When he brings in the head of the vicar's expensive Koi carp, Anna's Dad is so cross he locks the new cat out of the cat-flap. Tom argues for the cat to be let back in, but the flap is left shut overnight and now the cat has disappeared altogether.

    It’s the ethical thing for a journalist to do, especially in a war-torn region like the Middle East. And Caddie wants to believe that nothing is as important as covering “the story.”There’s room for passion in her life—but that’s only physical. And Caddie keeps even those fleeting attachments under wraps, secretive, because she knows that when a journalist even appears to lose her detachment, she is already lost.So what is Caddie to feel when her lover dies beside her—shot in an ambush on the way to the next promising political interview, across the Israeli border into Lebanon?An authentic look at the emotional and ethical chaos within a war correspondent who becomes a bit too involved, Masha Hamilton’s The Distance Between Us is a straight-ahead story of human passion—desire, conviction, and the guilt of a survivor—struggling for order within the frayed justice of the Middle East conflict.A seasoned journalist herself, Masha Hamilton brings to this revealing novel the sharp eye and deep empathy that marked her debut, Staircase of a Thousand Steps (BlueHen, 2001). Beautifully turned, and peopled with an astounding cast of characters who are as true as they are perceptive, The Distance Between Us is finally the portrait of one woman’s search for the narrow pass between vengeance and emotional survival, when her only true attachment has been torn away from her.“If we knew where we were going to fall,” the novel’s most enigmatic character tells her, “we could spread straw.”

    Wentworth, though well-intentioned, is a humourless, ineffective educator of the old school. Despite an unshakeable faith in his own methods, he is ill-equipped to deal with the devious vagaries of the modern schoolboy.

    Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.Madly transfixing details—noodles, toilet paper, toothpaste, a first subway ride, a sock full of dollars—become milestones in a discovery of America. These details, combined with Federman's feel for the desperation of his characters, create a book that is simultaneously hilarious and frightening. The concrete play of its language, its use of found materials, give the viewer/reader a sense of constant and strange discovery. To turn these pages is to turn the corners of a world of words as full as any novel of literary discourse ever presented. Double or Nothing challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting.Picked for American Book Review's 100 Best First Lines from Novels

    But when the local librarian, Deirdre Clark, discovers the body of Doc Roy one morning in the stacks with an open romance novel on his chest, everything changes.With the help of her two trusty cats and her former high school sweetheart Sam, Deirdre begins digging for clues. And what she finds shocks her. Adultery, family rivalries and secret lives come to the surface, all surrounding a local famous bed and breakfast. It's up to her to get to the bottom of it and find the killer. But can she convince the cops of her case or will the murderer get away with the murder?

    Prowling through every story, these enigmatic creatures expose the truth that lies beneath the surface of every encounter between women and the men they love.A young woman finds two dark surprises in her home: a magpie dismembered by her mischievous cat, and an unsettling glimpse of her fiancé's secret inclinations...A pregnant housewife quietly suffers a visit from her troubled brother-in-law while her hidden anger comes to life in the suddenly hostile behavior of her docile house cat...A frustrated newlywed clings to the last vestige of her well-appointed upbringing — a pampered Himalayan high point — until a rangy stray cat shows her the true meaning of marriage...As clever, finessed, and keen as the feline disposition it celebrates, Of Cats and Men marks the arrival of an exciting new voice in fiction.

    B. White in his essay on Don Marquis and his famous creations, and the undimmed enthusiasm of several generations of fans -- who every year buy thousands of copies of Marquis' earlier collections -- testifies to their appeal. A whimsical and sophisticated sage, archy the cockroach entertained readers with iconoclastic observations on pretensions, politics, and our place in the cosmos during Marquis' career as a New York newspaper columnist in the 1920s and 30s.Allegedly tapping out stories at night by leaping from key to key on Marquis' typewriter, archy couldn't quite manage the shift key for capital letters. Although his tales appeared in lower case, his views achieved a level grand enough to solidify Marquis' reputation as an American humorist in the tradition of Mark Twain, Joel Chandler Harris, and Ring Lardner. archyology brings together selected "lost" tales that were literally rescued from oblivion by Jeff Adams, who found them among papers stored in a steamer trunk since Marquis' death.And so archy emerges from his long silence. Whether reporting on characters like emmet the ghost, sailing to Paris to visit the insects of Europe, being trapped for days in a New York subway train, or hanging out in a Long Island orchard enjoying fermented cherries, archy is always both provocative and inimitable. With illustrations by Ed Frascino, a New Yorker regular, this collection reintroduces a delightful cast of characters who reconfirm archy's view of the world: "the only way to live with it is to laugh at it.

    Amanda has to meet her…even if it means jumping bail and praying she'll reach Alaska before law enforcement closes in.If Chance Walker has learned anything as a bounty hunter, it's that only the guilty run. When he captures Amanda, he's ready to bring her to justice. But attacks against Amanda make Chance reconsider. What if his target really is innocent? Will Chance put his life on the line to find the truth—and keep Amanda safe?

    Prodigal Son is pure, splendid Shanley: shaggily idealistic and always scratching a philosophical itch underneath jokes and banter." -- Davide Cote, Time Out New York“Shanley chooses characters stretched to the breaking point between rage and love… His are characters of obsessive passions who match those passions with hyper-melodic language.” --BOMB magazineWhen a troubled but gifted boy from the South Bronx arrives at a private school in New Hampshire, two faculty members wrestle with how to help him adjust to his new environment. The boy is violent, brilliant, alienated, and on fire with a ferocious loneliness. As with his Pulitzer Prize-winning play, Doubt, John Patrick Shanley has drawn on his personal experiences to create an explosive portrait of a young man on the verge of either salvation or destruction.John Patrick Shanley is the author of Doubt, a parable (Pulitzer Prize for Drama, Tony Award for Best Play), Outside Mullingar (Tony nomination for Best Play), Defiance, Storefront Church, Danny and the Deep Blue Sea, and Dirty Story, among many other plays. He wrote the teleplay for Live from Baghdad (Emmy nomination for Outstanding Writing of a Miniseries, Movie or Dramatic Special) and the screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano, Doubt, a parable (Academy Award nomination for Best Adapted Screenplay) and Moonstruck (Academy Award for Best Original Screenplay).

    A traveler that infected everyone aboard and raced across the world while those in charge of its containment denied the real danger. Few survived the carnage, fewer left any record. Moss Valley was one of them.

    What was once a bittersweet, fleeting romance between Nigel Pressley and Rona Hume develops into a different kind of attraction years later under the influence of Nigel's gentle widowed mother.

    In the letters the children read of the origins of their parents' passion: how they first met in 1924 when Henry crashed his Air Mail plane into Ruth's family's cornfield; how Ruth flew alongside Henry as his navigator; about Ruth's passion for flying; and how the birth of her children kept her on the ground.

    He has raised it to an art through the high craft of the Connable Method. Through it, he has managed to transform the ugliness of death into a thing of dignity and beauty. Victims brutalized by war, street fights, tavern brawls, ambushes, fires, every hazard in a raw West---these, in his hands, become presentable. Everywhere on the frontier, which erupts with life and death, he offers his skill: to the rich of San Francisco, the bawds and ruffians of the Barbary Coast, to Kansas cowboys, outlaws, soldiers, and sheriffs. He is devoted to dignifying the dead.She is devoted to making her marriage whole, in spite of the tragedy that surrounds it and, most especially, in spite of the tragedy that in one terrible afternoon strikes at its center.Today the undertaker is called to disguise the suicide of a famous financier. It is high drama, for only his art can save America's financial markets. Her task on this day is secret, an act of understanding and dedication.In the end, it is the undertaker's wife who, through love, is able to transcend death.

    So she packs up her spare life, leaves her boyfriend behind, and heads across the country in search of a new place to begin. Settling in Boston, her life is suddenly changed by the chance meeting of two unlikely women: Eleanor, a seventy-eight year old widow who is stripping away the layers of her past, and June, an ambitious dance student who relies on a psychic to help manage her estranged relationships--all the while keeping a shocking secret. As these three resilient women of different backgrounds and ages face their own particular demons, Charlie becomes their shared center. Drawing strength from each other and the maternal bond that unites them, they soon discover that the lives they have run from just may be their saving grace. . . .

    A sleepy bohemian neighbourhood.An ancient legend from the ancient past.A brilliant but troubled young writer.A voluptuous healer.A shadowy cult and its sinister leader.A trail of riddles; a hidden artefact.An explicit sex scene, then a struggle for ultimate power.And a final, unspeakable secret.Unspeakable Secrets of the Aro Valley is a dark and hilarious odyssey through Wellington’s underbelly.