But for Meg—locked in a dead-end relationship and with a deadline looming for a book that she can't write—this thought fills her with dread. Stuck in a labyrinth of her own devising, Meg knows that there must be a way out.

    When Daniel Eakins inherits a time machine, he soon realizes that he has enormous power to shape the course of history. He can foil terrorists, prevent assassinations, or just make some fast money at the racetrack. And if he doesn't like the results of the change, he can simply go back in time and talk himself out of making it! But Dan soon finds that there are limits to his powers and forces beyond his control.

    Fifty years later her niece inherited the house with no knowledge of it beyond her indelible childhood memories, and no experience at all of living in the country.Mary Lindsay is a born and bred Londoner who has enjoyed her city life-a prestigious job, and friends with whom she takes in the city pleasures of theatre, art and…As a retired businesswoman living in a rural house inherited from her aunt finds consolation for a failed romance with a married blind man by learning more about her aunt and herself.

    Now in her seventies, she encounters an old friend from her Greenwich Village days who, it turns out, is the former Bishop of New York. He asks Katherine to give a benefit concert at the Cathedral of St. John the Divine. This leads to new demands on her resources--human, artistic, psychological, and spiritual--that are entirely unexpected.

    The adolescent Elie and his family, among hundreds of thousands of Jews from all parts of Eastern Europe, are cruelly deported from their hometown to the horrors of Auschwitz and Buchenwald. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), Elisha - the sole survivor of his family, whose immolation he witnessed at Auschwitz - has survived the Second World War and settled in Palestine. Apprenticed to a Jewish terrorist gang, he is commanded to execute a British officer who has been taken hostage. During the lonely hours before dawn, he meditates on the act of murder he is waiting to commit.In The Accident, (1962), Wiesel's second novel, Elisha, now a journalist living in New York, is the victim of a nearly fatal automobile accident. This fiction questions the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions." Wiesel's trilogy offers meditations on mankind's attraction to violence and on the temptation of self-destruction.

    Here they are each assigned a name and an age, and held in a camp in the desert while they learn Spanish, the language of their new country. As Simón and David they make their way to the relocation centre in the city of Novilla, where officialdom treats them politely but not necessarily helpfully.Simón finds a job in a grain wharf. The work is unfamiliar and backbreaking, but he soon warms to his stevedore comrades, who during breaks conduct philosophical dialogues on the dignity of labour, and generally take him to their hearts.Now he must set about his task of locating the boy’s mother. Though like everyone else who arrives in this new country he seems to be washed clean of all traces of memory, he is convinced he will know her when he sees her. And indeed, while walking with the boy in the countryside Simón catches sight of a woman he is certain is the mother, and persuades her to assume the role.David's new mother comes to realise that he is an exceptional child, a bright, dreamy boy with highly unusual ideas about the world. But the school authorities detect a rebellious streak in him and insist he be sent to a special school far away. His mother refuses to yield him up, and it is Simón who must drive the car as the trio flees across the mountains.

    Everywhere men are seduced by the fantastic exotic flower. But for wealthy merchant Cornelis Sandvoort, it is his young and beautiful wife, Sophia, who stirs his soul. She is the prize he desires, the woman he hopes will bring him the joy that not even his considerable fortune can buy.Cornelis yearns for an heir, but so far he and Sophia have failed to produce one. In a bid for immortality, he commissions a portrait of them both by the talented young painter Jan van Loos. But as Van Loos begins to capture Sophia's likeness on canvas, a slow passion begins to burn between the beautiful young wife and the talented artist. As the portrait unfolds, so a slow dance is begun among the household's inhabitants. Ambitions, desires, and dreams breed a grand deception--and as the lies multiply, events move toward a thrilling and tragic climax.In this richly imagined international bestseller, Deborah Moggach has created the rarest of novels--a lush, lyrical work of fiction that is also compulsively readable. Seldom has a novel so vividly evoked a time, a place, and a passion.

    Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, follows five-year-old Patrick through a single day, as the Melrose family awaits the arrival of guests. Bright and imaginative, young Patrick struggles daily to contend with the searing cruelty of his father and the resignation of his embattled mother. But on this day he must endure an unprecedented horror—one that splits his world in two. In Never Mind, St. Aubyn renders this vivid tragedy with profound grace and precision, and introduces us to the unforgettable, complex figure of Patrick Melrose.

    In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods’ priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief.Hild is the king’s youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world—of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next—that can seem uncanny, even supernatural, to those around her. She establishes herself as the king’s seer. And she is indispensable—until she should ever lead the king astray. The stakes are life and death: for Hild, her family, her loved ones, and the increasing numbers who seek the protection of the strange girl who can read the world and see the future.Hild is a young woman at the heart of the violence, subtlety, and mysticism of the early medieval age—all of it brilliantly and accurately evoked by Nicola Griffith’s luminous prose. Recalling such feats of historical fiction as Hilary Mantel’s Wolf Hall and Sigrid Undset’s Kristin Lavransdatter, Hild brings a beautiful, brutal world—and one of its most fascinating, pivotal figures, the girl who would become St. Hilda of Whitby—to vivid, absorbing life.

    Originally written in the 14th century, now part of the HarperCollins Spiritual classics series, this beautiful contemplative resource, has been embraced for hundreds of years for its simple, engaging style and spiritual truths. As the unknown author assures us, “if you are to experience Him or to see Him at all, insofar as it is possible here, it must always be in this cloud.” —The Cloud of Unknowing.

    Drifting from town to town and from state to state, the violent, ruthless Bo seeks out his fortune—in the hotel business, in new farmland, and, eventually, in illegal rum-running through the treacherous back roads of the American Northwest. Stegner portrays more than thirty years in the life of the Mason family in this masterful, harrowing saga of people trying to survive during the lean years of the early twentieth century.

    By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra.”It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.Introduction by Arthur Lall

    "Conveys a world that is spiritual, foreign, and entirely accessible."--Vanity Fair. Reading tour.

    W. H. Auden had recently moved to America, fallen in love with a young man to whom he considered himself married, rethought his entire poetic and intellectual equipment, and reclaimed the Christian faith of his childhood. Then, in short order, his relationship fell apart and his mother, to whom he was very close, died. In the midst of this period of personal crisis and intellectual remaking, he decided to write a poem about Christmas and to have it set to music by his friend Benjamin Britten. Applying for a Guggenheim grant, Auden explained that he understood the difficulty of writing something vivid and distinctive about that most clich�d of subjects, but welcomed the challenge. In the end, the poem proved too long and complex to be set by Britten, but in it we have a remarkably ambitious and poetically rich attempt to see Christmas in double focus: as a moment in the history of the Roman Empire and of Judaism, and as an ever-new and always contemporary event for the believer. For the Time Being is Auden's only explicitly religious long poem, a technical tour de force, and a revelatory window into the poet's personal and intellectual development. This edition provides the most accurate text of the poem, a detailed introduction by Alan Jacobs that explains its themes and sets the poem in its proper contexts, and thorough annotations of its references and allusions.

    Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.