Prepare to have your blood chilled by six tales of fear and phantasmagoria…The Silent Bell: A doctor’s invention to prevent people being accidentally buried alive backfires on him with horrific results.The Stonegate Manor Collection: Lord Feltham’s paintings are worth a fortune, but also conceal a gruesome tragedy that has yet more lives to claim.The Haunting of Reverend Carson: The charlatan Musgrave makes a living pretending to talk to the dead, until he discovers his new client’s demons are more than merely spiritual.The Last Waltz: Through that miracle of technology, the Zoopraxiscope, a lonely man’s long-lost love is brought back to life before his very eyes.The Speaking Tube: John Barker is consumed with hatred for his malicious father and torments him with voices from hell, unaware of how close to the abyss he is himself.The Ghost Train: Alone aboard an empty train running along a dead track, Godfrey witnesses the grotesque secret that is entombed beneath Paddington Station.Go deeper into David Haynes’s world of the macabre…

    Maybe a little too easily. She’s always liked people better from afar. But Reagan doesn’t want her grandpa to be alone for Christmas this year—he’s already spent too much time on his own in 2020. So she heads back to her hometown with a dish of holiday Jell-O salad, hoping they can have a little normalcy. Hoping it will be safe…She isn’t expecting to run into the boy next door. Mason is all grown up now. He’s considerate. He’s funny. He doesn’t mind how prickly Reagan is—he maybe even likes it. And it makes Reagan feel like her defenses are falling. She needs her defenses, doesn’t she? In a time when six feet is close enough, how long can they keep their distance?

    His collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day.Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.

    Pearson, which takes place in the same near-future world of The Jenna Fox Chronicles.In “The Rotten Beast,” a sixteen-year-old girl named Allys, living in a near future version of the U.S., is vehemently opposed to the way scientists are meddling with human and artificial life. In fact, she blames such scientific overreaching for the illness which is killing her. When she awakens one day to find that her parents have gone against her wishes and had an illegal operation performed to save her life and restore her body, she is furious and must come to terms with this new chance at life, which she didn’t ask for and didn’t think she wanted.

    So, when she lands an invitation to the most exclusive high society party being hosted at Dev Residency, she grabs the opportunity. After all, the host of the party is none other than KD, the man who destroyed her family. Krish needs to find a bride and soon! A marriage arranged by his father, KD, seems imminent and that would mean throwing away the key to his freedom. One innocent tango with the enigmatic beauty, Maya, and he is hooked. Can she be the means to his freedom? Accepting his proposal of marriage will take her a step closer to her goal of revenge. But can Maya stop herself from falling in love with the enemy's son? But then, love and revenge don't mix!

    It is based on an episode in the Mahabharata, where Yayati, one of the ancestors of the Pandavas, is given the curse of premature old age by his father-in-law, Shukracharya, who is incensed by Yayati's infidelity.

    It is a dystopian landscape where neighbourhoods fight brutal battles against each other and even victory must end in defeat.

    Sure, she loves her boyfriend, Rishi, but why does she need to validate that with an institution that has historically never favored the woman? Why go through all that hassle?Rishi Patel deeply disagrees. He believes in the power that comes with combining love and tradition, and when the time comes, wants nothing more than to honor those things in a huge celebration with his friends and family. He knows Dimple loves him, but in hearing her rant about how marriage is a “construct of hegemonic masculinity” for the millionth time, a small, niggling part of him worries that it’s not the institution of marriage Dimple has a problem with; maybe it’s him.The two lovebirds find themselves at a philosophical impasse. Can they find a way to work it out, or does kismet have other plans?

    While reams have been written on it - in human rights documents, academic theses, non-fiction accounts of the turmoil, and government and military reports - the effects of the violence on its inhabitants have rarely been rendered in fiction. Feroz Rather's The Night of Broken Glass corrects that anomaly. Through a series of interconnected stories, within which the same characters move in and out, the author weaves a tapestry of the horror Kashmir has come to represent. His visceral imagery explores the psychological impact of the turmoil on its natives - Showkat, who is made to wipe off graffiti on the wall of his shop with his tongue; Rosy, a progressive, jeans-wearing 'upper-caste' girl who is in love with 'lower-caste' Jamshid; Jamshid's father Gulam, a cobbler by profession who never finds his son's bullet-riddled body; the ineffectual Nadim 'Pasture', who proclaims himself a full-fledged rebel; even the barbaric and tyrannical Major S, who has to contend with his own nightmares. Grappling with a society brutalized by the oppression of the state, and fissured by the tensions of caste and gender, Feroz Rather's remarkable debut is as much a paean to the beauty of Kashmir and the courage of its people as it is a dirge to a paradise lost.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    John's is the centre of the universe, that these stories are about absolutely everything, that the only certainty in life comes from the accumulation of moments which refuse to be contained. Love, mistakes, loss -- the fear of all of these, the joy of all of these. The interconnectedness of a bus ride in Nepal and a wedding on the shore of Quidi Vidi Lake; of the tension between a husband and wife when their infant cries before dawn (who will go to him?) and the husband's memory of an early, piercing love affair; of two friends, one who suffers early in life and the other midway through.In Open Lisa Moore splices moments and images together so adroitly, so vividly, you'll swear you've lived them yourself. That there is a writer like Lisa Moore threading a live wire through everything she sees, showing it to us, warming us with it. These stories are a gathering in. An offering. They ache and bristle. They are shared riches. Open.Melody --Mouths, open --The way the light is --Craving --Natural parents --Close your eyes --Azalea --If you're there --The stylist --Grace

    "With the help of Lythgoe's spot on descriptions - not to mention the beautiful cover art - I could practically feel the mirror under my fingers. I own an old mechanical typewriter that I used to write many a poem on when I was younger. It belonged to my father and the clack and clatter of it when he used to write was a well-loved sound to me. Lythgoe's story brings to mind many memories of my youth and childhood and how the simple things were very special. In the Mirror is well crafted, full of deep emotion, wonder, loss, hope and most of all, magic."--Kristie Kiessling, Reviewer

    It’s set before Unveiled, but you should read it after. Not intended as a stand-alone.

    When the beautiful and lonely lady of the manor invites him to stay and share a story, his grief at the destruction of his glorious city spills forth in a story of two brothers, Taka and Wara - wolf and boy - a tale of love and loyalty, hurt and distrust. The storyteller is amazed when the lady, or Begum, responds with a tale of her own, of Aresh and Barab, and a friendship that transcends death. Transfixed by their storytelling duel and shocked by the discovery of forbidden love, the pair draw out their stories in order to delay the moment of their parting. Part fable, part fantasy, The Storyteller's Tale captures the twilight of the Mughals and transports the reader to the stunning setting of an unforgettable brief encounter. Adapting ancient traditions of storytelling, skilfully weaving history and the lives of ordinary people in a landscape of war and devastation, Ahmad's finely drawn tale draws from the great folklore traditions of One Thousand and One Nights and the Tales of Genji.

    The thirty nine short stories in this book will blow you away. Starting with a ghoststory by Rabindranath Tagore, India's most famous writer and ending with a fable by Kanishk Tharoor, a writer who has come of age in the twenty first century, these literary masterpieces showcase the extraordinary range and diversity of our story telling tradition. The first recognizably modern Indian short stories were written in Bengal (by Tagore andothers) in the second half of the nineteenth century and writers from other regions werequick to follow suit, often using the form to protest colonial oppression and the various illsafflicting rural and urban India. Over the next century and a half, some of the finest writers the world has seen produced outstanding fiction in every conceivable genre. Many of these stories find a place in this volume, as does work by emerging talent that has never been published in book form before. Here you will find stories of classical realism, ones rootedin folklore and myth, tales of fantasy, humour, horror, crime and romance, stories set invillages, small towns, cities and the moon. They will entertain you and shock you, they will lighten your mood and cast you down, they will move you and they will make you reflect onlife's big and little questions. Most of all, they will make you see the world differently as the greatest stories always do.