Some feminists vocally condemn other feminists because of how they dress, for their sexual partners or practices, or because they are seen as different and therefore less valued. Among LGBTQ activists, there is a long history of lesbians and gay men dismissing bisexuals, transgender people, and other gender and sexual minorities. In each case, exclusion is based on the premise that certain ways of being gendered or sexual are more legitimate, natural, or righteous than others. As a trans woman, bisexual, and femme activist, Julia Serano has spent much of the last ten years challenging various forms of exclusion within feminist and queer/LGBTQ movements. In Excluded, she chronicles many of these instances of exclusion and argues that marginalizing others often stems from a handful of assumptions that are routinely made about gender and sexuality. These false assumptions infect theories, activism, organizations, and communities -- and worse, they enable people to vigorously protest certain forms of sexism while simultaneously ignoring and even perpetuating others. Serano advocates for a new approach to fighting sexism that avoids these pitfalls and offers new ways of thinking about gender, sexuality, and sexism that foster inclusivity.

    When evidence at the latest scene suggests that a massive predator may be the source of the carnage, a local crocodilian specialist is brought in as a consultant. Soon an effort is launched by the police and the coast guard to successfully locate and capture the ancient creature, which threatens the lives of everyone in the expedition, as well as the surrounding communities.

    At age twelve, she was head detective of the mystery club Girls Can Solve Anything. Margaret and her three best friends led exciting lives solving crimes, having adventures, and laughing a lot. But now that she's entered high school, the club has disbanded, and Margaret is unmoored—she doesn't want to grow up, and she wishes her friends wouldn't either. Instead, she opts out, developing an eating disorder that quickly takes over her life. When she lands in a treatment center, Margaret finds her path to recovery twisting sideways as she pursues a string of new mysteries involving a ghost, a hidden passage, disturbing desires, and her own vexed relationship with herself.Margaret and the Mystery of the Missing Body reimagines nineties adolescence—mashing up girl group series, choose-your-own-adventures, and chronicles of anorexia—in a queer and trans coming-of-age tale like no other. An interrogation of girlhood and nostalgia, dysmorphia and dysphoria, this debut novel puzzles through the weird, ever-evasive questions of growing up.

    Desperate to avoid reliving the traumatic memories of his father’s death, Ryan begs for a way out.Fortunately, Grandma Wendy's best friend Dot offers to keep the siblings for the afternoon, and despite her misgivings Lisa agrees to let the old woman take them. But as all three Campbells soon discover, Dot isn’t the sweet lady she appears to be. She’s bent on revenge for her own traumatic memories—and has all the powers of hell at her command to get it.Author's note: The Witch is a novel for adults, and contains brutality, bloody violence, death, explicit language, sexual innuendo, children in peril,and terror.

    Always a talented witch, Z can now barely perform magic and is rapidly decaying. Faced with rejection from their remaining family members and old friends, Z moves in with Mrs. Dunnigan, an elderly witch, and befriends Aysel, a loud would-be-goth classmate who is, like Z, a loner. As Z struggles to find a way to repair the broken magical seal holding their body together, Aysel fears that her classmates will discover her status as an unregistered werewolf. When a local psychiatrist is murdered in an apparent werewolf attack, the town of Salem, Oregon, becomes even more hostile to monsters, and Z and Aysel are driven together in an attempt to survive a place where most people wish that neither of them existed.

    Bodily autonomy and transformation, the importance of negative emotions, unhealthy relationships, and bad situations amidst the staggering and urgent question of how build and nurture meaning, love, and safety in a larger world/society that might not be "fixable."

    So Tucker says it’s her, even though it’s not, to stop the finger pointing. She was an out lesbian in high school, and she figures she can stare down whatever gets thrown her way in college. It can’t be that bad.Ella Ramsey is making new friends at Freytag University, playing with on-campus gamers and enjoying her first year, but she’s rocked by the sight of a slur painted on someone else’s door. A slur clearly meant for her, if they’d only known.New rules, old prejudices, personal courage, private fear. In this stunning follow-up to the groundbreaking Being Emily, Rachel Gold explores the brave, changing landscape where young women try to be Just Girls.

     Featuring stories by Amy Cross, Mike Duke, Matthew Brockmeyer, Lex H. Jones, J.C. Michael and Kevin J. Kennedy.

    So says Lexi. She's a charismatic trans woman furious with the way she sees her trans friends treated by society and resentful of the girl who spurned her love. Now, Lexi has a plan to wreak her vengeance: a future in which no one can produce hormones and everyone must make the same choice that she made-what body best fits your gender? FOR SIGNED AND NUMBERED VERSION, CHECK WWW.TORREYPETERS.COM

    

    Emily Carroll has fashioned a rich gothic horror charged with eroticism that doesn't just make your skin crawl, it crawls into it.

    To escape, they decide to return to Jesse's childhood home of Haven. On the perilous journey they encounter a deserted genetics lab. That evening the results of a genetic experiment, five massive dogs working as a team, walk into their camp. The dogs finally disappear back into the dark. On a second visit, the dogs become friends of the family. As they near Haven, a sheriffs warning about a brutal gang, triggers a buried childhood memory for Jesse and the gangs involvement in the death of his parents. The gang decides to visit Haven. The Colters set a brutally effective trap. Jesse is severely injured, but survives. Sarah and Jesse, with the help of their friends, build a future and slowly things get better. At the end Jessie is alone and dying. It's his time, and he feels complacent. He's an old man with a bent back and a deep love for Sarah, sitting in a small clearing on the side of a mountain overlooking Haven.

    She’s staying optimistic, though: she’s confident she can fake it till she makes it, roll with the punches, and find a way to save her luxury restaurant, Paramour.But it gets harder when she gets restaurant mogul and star chef Mike Wallace angry, and finds herself on the other end of a campaign to shut down Paramour.Celebrity chef Holly Mason’s show is in trouble: people are bored with her routine of helping struggling restaurants. Worse, her ex-boyfriend Mike Wallace is making backdoor deals trying to steal the starring role.Luckily, Holly’s agent Tay has a solution: ditch her show plans for the season, throw their lot in with luxury restaurant Paramour against Mike Wallace’s racketeering operation of a restaurant partnership. The cherry on top? A fake relationship between Holly and Avery to stir up drama.It would already be a mess if Holly and Avery weren’t already struggling to hold back their attraction for one another. Despite their promise not to date, the lines between acting and reality get awfully blurry sometimes.Fake It is an 80,000-word fake-dating celebrity romance between a disillusioned TV cooking star and a bright-eyed restaurant owner who’s sure she can manifest a solution to her hard times if she believes hard enough. Features an agent named Tay who calls their brilliant ideas “inspir-Tay-tion,” plenty of descriptions of food that made me hungry while I wrote the book, and a cute bisexual trans girl who gets to fall in love. Content warnings for open-door sex scenes that get a little bit kinky, a gross man who won’t stop calling his ex-girlfriend babe, and sapphics getting in the way of their own feelings, like they always do.

    She's more than happy to be muse, model, assistant, and lover - especially lover - for brilliant and successful Bianca Graves. After all, Merren's smart with a big-picture view of the world and a practical streak wide enough to deal with Bianca's difficulties. She's a problem-solver. Except there's one problem Merren's never had to solve before - what happens when you fall in love with a woman who can't see you properly? Bianca's an artist losing her sight, desperate to find a way to continue painting and keep her career and sense of identity. She needs more than a muse, more than a young woman to model for her. She needs someone to reach out and touch her when everything's going dark - and help her find the way back to her life. Which surely means Merren's too young, too different, worlds apart in experience. Bianca knows a summer fling at such a difficult time is one thing - but it can't go any further. As it turns out, however - there's more than one way to be blind.

    She'd have laughed even harder if she’d been told her new, uptight, beauty parlour boss, Victoria, would steal her heart and stamp all over it. Because Sadie's way smarter than that.The saying “You don’t know what you have until it’s gone” has become Victoria's motto ever since Sadie stumbled into her ordered world. Victoria just needs a cleaner. But apparently Sadie has other talents—the sort that can crack open Victoria's heart and shatter her equilibrium.No, Sadie and her chaotic charms absolutely will not do. Victoria’s strict no-workplace relationship rules exist for a reason.But what if Victoria can’t live without her? Is it too late to win back the intoxicating young woman?An age-gap, rich-girl/poor-girl lesbian romance that embraces the big, crazy, complicated mess of fixing two broken hearts that belong together.81,000 words