Then there is the appalling, yet utterly lovable, Lewis Miner, class of '89---a.k.a Teabag---who did not pan out. Home Land is his confession in all its bitter, lovelorn glory.

    In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love. A fascinating, abundant novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

    The only writing I have ever been jealous of.' Virginia Woolf Virginia Woolf was not the only writer to admire Mansfield's work: Thomas Hardy, D. H. Lawrence, and Elizabeth Bowen all praised her stories, and her early death at the age of thirty-four cut short one of the finest short-story writers in the English language. This selection covers the full range of Mansfield's fiction, from her early satirical stories to the subtly nuanced comedy of 'The Daughters of the Late Colonel' and the macabre and ominous 'A Married Man's Story'. The stories that pay what Mansfield calls 'a debt of love' to New Zealand are as sharply etched as the European stories, and she recreates her childhood world with mordant insight. Disruption is a constant theme, whether the tone is comic, tragic, nostalgic, or domestic, echoing Mansfield's disrupted life and the fractured expressions of Modernism. This new edition increases the selection from 27 to 33 stories and prints them in the order in which they first appeared, in the definitive texts established by Anthony Alpers.

    Barker's stories often use wordplay and humor to stretch the boundaries of metaphor and reality as the outrageously original plots unfold. Through her confident and clever style, these short stories sling Barker to the forefront of fiction writing, as she is reminiscent of Martin Amis, Julian Barnes, and Margaret Atwood.The collection begins with a smart tale of a teenage girl whose obsession with the size of her nose dangerously compromises her relationships with her friends and her family. "Inside Information" is a pun of a title, describing how the protagonist's unborn fetus is the only one able to reform his mother's compulsive shoplifting by pulling the ultimate prank. "G-String" and "Symbiosis: Class Cestoda" detail women who gain self-esteem, albeit through quirky methods, despite the cowardly men who try to suppress them. The title story, "Three Button Trick," is about a man who deliberately buttons his duffel coat incorrectly to attract sympathetic females. Carrie falls for this trick, and it takes twenty-one years, a curious friend, and an eighty-three-year-old widower for her to realize her mistake. Wesley is the protagonist of a three-part collection, "Blisters," "Braces," and "Mr. Lippy" who, traumatized by two unfortunate incidents as a young boy, is an eccentric obsessed with freedom and the sea.Barker skillfully intertwines humor with despair to stimulate any reader's interest; she taps into the psyches of her characters to create an authentic, original, and highly enjoyable read. The Three Button Trick and Other Stories is a resonant, audacious volume from a writer of immense talent and originality.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).

    She observes goings-on and follows 'suspects' at the newly opened Green Oaks shopping centre and in her street, where she is friends with the newsagent's son, Adrian. But when this curious, independent-spirited young girl disappears, Adrian falls under suspicion and is hounded out of his home by the press. Then, in 2004, Lisa is working as a deputy manager at Your Music, a cut-price record store. Every day, under the watchful eye of the CCTV, she tears her hair out at the behaviour of her customers and colleagues. But when she meets security guard Kurt, she becomes entranced by the little girl he keeps glimpsing on the centre's CCTV. As their after-hours friendship intensifies, they investigate how these sightings might be connected to the unsettling history of Green Oaks.

    It is is a story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side.Seven years in the making, Sacred Games is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh—and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India. Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize. Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai, Sacred Games evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

    Reuters Africa correspondent Connie Burns suspects a British mercenary: a man who seems to turn up in every war-torn corner of Africa, whose reputation for violence and brutality is well-founded and widely known. Connie's suspicions that he's using the chaos of war to act out sadistic, misogynistic fantasies, fall on deaf ears - but she's determined to expose him and his secret. The consequences are devastating." Connie encounters the man again in Baghdad, but almost immediately she's taken hostage. Released after three desperate days, terrified and traumatized by the experience--fearing that she will never again be the person she once was--Connie retreats to England. She is bent on protecting herself by withholding information about her abduction. But secluded in a remote rented house - where the jealously guarded history of her landlady's family seems to mirror her own fears - she knows that it is only a matter of time before her nightmares become real.

    In the title story, a professor introduces her middle-aged son to a favorite student, unaware of the student’s true affections. In “A Man Like Him,” a lifelong bachelor finds kinship with a man wrongly accused of an indiscretion. In “The Proprietress,” a reporter from Shanghai travels to a small town to write an article about the local prison, only to discover a far more intriguing story involving a shopkeeper who offers refuge to the wives and children of inmates. In “House Fire,” a young man who suspects his father of sleeping with the young man’s wife seeks the help of a detective agency run by a group of feisty old women. Written in lyrical prose and with stunning honesty, Gold Boy, Emerald Girl reveals worlds strange and familiar, and cultures both traditional and modern, to create a mesmerizing and vibrant landscape of life.

    “I am looking for the artful way any given story is conveyed,” writes Roxane Gay in her introduction to The Best American Short Stories 2018, “but I also love when a story has a powerful message, when a story teaches me something about the world.” The artful, profound, and sometimes funny stories Gay chose for the collection transport readers from a fraught family reunion to an immigration detention center, from a psychiatric hospital to a coed class sleepover in a natural history museum. We meet a rebellious summer camper, a Twitter addict, and an Appalachian preacher—all characters and circumstances that show us what we “need to know about the lives of others.”

    A young English soldier is arrested and, although he protests his innocence, charged with his murder.Douglas Kingsley is a conscientious objector, previously a detective with the London police, now imprisoned for his beliefs. He is released and sent to France in order to secure a conviction. Forced to conduct his investigations amidst the hell of The Third Battle of Ypres, Kingsley soon discovers that both the evidence and the witnesses he needs are quite literally disappearing into the mud that surrounds him.Ben Elton's tenth novel is a gut-wrenching historical drama which explores some fundamental questions. What is murder? What is justice in the face of unimaginable daily slaughter? And where is the honour in saving a man from the gallows if he is only to be returned to die in a suicidal battle?As the gap between legally-sanctioned and illegal murder becomes evermore blurred, Kingsley quickly learns that the first casualty when war comes is truth.

    The stories collected here range from delightfully barbed portraits of the British upper classes to an alternative ending to Waugh's novel A Handful of Dust; from a "missing chapter" in the life of Charles Ryder, the nostalgic hero of Brideshead Revisited, to a plot-packed morality tale that Waugh composed at a very tender age; from an epistolary lark in the voice of "a young lady of leisure" to a darkly comic tale of scandal in a remote (and imaginary) African outpost.The Complete Stories is a dazzling distillation of Waugh's genius-abundant evidence that one of the twentieth century's most admired and enjoyed English novelists was also a master of the short form.

    Psychiatry, anthropology, theology--and literature--will never be the same.

    Estranged from his father, newly divorced, unable to communicate with his only daughter, he realizes that while he may have seventy-four friends on Facebook, there is nobody in the world with whom he can actually share his problems. Then a business proposition comes his way - a strange exercise in corporate PR that will require him to spend a week driving from London to a remote retail outlet on the Shetland Isles. Setting out with an open mind, good intentions and a friendly voice on his SatNav for company, Maxwell finds that this journey soon takes a more serious turn, and carries him not only to the furthest point of the United Kingdom, but into some of the deepest and darkest corners of his own past. In his sparkling and hugely enjoyable new book, Jonathan Coe reinvents the picaresque novel for our time.