Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate. Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.

    It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.

    Skeptical of the medical establishment, and placing all her faith in an alternative health center, Nicola is determined to find her own way to deal with her illness, regardless of the advice Helen offers. In the weeks that follow, Nicola’s battle for survival will turn not only her own life upside down but also those of everyone around her. The Spare Room is a magical gem of a book—gripping, moving, and unexpectedly funny—that packs a huge punch, charting a friendship as it is tested by the threat of death.

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    Not after midnight, not through Rocky Point Park. Not the way she was dressed in a tank top, denim cutoffs, and high-heeled sandals. Not with her twelve-year-old daughter Bethie. Not with packs of local guys running loose on hormones, rage, and alcohol. A victim of gang rape, left for dead in the park boathouse, the once vivacious Teena can now only regret that she has survived. At a relentlessly compelling pace punctuated by lonely cries in the night and the whisper of terror in the afternoon, Joyce Carol Oates unfolds the story of Teena and Bethie, their assailants, and their unexpected, silent champion, a man who knows the meaning of justice. And love.

    When a ragtag international crew of migrant workers is forced to flee the strawberry fields they have been working in, they set off across England looking for employment. Displaying the same sense of compassion, social outrage, and gift for hilarity that she showed in A Short History of Tractors in Ukrainian, Marina Lewycka chronicles their bumpy road trip with a tender affection for her downtrodden characters and their search for a taste of the good life.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    A shrewd mission-educated Maori, Coates/Kooti, perceived as a thorn in the colonial flesh, escapes imprisonment and returns to Poverty Bay with a small band of followers. Kooti becomes the ruthless leader of a considerable native army, his Bible studies leading him to see himself and his people as latter-day Israelites. The story of what follows is told through the eyes of Captain Fairweather, a British army officer turned artist, an eminently humane man whose attempts to mend relations between natives and settlers meet with signal failure; while his wryly professional view of the beleaguered colony changes after a brutal attack on the half-Maori women he loves and her family. All main characters in this strange but true novel are historical and the tragic climax occurred in 1869 with the execution of a harmless and uncomprehending young Maori - an example.

    It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    It tells the tale of a young woman who moves to Tokyo after the death of her mother, hoping to get over her grief and start a career as a graphic artist. She finds herself spending too much time staring out her window, though ... until she realizes she’s gotten used to seeing a young man across the street staring out his window, too. They eventually embark on a hesitant romance, until she learns that he has been the victim of some form of childhood trauma. Visiting two of his friends who live a monastic life beside a beautiful lake, she begins to piece together a series of clues that lead her to suspect his experience may have had something to do with a bizarre religious cult. . . . With its echoes of the infamous, real-life Aum Shinrikyo cult (the group that released poison gas in the Tokyo subway system), The Lake unfolds as the most powerful novel Banana Yoshimoto has written. And as the two young lovers overcome their troubled past to discover hope in the beautiful solitude of the lake in the country- side, it’s also one of her most moving.

    The president's barber, chef, and portraitist are imprisoned, with many others, in a remote palace in the hills high above the city center. Before the coup, these three men worked with unquestioning loyalty, serving the president in seemingly benign jobs. Now, forced to serve the country's new leader, they begin to reconsider their role in the old regime. In simple, elegant prose "Blood Kin" alternates between the voices of the barber, the chef, and the portraitist. Later in the book their wives, lovers, and daughters tell their own tales. As the old order falls, so does the veil that hides the truth about these men and women's secret passions. No one, it seems, is entirely immune to the many temptations of power. Ceridwen Dovey's debut is a welcome addition to the important tradition of allegorical writing about political upheaval and personal guilt. Her clever, magnetic story will resonate with fans of J. M. Coetzee, Mario Vargas Llosa, and Gabriel Garcí­a Márquez.

    Lièvre sent her son, Johnny Truant, a series of letters from The Three Attic Whalestoe Institute, a psychiatric facility in Ohio where she spent the final years of her life. Beautiful, heartfelt, and tragic, this correspondence reveals the powerful and deeply moving relationship between a brilliant though mentally ill mother and the precocious, gifted young son she never ceases to love.Originally contained within the monumental House of Leaves, this collection stands alone as a stunning portrait of mother and child. It is presented here along with a foreword by Walden D. Wyhrta and eleven previously unavailable letters.

    Lucy has set her career aside in order to devote her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy's husband, Jake. The revelation marks a turning point: Lucy and Jake decide to stay together, but make a special arrangement designed to even the score and save their marriage--she will hurt him three times.As the couple submit to a delicate game of crime and punishment, Lucy herself begins to change, surrendering to a transformation of both mind and body from which there is no return.Told in dazzling, musical prose, The Harpy is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power, control and revenge, of metamorphosis and renewal.

    Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction ― many are laid out line by line in the store’s manual ― and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Managers come and go, but Keiko stays at the store for eighteen years. It’s almost hard to tell where the store ends and she begins. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action…A brilliant depiction of an unusual psyche and a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

    Within its golden gates, death, American-style, is wrapped up and sold like a package holiday. There, Dennis enters the fragile and bizarre world of Aimée, the naïve Californian corpse beautician, and Mr Joyboy, the master of the embalmer's art...A dark and savage satire on the Anglo-American cultural divide, The Loved One depicts a world where love, reputation, and death cost a very great deal.This is an alternate cover edition: https://www.goodreads.com/book/show/3....