Just about everyone's familiar with the Venus flytrap...but did you know that there are pitcher plants that can-and do!-digest an entire rat? Or that there are several hundred species of carnivorous plants on our planet? Full-color photographs of the plants at work and play, plus everything you need to know to successfully grow your own Little Shop of Horrors.Awards1999 American Horticultural Society Book Award Winner ReviewsHow to get kids interested in gardening? The San Francisco Chronicle recommends The Savage Garden, "because there's nothing children like better than catching insects and feeding them to their houseplants."

    Walled off from the world for decades behind the towering fence surrounding her home, Iris has built a new family…of flowers. Iris propagates her own daylilies and roses while tending to a garden filled with the heirloom starts that keep the memories of her loved ones alive.When Abby Peterson moves next door with her family—a husband traumatized by his service in the Iraq War and a young daughter searching for stability—Iris is reluctantly yet inevitably drawn into her boisterous neighbor’s life, where, united by loss and a love of flowers, she and Abby tentatively unearth their secrets, and help each other discover how much life they have yet to live.With delightful illustrations and fascinating detail, Viola Shipman’s heartwarming story will charm readers while resonating with issues that are so relevant today

    And about the sublime pleasure of having a little piece of French land all to oneself to till. Richard Goodman saw the ad in the paper: "SOUTHERN FRANCE: Stone house in Village near Nimes/Avignon/Uzes. 4 BR, 2 baths, fireplace, books, desk, bikes. Perfect for writing, painting, exploring & experiencing la France profonde. $450 mo. plus utilities." And, with his girlfriend, he left New York City to spend a year in Southern France. The village was small—no shops, no gas station, no post office, only a café and a school. St. Sebastien de Caisson was home to farmers and vintners. Every evening Goodman watched the villagers congregate and longed to be a part of their camaraderie. But they weren't interested in him: he was just another American, come to visit and soon to leave. So Goodman laced up his work boots and ventured out into the vineyards to work among them. He met them first as a hired worker, and then as a farmer of his own small plot of land.French Dirt is a love story between a man and his garden. It's about plowing, planting, watering, and tending. It's about cabbage, tomatoes, parsley, and eggplant. Most of all, it's about the growing friendship between an American outsider and a close-knit community of French farmers. "There's a genuine sweetness about the way the cucumbers and tomatoes bridge the divide of nationality." —The New York Times Book Review "One of the most charming, perceptive and subtle books ever written about the French by an American." —San Francisco Chronicle

    No one can doubt the importance of the garden in Roald Dahl's life as it was here where he worked, and here that he created James and the Giant Peach. And where would Jane Austen have been if she had never seen a ‘ walk’ , an ornamental lake, or a wilderness?Gardens hold a special place in many author’ s lives. For Beatrix Potter, Hill Top house was made possible by the new found freedom and wealth that a literary career can bring; for Sir Walter Scott, laying out his garden at Abbotsford was a way of distracting himself from mounting debts.In this book of 18 gardens and 20 writers, the author examines how the poet, writer, novelist derived a creative spirit from their private garden, how they tended and enjoyed their gardens, and how they managed their outdoor space.Jane Austen at Godmersham and Chawton Rupert Brooke at Grantchester John Ruskin at Brantwood Agatha Christie at Greenway Beatrix Potter at Hill Top Roald Dahl at Gipsy House Charles Dickens at Gad’ s Hill Place Virginia Woolf at Monk’ s House Winston Churchill at Chartwell Laurence Sterne at Shandy Hall George Bernard Shaw at Shaw’ s Corner Ted Hughes at Lumb Bank Henry James followed by E.F. Benson at Lamb House John Clare at Helpston Thomas Hardy at Hardy’ s Cottage and Max Gate  Robert Burns at Ellisland William Wordsworth at Cockermouth and Grasmere Walter Scott at Abbotsford Rudyard Kipling at Bateman’ s

     After tragedy shatters her small community in Seattle, the Reverend Elsa Montgomery has a crisis of faith. Returning to her hometown of Pueblo, Colorado, she seeks work in a local soup kitchen. Preparing nourishing meals for folks in need, she keeps her hands busy while her heart searches for understanding.   Meanwhile, her sister, Tamsin, as pretty and colorful as Elsa is unadorned and steadfast, finds her perfect life shattered when she learns that her financier husband is a criminal. Enduring shock and humiliation as her beautiful house and possessions are seized, the woman who had everything now has nothing but the clothes on her back.   But when the going gets tough, the tough get growing. A community garden in the poorest, roughest part of town becomes a lifeline. Creating a place of hope and sustenance opens Elsa and Tamsin to the renewing power of rich earth, sunshine, and the warm cleansing rain of tears. While Elsa finds her heart blooming in the care of a rugged landscaper, Tamsin discovers the joy of losing herself in the act of giving—and both women discover that with time and care, happy endings flourish.

    It is rarely visited so he is the only person who fully knows its secrets; but it is not his own. His relationship with the garden’s owner is both distant and curiously intimate, steeped in the mysterious connection which exists between two people who inhabit the same space in very different ways.In this life-enhancing book Marc takes us month-by-month through his experiences both working in the garden and outside it, as the seasons’ changes bring new plants and wildlife to the fore and lead him to reflect on his past and future. Through his peaceful and meditative prose we learn about gardening folklore and wisdom, the joys of manual labour, his path from solitary homelessness to family contentment and the cycle of growth and decay that runs through both the garden’s life and our own.Beautifully illustrated, Seed to Dust is a moving and restorative account of a life lived in harmony with nature.You’ve seen gates like that at the side of the road, you’ve wondered what’s behind them. They really are the entrance to the wonders you imagined.

    Cheerful and informative, Happy Houseplants will guide any budding indoor botanist through a bevy of topics, from soil and water to light and fertilizer. With beautiful illustrations accompanying 30 different profiles of plants, from the easygoing Air Plant to the striking Zebra Cactus, this nifty book is the perfect gift for anyone looking to bring a piece of the outdoors inside.

    From a front-yard farm to a chile lover's plot, growers of every stripe will find inventive designs for growing food in any space.

    But there is an important and simple step toward reversing this alarming trend: Everyone with access to a patch of earth can make a significant contribution toward sustaining biodiversity.There is an unbreakable link between native plant species and native wildlife—native insects cannot, or will not, eat alien plants. When native plants disappear, the insects disappear, impoverishing the food source for birds and other animals. In many parts of the world, habitat destruction has been so extensive that local wildlife is in crisis and may be headed toward extinction.Bringing Nature Home has sparked a national conversation about the link between healthy local ecosystems and human well-being, and the new paperback edition—with an expanded resource section and updated photos—will help broaden the movement. By acting on Douglas Tallamy's practical recommendations, everyone can make a difference.

    The result is a nonstop parade of color that begins with a tapestry of heirloom daffodils and hellebores in spring and ends with a jewel-like blend of Asian wildflowers at the onset of winter.The Layered Garden shows you how to recreate Culp's majestic display. It starts with a basic lesson in layering; how to choose the correct plants by understanding how they grow and change throughout the seasons, how to design a layered garden, and how to maintain it. To illustrate how layering works, Culp takes you on a personal tour through each part of his celebrated garden: the woodland garden, the perennial border, the kitchen garden, the shrubbery, and the walled garden. The book culminates with a chapter dedicated to signature plants for all four seasons.As practical as it is inspiring, The Layered Garden will provide you with expert information gleaned from decades of hard work and close observation. If you thought that a four-season garden was beyond your reach, this book will show you how to achieve that elusive, tantalizing goal.

    White was also a great garden enthusiast. In March 1958 she began publishing her popular column, "Onward and Upward in the Garden." Her first column elicited loads of fan mail, but one letter in particular caught her attention. From Elizabeth Lawrence, a noted southern garden writer, it was filled with suggestions and encouragement. When Katharine wrote back her appreciation, she reported on her Maine garden and discussed the plants and books that interested her. Thus began a correspondence that would last for almost twenty years, until Katharine's death in 1977. Two Gardeners is a collection of these luminous letters, edited and introduced by Emily Herring Wilson. The letters bring to life the unique epistolary friendship between two intelligent women, the "formidable" Mrs. White and the "shy" Miss Lawrence, both avid gardeners and readers, both at a stage of life when to make a new friend was rare indeed: when they first wrote to one another, Katharine was sixty-two, Elizabeth, fifty-four.More than 150 letters went back and forth during the course of their correspondence, though Katharine and Elizabeth would meet face-to-face only once. Whether talking about gardens or books, friends or family, each held a special place in the other's life.Illustrated with photographs of both Katharine White and Elizabeth Lawrence, their families, gardens, and houses, this book is a special treat for gardeners, literature lovers, and anyone who delights in reading about women's friendships.

    But it was not reels of wool or bales of cotton that awaited him, but plants and seeds…Over the next forty years, Bartram would send hundreds of American species to England, where Collinson was one of a handful of men who would foster a national obsession and change the gardens of Britain forever, introducing lustrous evergreens, fiery autumn foliage and colourful shrubs. They were men of wealth and taste but also of knowledge and experience like Philip Miller, author of the bestselling Gardeners Dictionary, and the Swede Carl Linnaeus, whose standardised botanical nomenclature popularised botany as a genteel pastime for the middle-classes; and the botanist-adventurer Joseph Banks and his colleague Daniel Solander who both explored the strange flora of Tahiti and Australia on the greatest voyage of discovery of modern times, Captain Cook’s Endeavour.This is the story of these men – friends, rivals, enemies, united by a passion for plants – whose correspondence, collaborations and squabbles make for a riveting human tale which is set against the backdrop of the emerging empire, the uncharted world beyond and London as the capital of science. From the scent of the exotic blooms in Tahiti and Botany Bay to the gardens at Chelsea and Kew, and from the sounds and colours of the streets of the City to the staggering vistas of the Appalachian mountains, The Brother Gardeners tells the story of how Britain became a nation of gardeners.

    Using her own upsate New York property as her model and laboratory, she leads us through the garden's seasons as they parallel the stages of our own lives. First is conception (the idea of the garden as it takes shape in January and February), followed by birth (the planting time of March and April), youth (an explosion of flowers in May and June), adulthood (harvesting and dividing in July and August), senescence (taking inventory in September and October), and death and afterlife (the winter garden of November and December).For every month she makes note of the activities of the moment -- how to plan a garden before the snow melts, select hardy and forgiving plants that build the gardener's confidence, plant a 'late-start' vegetable garden, create a crevice garden in the cracks of the patio, and force bulbs indoors to stave off the winter blues.Throughout, Roach's friendly, conversational writing not only explains exactly what needs to be done and how to do itt, but also inspires us with a love of gardening itself -- the closest many of us come to nature in our everyday lives.

    That was before he went to prison. Now, just released, he needs to get his bearings and a new beginning. It was a gray day in early April when Michael stumbled wearily into the tiny English village. Weighed down by failure and despair, the town of Silverbridge seems too offer him a quiet, rural escape from the past. Even though his heart was torn by remorse and shame, he was home at last.Kind, gentle vicar John Wentworth takes Michael under his wing, and introduces him to his family and friends. At the vicarage, John's inexplicably discontented wife Daphne brings up their daughters. Bedridden Harriet, John's former nanny, deals impatiently with a world to which she cannot actively participate. At the family home, Belmaray Manor, Great Aunt Maria is burdened by the worry of a failing estate. And at the grim little town school is fiery teacher Mary O'Hara, determined to foster change.With Michaels' arrival at Belmaray, changes began to occur in lives that had not changed for so long: the proud, self-centered beauty he had once loved was surprised into forgiveness; the quixotic bumbling vicar discovered unsuspected strength lurking behind his shyness; a sick and lonely spinster was turned away from despair, and a lovely, high-spirited young woman found her heart's desire. A story of courage and community, set in the beautiful Devonshire countryside.

    When I don't want to talk I turn to Plot 29, or to a wilder piece of land by a northern sea. There, among seeds and trees, my breathing slows; my heart rate too. My anxieties slip away.’ As a young boy in 1960s Plymouth, Allan Jenkins and his brother, Christopher, were rescued from their care home and fostered by an elderly couple. There, the brothers started to grow flowers in their riverside cottage. They found a new life with their new mum and dad.As Allan grew older, his foster parents were never quite able to provide the family he and his brother needed, but the solace he found in tending a small London allotment echoed the childhood moments when he grew nasturtiums from seed.Over the course of a year, Allan digs deeper into his past, seeking to learn more about his absent parents. Examining the truths and untruths that he’d been told, he discovers the secrets to why the two boys were in care. What emerges is a vivid portrait of the violence and neglect that lay at the heart of his family.A beautifully written, haunting memoir, Plot 29 is a mystery story and meditation on nature and nurture. It’s also a celebration of the joy to be found in sharing food and flowers with people you love.