Using the same inspired, inquisitive approach, he now turns to our most sacred book, the Bible. What Is the Bible? provides insights and answers that make clear why the Bible is so revered and what makes it truly inspiring and essential to our lives.Rob takes us deep into actual passages to reveal the humanity behind the Scriptures. You cannot get to the holy without going through the human, Rob tells us. When considering a passage, we shouldn’t ask "Why did God say . . .?" To get to the heart of the Bible’s meaning, we should be asking: "What’s the story that’s unfolding here and why did people find it important to tell it? What was it that moved them to record these words? What was happening in the world at that time? What does this passage/story/poem/verse/book tell us about how people understood who they were and who God was at that time?" In asking these questions, Rob goes beyond the one-dimensional question of "is it true?" to reveal the Bible’s authentic transformative power.Rob addresses the concerns of all those who see the Bible as God’s Word but are troubled by the ethical dilemmas, errors, and inconsistencies in Scripture. With What Is the Bible?, he recaptures the Good Book’s magic and reaffirms its power and inspiration to shape and inspire our lives today.

    Willard Marriott Library. Leonard Arrington is considered by many the foremost twentieth-century historian of Mormonism. He played a key role in establishing the Western History Association and the Mormon History Association, and more than a half-century after its publication, his revised doctoral dissertation, Great Basin Kingdom: An Economic History of the Latter-day Saints 1830-1900, remains a standard. But Arrington’s career was not without controversy. Gregory Prince takes an in-depth look at this respected historian and, in telling Arrington’s story, gives readers insight into the workings of the LDS Church in the late twentieth century. In 1972, during a major reorganization of the LDS Church, Arrington was asked to serve as the official church historian, thereby becoming the first—and thus far the only—professional historian to hold that title. He immediately set out to professionalize the entire Church History Division and open its extensive archives to scholarly researching. While the output of and from that division moved Mormon studies to a new level, the shift of historiography from faith promotion ecclesiastical, to scholarly and professional research and analysis was unacceptable to a handful of powerful senior apostles. In 1980 the History Division was disassembled and moved to Brigham Young University. That led to a shift in the professionalization of the Church History Division and Archives and in Arrington’s career but not to a loss of his broad influence. This biography is the first to draw upon the remarkable Arrington diaries (over 20,000 pages); it is supplemented by the author’s interviews of more than 100 people who knew or worked with Arrington. The book is of additional significance given continuing battles between the LDS Church and scholars, which frequently gains national attention because of excommunications of prominent intellectuals.

    How astonishing it was, then, that people should have come to believe that one particular victim of crucifixion-an obscure provincial by the name of Jesus-was to be worshipped as a god. Dominion explores the implications of this shocking conviction as they have reverberated throughout history. Today, the West remains utterly saturated by Christian assumptions. As Tom Holland demonstrates, our morals and ethics are not universal but are instead the fruits of a very distinctive civilization. Concepts such as secularism, liberalism, science, and homosexuality are deeply rooted in a Christian seedbed. From Babylon to the Beatles, Saint Michael to #MeToo, Dominion tells the story of how Christianity transformed the modern world.

    Flappers is in part a biography of that restless generation: starting with its first fashionable acts of rebellion just before the Great War, and continuing through to the end of the decade when the Wall Street crash signal led another cataclysmic world change. It focuses on six women who between them exemplified the range and daring of that generation’s spirit.Diana Cooper, Nancy Cunard, Tallulah Bankhead, Zelda Fitzgerald, Josephine Baker and Tamara de Lempicka were far from typical flappers. Although they danced the Charleston, wore fashionable clothes and partied with the rest of their peers, they made themselves prominent among the artists, icons, and heroines of their age. Talented, reckless and willful, with personalities that transcended their class and background, they re-wrote their destinies in remarkable, entertaining and tragic ways. And between them they blazed the trail of the New Woman around the world.