In the Country of Last Things takes the form of a letter from a young woman named Anna Blume to a childhood friend. Anna has ventured into an unnamed city that has collapsed into chaos and disorder. In this bleak environment, no industry takes place and most of the population collects garbage or scavenges for objects to resell. City governments are unstable and are concerned only with collecting human waste and corpses for fuel. Anna has entered the city to search for her brother William, a journalist, and it is suggested that the Blumes come from a world to the East which has not collapsed.

    Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff’s personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family’s quirky newspaper. As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper’s rich history is revealed, including the surprising truth about its founder’s intentions. Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents.

    The celebrations take only two days, but many members of the family are great storytellers, and when they get together, the temptation is irresistible—a device that enables Eudora Welty to take the reader back into the lost battles of the past, capturing different tones of voice and ways of thinking.

    These 22 interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. There is Victor, who as a nine-year-old crawled between his unconscious parents hoping that the alcohol seeping through their skins might help him sleep. Thomas Builds-the-Fire, who tells his stories long after people stop listening, and Jimmy Many Horses, dying of cancer, who writes letters on stationary that reads "From the Death Bed of James Many Horses III," even though he actually writes them on his kitchen table. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and most poetically, between modern Indians and the traditions of the past.

    Like the work of Truman Capote and Tennessee Williams, his stories have been overshadowed by the author's triumphs writing in other genres. Still, Vidal's short fiction offers us a portrait of the young artist in the 1940s and 1950s. His subtle and comic tales often center on adolescence and homosexual themes. In Three Stratagems, a middle-aged gay man encounters a male prostitute while vacationing in Key West. In The Zenner Trophy, the star athlete at an elite boys school is expelled for sexual relations with a classmate. These stories were gathered along with five others into a 1956 volume, A Thirsty Evil, and for decades were thought to comprise Vidal's complete short fiction.

    Davis’s 1971 novel, A Meaningful Life, is a blistering black comedy about the American quest for redemption through real estate, and a gritty picture of New York City in collapse. Just out of college, Lowell Lake, the Western-born hero of Davis’s novel, heads to New York, where he plans to make it big as a writer. Instead he finds a job as a technical editor, at which he toils away while passion leaks out of his marriage to a nice Jewish girl. Then Lowell discovers a beautiful crumbling mansion in a crime-ridden section of Brooklyn, and against all advice, not to mention his wife’s will, sinks his every penny into buying it. He quits his job, moves in, and spends day and night on demolition and construction. At last he has a mission: he will dig up the lost history of his house; he will restore it to its past grandeur. He will make good on everything that’s gone wrong with his life, and he will even murder to do it.

    Even before the Great Depression struck, Jeeter Lester and his family were desperately poor sharecroppers. But when hard times begin to affect the families that once helped support them, the Lesters slip completely into the abyss. Rather than hold on to each other for support, Jeeter, his wife Ada, and their twelve children are overcome by the fractured and violent society around them. Banned and burned when first released in 1932, Tobacco Road is a brutal examination of poverty’s dehumanizing influence by one of America’s great masters of political fiction.

    P. Donleavy's first novel is now recognized the world over as a masterpiece and a modern classic of the highest order. Set in Ireland just after World War II, The Ginger Man is J. P. Donleavy's wildly funny, picaresque classic novel of the misadventures of Sebastian Dangerfield, a young American ne'er-do-well studying at Trinity College in Dublin. Dangerfield's appetite for women, liquor, and general roguishness is insatiable--and he satisfies it with endless charm.

    In tones that are variously droll, deadpan, and lyrical, Schuyler tells a story that revolves around three small-town American households. The Delehanteys are an old-fashioned Catholic family whose twin teenage boys are getting completely out of hand, no matter that their father is hardly one to spare the rod. Childless Norris and Lottie Taylor have been happily married for years, even as Lottie has been slowly drinking herself to death. Mag, a recent widow, is on the prowl for love. Retreating to an institution to dry out, Lottie finds herself caught up in a curious comedy of group therapy manners. At the same time, however, she begins an ascent from the depths of despair--illuminated with the odd grace and humor that readers of Schuyler's masterful poetry know so well--to a new understanding, that will turn her into an improbable redeemer within an unlikely world.What's for Dinner? is among the most delightful and unusual works of American literature. Charming and dark, off-kilter but pedestrian, mercurial yet matter-of-fact, Schuyler's novel is an alluring invention that captures both the fragility and the tenacity of ordinary life.

    Scarred by the senseless death of their son and baffled by the engulfing chaos of the 1960s, Allston and his wife, Ruth, have left the coast for a California retreat.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    The reader is drawn as if by magnetic force into a world rendered in breathtaking, painterly detail. These stories are marvelous entertainments, rich with amusement, yet Taylor renders his characters truly and understands them in a profoundly meaningful way.

    American LiteratureContains:The doctor's son -- It must have been spring -- Over the river and through the wood -- Price's always open -- Are we leaving tomorrow? -- Pal Joey -- The gentleman in the tan suit -- Good-bye, Herman -- Olive -- Do you like it here? -- Now we know -- Free -- Too young -- Bread alone -- Graven image -- Common sense should tell you -- Drawing room B -- The pretty daughters - The moccasins -- Imagine kissing Pete -- The girl from California -- In the silence -- Exactly eight thousand dollars exactly -- Winter dance -- The flatted saxophone -- The friends of Miss Julia -- How can I tell you? -- Ninety minutes away -- Our friend the sea -- Can I stay here? -- The hardware man -- The pig -- Zero -- Fatimas and kisses -- Natica Jackson -- We'll have fun.

    Grace Strasser-Mendana controls much of the country's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," she has come to Boca Grande vaguely and vainly hoping to be reunited with her fugitive daughter. As imagined by Didion, her fate is at once utterly particular and fearfully emblematic of an age of conscienceless authority and unfathomable violence.

    Randall is both angel and demon. His father, David, a coolly rational psychiatrist, wants him placed in an institution; his mother, Lainey, insists on keeping him at home. Yet it is not just David and Lainey who are struggling to come to terms with a difficult and unpredictable child; there are five other children in the family, each of them coping with the dramas and rifts surrounding them, each of them affected by Randall.