be asexual in a sexual world."I Just Don’t Get It"—Jennifer Dyse offers insight into how hard it is to navigate school and relationships as an asexual, and the dangers that can come from trying too hard to be “normal.”"An Asexual Teen"—Kaya Brown ruminates on her experiences as an asexual teen, on coming out to her mother, and on dealing with distrust from adults who don’t understand asexuality."Dream Guy"—Cionii shares a poem about inner beauty."It’s All Asexual To Me"—Jarrah Shub describes how learning about her asexuality early in her teenage years has helped her be more self-assured and happy with who she is."When I Grow Up"—Shannon Brown debunks the myth that “everyone wants to have sex,” and describes the various ways she’s come out to her high school friends."Just A Small Town Boy"—Cameron explains how growing up in a small town shaped his knowledge of sexuality, and how discovering asexuality has helped him better understand himself.

    Judith Halberstam proposes “low theory” as a mode of thinking and writing that operates at many different levels at once. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one’s way, to pursue difficult questions about complicity, and to find counterintuitive forms of resistance. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children’s films, revealing narratives filled with unexpected encounters between the childish, the transformative, and the queer. Failure sometimes offers more creative, cooperative, and surprising ways of being in the world, even as it forces us to face the dark side of life, love, and libido.

    Although she goes to a school for gifted girls in Tehran, as the daughter of an aristocratic mother and wealthy father, Farrin must keep a low profile. It is 1988; ever since the Shah was overthrown, the deeply conservative and religious government controls every facet of life in Iran. If the Revolutionary Guard finds out about her mother’s Bring Back the Shah activities, her family could be thrown in jail, or worse.The day she meets Sadira, Farrin’s life changes forever. Sadira is funny, wise, and outgoing; the two girls become inseparable. But as their friendship deepens into romance, the relationship takes a dangerous turn. It is against the law to be gay in Iran; the punishment is death. Despite their efforts to keep their love secret, the girls are discovered and arrested. Separated from Sadira, Farrin can only pray as she awaits execution. Will her family find a way to save them both?Based on real-life events, multi-award winning author Deborah Ellis’s new book is a tense and riveting story about a world where homosexuality is considered so abhorrent that it is punishable by death.

    Now Ollie is one prince short of his fairy tale ending, and to complicate the fairy tale further, a family emergency sees Ollie uprooted and enrolled at a new school across the country. Which he minds a little less when he realizes it's the same school Will goes to... except Ollie finds that the sweet, comfortably queer guy he knew from summer isn't the same one attending Collinswood High. This Will is a class clown, closeted ― and, to be honest, a bit of a jerk.Ollie has no intention of pining after a guy who clearly isn't ready for a relationship, especially since this new, bro-y jock version of Will seems to go from hot to cold every other week. But then Will starts "coincidentally" popping up in every area of Ollie's life, from music class to the lunch table, and Ollie finds his resolve weakening. The last time he gave Will his heart, Will handed it back to him trampled and battered. Ollie would have to be an idiot to trust him with it again.Right? Right.SIMON VS. THE HOMO SAPIENS AGENDA meets CLUELESS in this boy-meets-boy spin on Grease

    However, that's not to say that the Sumerians, Victorians, and every civilization in between and beyond have not tried, wielding their most formidable weapon: the law. At any given point in time, some forms of sex were condoned while others were punished mercilessly. Jump forward or backward a century or two (and often far less than that), and the harmless fun of one time period becomes the gravest crime in another. Sex and Punishment tells the story of the struggle throughout the millennia to regulate the most powerful engine of human behavior.Writer and lawyer Eric Berkowitz uses flesh-and-blood cases—much flesh and even more blood—to evoke the entire sweep of Western sex law, from the savage impalement of an Ancient Mesopotamian adulteress to the imprisonment of Oscar Wilde in 1895 for "gross indecency." The cast of Sex and Punishment is as varied as the forms taken by human desire itself: royal mistresses, gay charioteers, medieval transvestites, lonely goat-lovers, prostitutes of all stripes, London rent boys. Each of them had forbidden sex, and each was judged—and justice, as Berkowitz shows, rarely had much to do with it. With the light touch of a natural storyteller, Berkowitz spins these tales and more, going behind closed doors to reveal the essential history of human desire.