There's a story around every corner, and each day has a hint of magic. In one tale, Yu'er wants to swim in the Special Olympics, a sports competition for people with disabilities. But she and her grandpa don't have a pool! Their trick to help Yu'er practice wows the whole neighborhood. In another story, a friend takes Yu'er to a wild place full of musical insects. Later, Yu'er hears a special story about her grandparents. And in the final story, Yu'er and her grandpa show a cranky painter the sweet side of life.-- "Journal"

    Mei struggles to find the magic needed to make noodles. Ultimately, she finds the magic--and the ability to succeed--within. Mei doesn't just make noodles--her magic noodles in varied shapes and sizes rain down from the sky!NOODLE MAGIC is written in the style of a Chinese folk story, with engaging cultural and community aspects. The family connection that's at the heart of the story has universal appeal. The grandfather and granddaughter work together to accomplish what one could not do alone. Meilo So, whose BRUSH OF THE GODS received four starred reviews, brings the story to life with beautiful, breathtaking illustrations.

    School is torture, making friends is impossible since he doesn’t speak English, and he's often stuck looking after his (extremely irritating) little brother, Yanghao.To distract himself from the loneliness, Jingwen daydreams about making all the cakes on the menu of Pie in the Sky, the bakery his father had planned to open before he unexpectedly passed away. The only problem is his mother has laid down one major rule: the brothers are not to use the oven while she's at work. As Jingwen and Yanghao bake elaborate cakes, they'll have to cook up elaborate excuses to keep the cake making a secret from Mama.Told in prose and graphic novel elements, this middle-grade novel is about a boy's immigration experience, his annoying little brother, and their cake-baking hijinks!

    They will leave their town, she explains, and it will be sad but also a little bit exciting. They will have to say goodbye to friends and loved ones, and that will be difficult. They will have to walk and walk and walk, and although they will see many new and interesting things, it will be difficult at times too. A powerful and moving exploration that draws the young reader into each stage of the journey, inviting the chance to imagine the decisions he or she would make. From the winner of the V&A Student Illustration Award 2016.

    His father warnshim, though, that passage will not be easy. Because of the 1882Chinese Exclusion Act, new immigrants like Sun are detainedat Angel Island until they are called to take a difficult oralexam before they can "land" - leave Angel Island and goashore. On the boat, Sun had studied maps of his village andmemorized facts about his ancestors. But as the weeks pass indetainment, the map's compass points swirl in his memory, andSun worries that he will lose his direction and be turned away.The oil paintings are rich with historical details in this vividrecounting, based on the author's father-in-law's experiences, ofa disturbing chapter in Chinese American history.

    She often makes them up to help her little brother fall asleep. But in her small village there are only a few books and she has read them all. One morning, Ana wakes up to the clip-clop of hooves, and there before her, is the most wonderful sight: a traveling library resting on the backs of two burros—all the books a little girl could dream of, with enough stories to encourage her to create one of her own.Inspired by the heroic efforts of real-life librarian Luis Soriano, award-winning picture book creators Monica Brown and John Parra introduce readers to the mobile library that journeys over mountains and through valleys to bring literacy and culture to rural Colombia, and to the children who wait for the BiblioBurro.A portion of the proceeds from sales of this book was donated to Luis Soriano's BiblioBurro program.

    She knows that if her lolo will show her how to jig the lines, to set the hook, and to pull in a fish, hand over hand, she can prove to everyone in their Filipino fishing village that she deserves her turn in the boat, girl or no!

    She tells Sarie wonderful stories and she and Sarie start to read together. Niki Daly's story will encourage any child who shares Sarie's reluctance to read.

    But today, for his fifth birthday, he climbs aboard one with his grandfather. As the matatu pulls away from the market, the village dogs chase after them. When Kioko asks his grandfather why the dogs always bark and chase after matatus, his grandfather tells him an entertaining tale about a dog, a goat and a sheep. Set in East Africa, The Matatu is a colorful story filled with many unexpected turns and twists along the way.

    She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day.Then, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother’s room is empty. And one day, Grandmother is buried. After the funeral, Grace’s mom turns on all the outside lights so that Grandmother’s spirit can find its way home for one final goodbye.Carmen Mok’s gentle illustrations show the love between a child and her grandmother in this story that will resonate with anyone who has lost a loved one. Betty Quan’s picture-book debut is haunting yet hopeful.

    On the way there, she remembers what beach trips were like in Iran, the beautiful Caspian Sea, the Persian music, and most of all, the saffron ice cream she shared with her best friend, Azadeh. But there are wonderful things in this new place as well -- a subway train, exciting music... and maybe even a new friend!

    It sounds like a quirky food fusion of Korean and Italian cuisine, and it's exactly how Joseph Calderaro feels about himself. Why wouldn't an adopted Korean drummer-comic book junkie feel like a combo platter given: (1) his face in the mirror(2) his proud Italian family. And now Joseph has to write an essay about his ancestors for social studies. All he knows is that his birth family shipped his diapered butt on a plane to the USA. End of story. But what he writes leads to a catastrophe messier than a table of shattered dishes—and self-discovery that Joseph never could have imagined.

    He lives with his grandparents because his parents are dead. It is a difficult life but made easier by the love Lee shares with his grandparents. But now Lee must leave all that he knows. Before his parents died, they spent all of their money buying a "paper son slot" for Lee to go to America. Being a "paper son" means pretending to be the son of a family already in America. If he goes, he will have the chance for a better life. But first he must pass the test at Angel Island Immigration Station in San Francisco. Only then will he be allowed to live with his new family. If Lee makes even a single mistake, he could be sent back to China. Lee knows his grandparents want a better life for him. He can't let them down.

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    "Ahhh, spring," says Kumak to his family. "The days are long, the nights are short, and the ice is still hard. Good day for fish." Eager to give Uncle Aglu's amazing hooking stick a try, Kumak packs up his family and heads out to go ice fishing. "Good day for fish!" they all agree. Hapless Kumac is the only one in his family without fish until the tug at the other end of his line incites a mighty battle. A clever ending reveals that the whale-sized fish that Kumak imagined was actually a line of small fish in tug o' war position. Kumak reigns, and there's plenty for everybody. Authentic details throughout the playful art and text, as well as endnotes on Inupiat fishing, provide young readers with a fascinating window into another culture in this follow up to KUMAK'S HOUSE a 2003 Children's Book Council Notable Trade Book in Social Studies.