A man massive in his size, his passions, and his gifts, Wolfe has long been considered something of an unconscious genius, whose undisciplined flow of prose was shaped into novels by his editor, the celebrated Maxwell Perkins.In this definitive and compelling biography, Pulitzer Prize-winning historian David Herbert Donald dismantles that myth and demonstrates that Wolfe was a boldly aware experimental artist who, like James Joyce, William Faulkner, and John Dos Passos, deliberately pushed at the boundaries of the modern novel. Donald takes a new measure of this complex, tormented man as he reveals Wolfe's difficult childhood, when he was buffeted between an alcoholic father and a resentful mother; his "magical" years at the University of North Carolina, where his writing talent first flourished; his rise to literary fame after repeated rejection; and the full story of Wolfe's passionate affair with Aline Bernstein, including their intimate letters.

    When Kevin and Jeff die within nine months of one another—Kevin, a student enrolled in the University of Kentucky’s Reserve Officers’ Training Corps program, commits suicide and Jeff, who served in the Army as a second lieutenant, dies as a result of an IED attack in Iraq—Mark and his wife Carol find themselves reeling after the loss of two of their three children. As they begin to gather their bearings and contemplate a life without their sons, they must also come to terms with the terrible stigma that surrounds suicide in the military. This stigma is brought into high relief through the Grahams’ own experience of how their tight-knit military community marked their sons’ very different deaths. The Grahams commit themselves to fighting the military’s suicide epidemic and making sure that the families of troops who take their own lives receive the dignity and compassion that were the hallmarks of both of their sons’ lives. The Invisible Front is the story of their quest to do so. As Mark ascends the military hierarchy and eventually takes command of Fort Carson, Colorado—a sprawling base with one of the highest suicide rates in the armed forces—the Grahams assume a larger platform from which to work to reduce the stigma that surrounds mental health in the military and to develop new ways of keeping troubled troops from killing themselves. Their efforts put them in direct conflict with an entrenched military bureaucracy that considered mental health problems to be a display of weakness and that refused to acknowledge, until far too late, the severity of its suicide problem. The Grahams refuse to back down, using the pain and grief that their sons’ deaths inspired to fight to change the institution that is the cornerstone of their lives.  Yochi Dreazen, an award-winning journalist who has covered the military since 1999, has been granted remarkable access to the Graham family and, as a result, is able to tell the story of Kevin and Jeff’s legacy in the full context of America’s two long wars. The Invisible Front places the Graham family’s story against the backdrop of the military’s suicide spike, caused in part by the military’s own institutional shortcomings and its resistance to change. With great sympathy and deep understanding, The Invisible Front examines America's problematic treatment of its soldiers and offers the Graham family’s work as a new way of understanding how to minimize the risk of suicide, substance abuse and PTSD in the military.

    The tough, severe, but very real and recognizable world of women is put to the most strenuous tests, and Liza, at eighty-four, is proof that loyalty, fortitude and humor survive.

    Examining her roots in rural Kentucky, where she was born in 1940, Mason unravels her family's history and considers its impact on her as a person and a writer. Readers of the New Yorker will recognize a few excerpts, most notably the magical chapter on a local pop group in particular, and the siren song of rock & roll in general. Mason has woven the pieces of her story into a seamless whole limning her ambivalent relationship to her country roots. She was a bookish girl who fled to college and the sophisticated North before realizing that her fictional material and her heart were still down South. But when she bought land in Kentucky, it was "a long way from [home]. I had to keep some distance, keep my options open." Although her immediate family members all get loving, unsentimental treatment, the book is in essence a tribute to Mason's mother, whose free spirit never had a chance to roam as her daughter's did and who grabs center stage in the final chapter. This memoir is quintessential Mason in its strong storytelling, seeming simplicity, and deep mystery. --Wendy Smith

    Moving between dramatic and interior monologue, and moving through intersecting histories, the ambiguities of inwardness and the eros of wakeful existence, these poems search for relationships with self, others, the world and God that are authentic—however quirky or strange."This is poetry of a rare fine delicacy. Its very modesty testifies to a great ambition—to overcome by the quietest of means."—Donald JusticeIn Tennessee I Found a FireflyFlashing in the grass; the mouth of a spider clungto the dark of it: the legs of the spiderheld the tucked wings close,held the abdomen still in the midst of callingwith thrusts of phosphorescent light—When I am tired of being human, I try to rememberthe two stuck together like burrs. I try to place themcentral in my mind where everything else mustsurround them, must see the burr and the barb of them.There is courtship, and there is hunger. I supposethere are grips from which even angels cannot fly.Even imagined ones. Luciferin, luciferase.When I am tired of only touching,I have my mouth to try to tell youwhat, in your arms, is not erased"This is poetry of a rare fine delicacy. Its very modesty testifies to a great ambition—to overcome by the quietest of means."—Donald Justice

    Then her little brother suddenly starts asking for his new friend, "Susie." Is someone else playing with him? Someone only he can see? Soon Charlotte realizes that her all-too-normal house is haunted-by the ghost of a girl who doesn't realize that she's dead. . . . "Has several strong appeals: new best friends solving a mystery together, a just-scary-enough ghost girl, and a deathless bond between sisters that provides the book with its resoundingly satisfying conclusion." (The Horn Book)

    P. Lovecraft’s shocking, terrifying, and eerily prescient Cthulhu Mythos. In twenty-one dark visions, a host of outstanding contemporary writers tap into our innermost fears, with tales set in a misbegotten new world that could have been spawned only by the master of the macabre himself, H. P. Lovecraft. Inside you’ll find:DETAILS by China Miéville: A curious boy discovers that within the splinters of cracked wood or the tangle of tree branches, the devil is in the details.VISITATION by James Robert Smith: When Edgar Allan Poe arrives, a callow man finally gets what he always wanted—and what he may eternally despise. MEET ME ON THE OTHER SIDE by Yvonne Navarro: A couple in love with terror travels beyond their wildest dreams—and into their nightmares.A FATAL EXCEPTION HAS OCCURRED AT . . . by Alan Dean Foster: Internet terrorism extends far beyond transmitting threats of evil.AND SEVENTEEN MORE HARROWING TALESFrom the Trade Paperback edition.vii • Introduction: The Call of Lovecraft • essay by Benjamin Adams and John Pelan1 • Details • short story by China Miéville21 • Visitation • short story by James Robert Smith33 • The Invisible Empire • novelette by James Van Pelt57 • A Victorian Pot Dresser • novelette by L. H. Maynard and M. P. N. Sims85 • The Cabin in the Woods • novelette by Richard Laymon109 • The Stuff of the Stars, Leaking • short story by Tim Lebbon125 • Sour Places • short story by Mark Chadbourn141 • Meet Me on the Other Side • short story by Yvonne Navarro161 • That's the Story of My Life • short story by Benjamin Adams and John Pelan181 • Long Meg and Her Daughters • novella by Paul Finch243 • A Fatal Exception Has Occurred At ... • short story by Alan Dean Foster261 • Dark of the Moon • short story by James S. Dorr275 • Red Clay • short story by Michael Reaves [as by J. Michael Reaves]291 • Principles and Parameters • novelette by Meredith L. Patterson325 • Are You Loathsome Tonight? • (1998) • short story by Poppy Z. Brite331 • The Serenade of Starlight • short story by W. H. Pugmire (variant of Serenade of Starlight) [as by W. H. Pugmire, Esq.]345 • Outside • short story by Steve Rasnic Tem355 • Nor the Demons Down Under the Sea • [Dandridge Cycle] • short story by Caitlín R. Kiernan371 • A Spectacle of a Man • short story by Weston Ochse389 • The Firebrand Symphony • (2001) • novelette by Brian Hodge437 • Teeth • novelette by Matt Cardin463 • Notes on the Contributors (Children of Cthulhu: Chilling New Tales Inspired by H.P. Lovecraft) • essay by Benjamin Adams and John Pelan

    Beginning in 1905, with Franklin and Eleanor's honeymoon, it covers FDR's years as New York state senator, assistant secretary of the Navy, his early struggle to overcome the ravages of polio and ends with his election as governor of New York in 1928. Ward not only traces the development of Roosevelt's "first-class temperament" but provides dimensional characterizations of friends, enemies and family members, gallantly defending FDR's often-maligned mother, Sara, and revealing the effect on the Roosevelt children of the tensions between Franklin and Eleanor. FDR's jaunty, fun-loving nature and his "breezy duplicity" are brought into focus in the early sections, but the tone deepens in the moving account of the future president's valiant but hopeless attempt to regain the use of his legs. Going against the accepted legend, Ward maintains that "the Roosevelt who could not walk was in most respects very like the one who could."

    From the authors of Weird N.J.--with more than 125,000 copies sold--comes asecond amazing collection of the wonderful weirdness that fills every inch ofthe Garden State.

    While conducting research among these Muedans, anthropologist Harry G. West made a revealing discovery—for many of them, West’s efforts to elaborate an ethnographic vision of their world was itself a form of sorcery. In Ethnographic Sorcery, West explores the fascinating issues provoked by this equation.A key theme of West’s research into sorcery is that one sorcerer’s claims can be challenged or reversed by other sorcerers. After West’s attempt to construct a metaphorical interpretation of Muedan assertions that the lions prowling their villages are fabricated by sorcerers is disputed by his Muedan research collaborators, West realized that ethnography and sorcery indeed have much in common. Rather than abandoning ethnography, West draws inspiration from this connection, arguing that anthropologists, along with the people they study, can scarcely avoid interpreting the world they inhabit, and that we are all, inescapably, ethnographic sorcerers.

    Why?"Guaranteed chills and thrills," says Horn Book of Ghosts in the Gallery, nominated by Mystery Writers of America for its EDGAR Award."Descriptions draw the reader a picture of time and place and atmosphere that is nearly perfect. Sure to be a hit," says School Library Journal.Washington Parent calls this book a "real page turner."

    Oliver’s variety of subject matter, wit, characterisation and stylistic elegance are on display, as is his gift for telling a good story. The rivalry between two former MI5 members in a seaside town escalates into something deeply sinister and mysterious. . . . The one-time assistant to a musical genius is dying in early nineteenth-century Vienna and cannot escape his obsession with their last collaboration. . . . In Weimar Germany a mass murderer is awaiting his execution with perplexing eagerness. . . . There are two novellas in this collec-tion. ‘Lord of the Fleas’ is a study of a sinister eighteenth-century architect, told through various documents, including an unpublished fragment of Boswell’s Life of Dr Johnson, and a series of increasingly desperate letters from a young woman to her cousin in the style of the epistolary novels of Fanny Burney. The other novella, ‘A Child’s Problem’, inspired by a painting in the Tate Gallery by Richard Dadd, was nominated for ‘best novella’ in the Shirley Jackson Awards of 2012.Reggie Oliver is an English playwright, biographer and writer of ghost stories. His work has appeared in a number of anthologies, including the Year’s Best Fantasy and Horror and The Mammoth Book of Best New Horror.Flowers of the Sea contains: ‘Introduction’ by Michael Dirda, ‘A Child’s Problem’, ‘Striding Edge’, ‘Hand to Mouth’, ‘Singing Blood’, ‘Flowers of the Sea’, ‘Lord of the Fleas’, ‘Didman’s Corner’, ‘The Posthumous Messiah’, ‘Charm’, ‘Between Four Yews’, ‘The Spooks of Shellborough’, ‘Süssmayr’s Requiem’, ‘Come Into My Parlour’, ‘Lightning’, ‘Waving to the Boats’, ‘Author’s Note’.Flowers of the Sea is a sewn hardback book of 388 + x pages with decorated boards, silk ribbon marker, head and tailbands, and d/w. Also available as an ebook.

    But you don't want to read them.So if you're looking to laugh, gasp, gag, or do all three at the same time, making sort of a weird sound that hurts your lungs and elicits odd glances from nearby pedestrians, don't miss Gleefully Macabre Tales!

    But unless she marries one of the gentlemen her grandfather has sent for her inspection, she'll lose custody of her nephew. So she must persuade them—and Adam Barr, her grandfather's envoy—that she'd make a thoroughly unsuitable wife.Adam isn't convinced. Regina might be unconventional, but she has wit, spirit and warmth. His job was to make sure Regina chose from the men he escorted to Texas—not to marry her himself! Can they overcome the secrets in her past, and the shadows in his, to find a perfect future together?

    He's a really good professional wrestler. He's not the champion though - that's the impossibly charismatic Chad Deity. When Mace discovers a young Indian-American Brooklyn kid whose charisma rivals that of the champ, Mace decides to get him a job in the company. Only problem is, the boss has a very specific plan for the duo: put them onscreen as terrorists. Kristoffer Diaz's The Elaborate Entrance of Chad Deity is a serious minded comedy about wrestling, geopolitics, and raisin bread."The Elaborate Entrance of Chad Deity...has the delicious crackle and pop of a galloping, honest-to-God, all-American satire." - The New York Times"Ladies and Gentlemen, in this corner of Chicago's rich theater scene, weighing in with a unique combo of vigorous physicality and wickedly intelligent humor, please put your hands together for The Elaborate Entrance of Chad Deity, a vibrantly entertaining, insightful new play about - wait for it - professional wrestling."- Variety