Meanwhile, a desperate fisherman enters into a very bad bargain with a power-hungry monkey. And meanerwhile still, a tiny tricksy tailor promises a promise that not even the most magic of beanstalks can help him escape.In this rich and rambunctious tapestry of tales, satirist Shaun Micallef unravels the traditional fairy story and nimbly weaves your favourite characters into new and surprising adventures. Illustrated by award-winning artist Jonathan Bentley, this subversively silly trilogy will captivate parents and children alike – and indignant fairytale authors too.

    . .Business returns to a once-prosperous restaurant when a mysterious stranger pays for his meal with a magical paper crane that comes alive and dances. The Paper Crane is illustrated with cut-paper collages and paintings. It is a wonderful book to use with children learning about patterns in storytelling. "A delight to the eye and imagination."—The Horn Book. "An enchanting book."—School Library JournalSupports the Common Core State Standards

    But slicing the bitterleaf, grinding the pumpkin, measuring out the shrimp--it just takes too long. Yoyo is confident that her variation on the stew will be good enough.As Mama C�cile and Yoyo set off to market, Mama reminds Yoyo what will happen if she refuses a fair price for the stew--Brother Coin, the Great Spirit of the Market, will put a curse on their market bowl. When Yoyo refuses to heed Mama's advice, she is faced with the task of trying to regain a blessing from the god himself.An original folktale set in modern-day Cameroon, THE MARKET BOWL teaches readers a lesson about patience, humility, and the value of a fair price. Back matter includes further information about Cameroon and its people and traditions as well as a recipe for ndol�--Cameroon's national food dish.

    With its great feasts, its white stone churches, its merchant visitors from many lands, Sadko felt there was no better place to be. Yet he was lonely too, for the rich young ladies who danced to his music would never favor anyone so poor. One night he takes his twelve-string gusli and goes alone to play by the River Volkhov. Suddenly from the water rises the Sea King, who invites the astonished musician to play at his underwater palace. But how will Sadko get there? And how will he get back? And will he want to return at all, when he meets the Sea King's lovely daughter? One of the most popular legends of Russia, Sadko's story is found in medieval epic ballads, as well as in a popular opera by Rimsky-Korsakov. It is retold here in elegant prose, complemented by the entrancing illustrations of a modern Russian master. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Gennady Spirin, with a style he describes as "fairy-tale realism," is one of the world’s most esteemed children’s illustrators. His honors include five gold medals from the Society of Illustrators, the Golden Apple from the Bratislava International Biennial, First Prize at the Bologna and Barcelona international book fairs, and four appearances on the New York Times list of Ten Best Illustrated Books of the Year. Born and trained in Russia before moving to the United States, Gennady already knew well the legend of Sadko and welcomed the chance to contribute his sumptuous art to this retelling.  ///////////////////////////////////////////////// HONORS 1997 New York Times Ten Best Illustrated Books of the Year  1998 American Library Association Notable Children's Books  1998 NCSS/CBC Notable Trade Books in the Field of Social Studies  1997 Aesop Accolade, American Folklore Society  1998 Honor Title, Storytelling World Awards  1997 Cincinnati Enquirer Best Illustrated Children's Books  American Bookseller Pick of the Lists  Starred review, Publishers Weekly  Featured on "CBS This Morning" ///////////////////////////////////////////////// "Emotionally authentic prose and jewel-like illustrations make this an exquisite volume. . . . [A] mood of eloquent enchantment." -- Publishers Weekly, Aug. 25, 1997, starred review "Exquisite." -- The New York Times Book Review, Oct. 26, 1997 "Knock-your-socks-off beautiful. . . . Will stay in a family's library forever." -- Valerie Lewis, "CBS This Morning," Dec. 11, 1997 "Retains the flavor of Old Russia. . . . A fascinating spin on mermaid/human interaction." -- Denise Anton Wright, School Library Journal, Dec. 1997 "The telling is descriptive yet very accessible. . . . The pictures are gorgeous and resplendent with extraordinary details." -- Stephanie Zvirin, American Library Association Booklist, Nov. 15, 1997

    Some are "Momotaro, "The Son of a Peach", "The Jellyfish and the Monkey", "The Mirror of Matsuyama", "The Bamboo Cutter and the Moon Child", "The Stones of Five Colors and the Empress Jokwa."

    When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    When Kai starts to behave cruelly and disappears, Gerda sets out on an epic quest to save Kai from the evil Snow Queen. But can Gerda break the Snow Queen's enchantment and complete the final task?Full of magic and wonder, this new picture book will delight fans of beloved classics like "Thumbelina," "The Princess and the Pea," and "The Little Mermaid."

    Chuku Lee stays true to the story of this beloved classic. With breathtaking palatial settings inspired by the Dogon tribe of Mali and dazzling costumes reminiscent of the clothing seen on Cummings's own trip to Africa, Beauty and the Beast becomes so much more than just a story--it's a visual and cultural experience.When her father is taken prisoner by a fearsome Beast, Beauty begs the captor to take her instead. The Beast agrees, locking her away in his palace. Though he will give her whatever her heart desires--jewels, gowns, her own living quarters--she is forbidden to leave. Over time, however, Beauty sees the gentler side of the Beast, and an unexpected bond forms. But will it be strong enough to break a curse that threatens the Beast's life?Supports the Common Core State Standards

    In this rendition a tiger is proven to be a princess.

    Cinder Edna was forced to work for her wicked stepmother and stepsisters, just as her neighbor, Cinderella, was.Edna, on the other hand, had learned a thing or two from doing all that housework, such as how to make tuna casserole sixteen different ways and how to get spots off everything from rugs to ladybugs. And she was strong and spunky and knew some good jokes.Then one day the king announced that he would give a ball ...

    In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.

    Lloyd Alexander's story of a young man visiting -- and then becoming -- the village fortune-teller is brought to vibrant life with some of Caldecott Medalist Trina Schart Hyman's most memorable artwork.

    Favourites such as Jack the Giant-killer, Jack and the Beanstalk, Dick Whittington, The Three Little Pigs and The Babes in the Wood are all here among many others, but stories from different traditions also make their appearance, including The Three Bears and Little Red Hiding Hood.

    "Children will delight in the cunning way that Fiona triumphs over the leprechaun king, as well as in the rhythmic language of this well-told tale." - Kirkus Reviews

    The Beast, shut away from the world in his great stone castle, knows only loneliness. Brought together by a stolen rose, each finds that love may call for sacrifice, but true love can bloom in even the darkest places. Newbery medalist Cynthia Rylant tells a classic tale of bravery and transformation with stunning, lyrical prose, accompanied by Meg Park's soft yet vibrant illustrations. This new picturebook makes a beautiful keepsake that children will pore over for years to come.