known for writing unique, raw and captivating pieces on everything from love and politics, to abuse and womanhood, catarine knows how to tug at both your heartstrings and your mind. cover art by mikaela bailey.

    But in the words of editor Honor Moore, what strikes the contemporary reader is not the sophistication of Lowell's feminist or antiwar stances, but the bald audacity of her eroticism. Her search for an imagist poetry that is hard and clear, never blurred nor indefinite, found its purest expression in sensual love poems that bristle with lyric intensity. This new selection explores Lowell's full formal range, including cadenced verse, polyphonic prose, narrative poetry, and adaptations from the Chinese, and gives a fresh sense of the passion and energy of her work.

    Lara Glenum was raised in the gothic South, studied at the University of Chicago and the University of Virgina, and now teaches at the University of Georgia. In this entirely unheimlich debut, she enters the stage of American poetry like a Fritz Lang glamor-girl-cum-anatomical-model. Glenum recovers the political intensity and daring of the Surrealist project. The extraordinary precision of these poems is so stunning, we can't help but feel blinded by their visions: sock-monkeys, dollhouses, and a circus made of meat vibrate between the playful and the brutal so deftly, each line is a perfect shard of some fantastic planet, gloriously and sadly like our own. As in Blake's apocalyptic images, the sky rolls itself up like a scroll--brilliant in its colors and infinite in its scope. Glorious!--D.A. Powell.

    . . These poems literally vibrate with Kearney's precocious intellect and passion. They hum, they bang, they bite. What else can I say? I have never encountered poetry like this before."—Terrance Hayes

    Inside this luxurious hardcover, you’ll find stories about storm chasers and Colombian supermodels, about talking plants and DIY bands and camboys and encounters with the dead. Contributors include Bryan Washington, Eileen Myles, Kristen Arnett, Sarah Gerard, Juli Delgado Lopera, Gabby Bellot, Denne Michele, Emma Copley Eisenberg, K-Ming Chang, and many more, with dazzling full-color illustrations throughout by Derek Abella. Guest-edited and featuring an introduction by Patrick Cottrell, and filled to a surfeit with letters, stories, and dazzling full-color comics and art, you’ll be jealously hoarding this collection for decades to come.Featuring original stories by:Eileen MylesBryan WashingtonEmma Copley EisenbergChristopher James LlegoK-Ming ChangVenita Blackburnhurmat kazmiJuli Delgado LoperaKristen N. ArnettGabrielle BellotPaul Dalla RosaTimi OduesoKayla Kumari UpadhyayaVi Khi NaoDenne MicheleSarah GerardBridget BrewerFull-color comics by:Garrett YoungLee LaiFull-color illustrations throughout by:Derek AbellaAnd letters by:RL GoldbergAmanda MontiAarushi AgniDrew PhamEmerson WhitneyCover by:Angie WangTitle-page and table-of-contents illustrations by:Ariel Davis

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.

    THEORIES OF FALLING is the winner of the 2007 New Issues Poetry Prize. Judge Marie Howe said of THEORIES OF FALLING, "I kept coming back to these poems--the tough lyric voice that got under my skin. Clear, intent, this poet doesn't want to fool herself or anybody else. Desire pushes defeat against the wall, and the spirit climbs up from underground." "Sandra Beasley slices her way down the page with precision and punch. Her haunting 'Allergy Girl' series will set off such an itch, I doubt you'll ever fully recover...This poet leaves us to smolder and ache in small kingdoms where 'even the tame dogs dream of biting clear to the bone.'"--Aimee Nezhukumatathil.

    Thomas-born, Florida-raised poet Nicole Sealey’s work is restless in its empathic, succinct examination and lucid awareness of what it means to be human.The ranging scope of inquiry undertaken in Ordinary Beast—at times philosophical, emotional, and experiential—is evident in each thrilling twist of image by the poet. In brilliant, often ironic lines that move from meditation to matter of fact in a single beat, Sealey’s voice is always awake to the natural world, to the pain and punishment of existence, to the origins and demises of humanity. Exploring notions of race, sexuality, gender, myth, history, and embodiment with profound understanding, Sealey’s is a poetry that refuses to turn a blind eye or deny. It is a poetry of daunting knowledge.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    According to The New York Times, Chin "is sassy, rageful and sometimes softly self-mocking." The Advocate wrote her poems, "combine hilarious one-liners with a refusal to conform" and note "Chin is out to confront more than just the straight world."

    Woody is a handsome young contractor and he and Jake get along great. After the house is finished Woody hires Jake for the next house. They soon become great friends. Jake is awkward with girls. He's never really had any luck with them and isn't much interested in them. He's never had any sexual contact with a guy either but he's curious and attracted to Woody. He's determined to make Woody see him in a different light.

    this impressive debut has established Hera Lindsay Bird as a good girl………with many beneficial thoughts and feelings………with themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is………juxtaposing many classical and modern breezesBird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog………or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert………this is at once an intelligent and compelling fantasy of tenderness………heartbreaking and charged with trees………without once sacrificing the forest………Whether you are masturbating luxuriously in your parent’s sleepout………………or pushing a pork roast home in a vintage pram………this is the book for you………………………heroically and compulsively stupid………………………………………………………………………………whipping you once again into medieval sunlight.

    She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun?Gala writes letters to B—- that shed light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture.Summer Fun is an epic and magical work of trans literature that marks Thornton as one of our most exciting and original novelists.

    A collection examining America's loss of innocence, the poems in this title range from the horrific flight of a World War II pilot to the World Trade Center attack, from the death of JFK Jr to the poet's own bastard birth.

    She rose above shattering personal defeats to write with honesty, clarity of vision and nobility of utterance. Her poetry reflects - with naked candour - the harsh realities of her tragic inner struggle, which was eventually to lead to her suicide in 1941.