At twenty-one, she’s married to charming, handsome Paul, and has just given birth to a baby boy. But one phone call changes her life forever.When Paul’s niece, Ruby, reports that her father, Henry, has committed suicide, and that her mother, Silja, is missing, Angie and Paul drop everything and fly to the small upstate town of Stonekill, New York to be by Ruby’s side.Angie thinks they’re coming to the rescue of Paul’s grief-stricken young niece, but Ruby is a composed and enigmatic seventeen-year-old who resists Angie’s attempts to nurture her. As Angie learns more about the complicated Glass family, staying in Henry and Silja’s eerie and ultra-modern house on the edge of the woods, she begins to question the very fabric of her own marriage.Through Silja’s flashbacks, Angie’s discovery of astonishing truths, and Ruby’s strategic dissection of her parents’ state of affairs, a story of love, secrets, and ultimate betrayal is revealed.

    The ship's comforts and possibilities seem infinite. The children - two eleven-year-olds, an eight-year-old, and a six-year-old—love the nonstop buffet and the independence they have at the Kids' Club. But when they all go ashore in beautiful Central America, a series of minor misfortunes leads the families farther and farther from the ship's safety. One minute the children are there, and the next they're gone. What follows is a riveting, revealing story told from the perspectives of the adults and the children, as the once-happy parents - now turning on one another and blaming themselves - try to recover their children and their lives. Celebrated for her ability to write vivid, spare, moving fiction, Maile Meloy shows how quickly the life we count on can fall away, and how a crisis changes everyone's priorities. The fast-paced, gripping plot of Do Not Become Alarmed carries with it an insightful, provocative examination of privilege, race, guilt, envy, the dilemmas of modern parenthood, and the challenge of living up to our own expectations.

    Kate Moore is looking for a way out of the poverty and violence of her childhood. When a chance encounter on a transatlantic ocean liner brings her face-to-face with the handsome heir to a Chicago fortune, she thinks she may have found her escape—as long as she can keep her past concealed.After exchanging wedding vows, Kate quickly discovers that something isn’t quite right with her husband—or her new family. As Mrs. Matthew Lemont, she must contend with her husband’s disturbing past, his domineering mother, and his overly close sister. Isolated at Lakecrest, the sprawling, secluded Lemont estate, she searches desperately for clues to Matthew’s terrors, which she suspects stem from the mysterious disappearance of his aunt years before. As Kate stumbles deeper into a maze of family secrets, she begins to question everyone’s sanity—especially her own. But just how far will she go to break free of this family’s twisted past?

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released.Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Walk is in overdrive trying to protect them, but Vincent and Star seem bent on sliding deeper into self-destruction. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. At school the other kids make fun of Duchess―her clothes are torn, her hair a mess. But let them throw their sticks, because she’ll throw stones. Rules are for other people. She’s just trying to survive and keep her family together.A fortysomething-year-old sheriff and a thirteen-year-old girl may not seem to have a lot in common. But they both have come to expect that people will disappoint you, loved ones will leave you, and if you open your heart it will be broken. So when trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed.Chris Whitaker has written an extraordinary novel about people who deserve so much more than life serves them. At times devastating, with flashes of humor and hope throughout, it is ultimately an inspiring tale of how the human spirit prevails and how, in the end, love―in all its different guises―wins.

    The second thing is that it matters.On her way to her nineteenth wedding anniversary celebration, Natalie Falcone leaves the struggling restaurant she owns with her brother-in-law Vince. She doesn’t speak to him on her way out; they haven’t spoken in months. Out on the sidewalk, she gets a phone call every mother dreads: It’s from a hospital emergency room in the town where her daughter, Arden, attends college. Arden’s been in a fire, along with Natalie’s niece, Rory—Vince’s daughter and Arden’s best friend.Natalie rushes to the hospital and learns that both Arden and Rory lie unconscious, and that another student has died in the blaze. The police suspect arson.As the investigation mounts, Natalie struggles to piece together the elusive details of Arden’s and Rory’s freshman year. Growing up, Rory was charming, popular, and charismatic, while Arden was artistic, perceptive, and reserved. They were different yet inseparable, more like sisters than cousins. But the case unearths a different portrait—of a complex friendship, a love triangle, a fight, and a girl who was struggling more than anyone realized. To discover what really happened that tragic night, Natalie’s and Vince’s families must confront the one truth that ultimately emerges: Nothing is ever exactly what it seems.

    But she’s left with a traumatic brain injury and a terrifying reality: she can’t remember anything.Left in the care of her sister, Grace returns to the family’s secluded old farmhouse to recover—but within an hour of her return, the police arrive. Grace’s boyfriend has been murdered. Without any memory, Grace has no alibi.With suspicion weighing heavily on her and flashes of memory returning, Grace searches for clues to her past. But with every glimpse, her anxiety grows. There is something about the house, her family, her childhood…perhaps the accident isn’t the only reason she can’t remember. Are the dark recesses of her mind hiding something even more sinister and terrifying than she could ever imagine?And someone is watching. Someone willing to kill again to protect a secret.

    Now she wants justice. But is she blind to the truth?Christopher J. Yates’s cult hit Black Chalk introduced that rare writerly talent: a literary writer who could write a plot with the intricacy of a brilliant mental puzzle, and with characters so absorbing that readers are immediately gripped. Yates’s new book does not disappoint. Grist Mill Road is a dark, twisted, and expertly plotted Rashomon-style tale. The year is 1982; the setting, an Edenic hamlet some ninety miles north of New York City. There, among the craggy rock cliffs and glacial ponds of timeworn mountains, three friends—Patrick, Matthew, and Hannah—are bound together by a terrible and seemingly senseless crime. Twenty-six years later, in New York City, living lives their younger selves never could have predicted, the three meet again—with even more devastating results.

    . .The community along Oregon's Deschutes River is one of successful careers and perfect families. For years, up-and-comers Liz and Owen have admired their good friends and neighbors, Carole and David. They appear to have it all--security, happiness, and a beautiful young son, Charlie.Then Charlie vanishes without a trace, and all that seemed safe is shattered by a tragedy that is incomprehensible--except to Liz.It took one fleeting moment for her to change the lives of everyone she loves--a heartrending accident that can't be undone. Neither can the second-worst mistake of her life: concealing it. As two marriages crack and buckle in grief and fear, Liz retreats into her own dark place of guilt, escalating paranoia--and betrayals even she can't imagine. Because there's another good neighbor who has his own secrets, his own pain, and his own reasons for watching Liz's every move.And only he knows that the mystery of the missing boy on the Deschutes River is far from over.

    Someone Knows is an emotional exploration of friendship and family, as well as a psychological exploration of guilt and memory.Twenty years ago, in an upscale suburb of Philadelphia, four teenagers spent a summer as closest friends: drinking, sharing secrets, testing boundaries. When a new boy looked to join them, they decided to pull a prank on him, convincing him to play Russian roulette as an initiation into their group. They secretly planned to leave the gun unloaded—but what happened next would change each of them forever.Now three of the four reunite for the first time since that horrible summer. The guilt—and the lingering question about who loaded the gun—drove them apart. But after one of the group apparently commits suicide with a gun, their old secrets come roaring back. One of them is going to figure out if the new suicide is what it seems, and if it connects to the events of that long-ago summer. Someone knows exactly what happened—but who? And how far will they go to keep their secrets buried?

    But she also has a secret: she is the product of an abduction. Her mother was kidnapped as a teenager by her father and kept in a remote cabin in the marshlands of Michigan’s Upper Peninsula. Helena, born two years after the abduction, loved her home in nature, and despite her father’s sometimes brutal behavior, she loved him, too…until she learned precisely how savage he could be.More than twenty years later, she has buried her past so soundly that even her husband doesn’t know the truth. But now her father has killed two guards, escaped from prison, and disappeared into the marsh. The police begin a manhunt, but Helena knows they don’t stand a chance. Knows that only one person has the skills to find the survivalist the world calls the Marsh King–because only one person was ever trained by him: his daughter.

    When the youngest grows gravely ill, their mother leaves with the child to get help from a nearby town. And they never return.As months pass, hope vanishes. Supplies are low. Livestock are dying. A brutal winter is bearing down. Then comes the stranger. He claims to be looking for the girls’ mother, and he’s not leaving without them.To escape, Wren and her sister must break the rule they’ve grown up with: never go beyond the forest.Past the thicket of dread, they come upon a house on the other side of the pines. This is where Wren and Sage must confront something more chilling than the unknowable. They’ll discover what’s been hidden from them, what they’re running from, and the secrets that have left them in the dark their entire lives.

    But now it’s his turn—he knows too much about the crime of the century: the assassination of President John F. Kennedy.Within hours of JFK’s murder, everyone with ties to Marcello is turning up dead, and Guidry suspects he’s next: he was in Dallas on an errand for the boss less than two weeks before the president was shot. With few good options, Guidry hits the road to Las Vegas, to see an old associate—a dangerous man who hates Marcello enough to help Guidry vanish.Guidry knows that the first rule of running is "don’t stop," but when he sees a beautiful housewife on the side of the road with a broken-down car, two little daughters and a dog in the back seat, he sees the perfect disguise to cover his tracks from the hit men on his tail. Posing as an insurance man, Guidry offers to help Charlotte reach her destination, California. If she accompanies him to Vegas, he can help her get a new car.For her, it’s more than a car— it’s an escape. She’s on the run too, from a stifling existence in small-town Oklahoma and a kindly husband who’s a hopeless drunk.It’s an American story: two strangers meet to share the open road west, a dream, a hope—and find each other on the way.Charlotte sees that he’s strong and kind; Guidry discovers that she’s smart and funny. He learns that’s she determined to give herself and her kids a new life; she can’t know that he’s desperate to leave his old one behind.Another rule—fugitives shouldn’t fall in love, especially with each other. A road isn’t just a road, it’s a trail, and Guidry’s ruthless and relentless hunters are closing in on him. But now Guidry doesn’t want to just survive, he wants to really live, maybe for the first time.Everyone’s expendable, or they should be, but now Guidry just can’t throw away the woman he’s come to love.And it might get them both killed.

    But unlike her famous detective Hercule Poirot, she can’t neatly unravel the mysteries she encounters on this fateful journey.Agatha isn’t the only passenger on board with secrets. Her cabinmate Katharine Keeling’s first marriage ended in tragedy, propelling her toward a second relationship mired in deceit. Nancy Nelson—newly married but carrying another man’s child—is desperate to conceal the pregnancy and teeters on the brink of utter despair. Each woman hides her past from the others, ferociously guarding her secrets. But as the train bound for the Middle East speeds down the track, the parallel courses of their lives shift to intersect—with lasting repercussions.Filled with evocative imagery, suspense, and emotional complexity, The Woman on the Orient Express explores the bonds of sisterhood forged by shared pain and the power of secrets.

    A loving wife. And in-laws to die for.Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige – he just doesn’t quite know what he’s signing up for.The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room. Elliot starts to suspect that the Robinsons are hiding a dark secret. And then there are the scars on his wife’s body that she won’t talk about . . .As Elliot’s in-laws become more comfortable in his home, encroaching on all aspects of his life, it becomes clear that they have no intention of moving out. To protect Gemma, and their marriage, Elliot delves into the Robinsons’ past. But is he prepared for the truth?