This new collection (an expansion of the limited-release Bibliomancy, which won the World Fantasy Award in 2005) showcases a wildly inventive author at the height of her powers. Included in this collection are "The Least Trumps," in which a lonely women reaches out to the world through symbols, tattooing, and the Tarot, and "Pavane for a Prince of the Air," where neo-pagan rituals bring a recently departed soul to something very different than eternal rest. Written in the author's characteristic poetic prose and rich with the details of traumatic lives that are luminously transformed, Saffron and Brimstone is a worthy addition to an outstanding career.* Elizabeth Hand's work has been selected as a Washington Post Notable Book and a New York Times Notable Book, and she has been awarded a Nebula Award and two World Fantasy Awards.

    Kiernan’s short fiction was first published in 1995. Over the intervening decade and a half, she has proven not only one of dark fantasy and science fiction’s most prolific and versatile authors, but, to quote Ramsey Campbell, “One of the most accomplished writers in the field, and very possibly the most lyrical.” S. T. Joshi has written, “Kiernan’s witchery of words creates a mesmerizing effect that we haven’t seen since the days of Lovecraft and Bradbury.”Two Worlds and In Between: The Best of Caitlín R. Kiernan (Volume One) presents a stunning retrospective of the first ten years of her work, a compilation of more than two hundred thousand words of short fiction, including many of her most acclaimed stories, as well as some of the author’s personal favorites, several previously uncollected, hard-to-find pieces, and her sf novella, The Dry Salvages, and a rare collaboration with Poppy Z. Brite. Destined to become the definitive look at the early development of Kiernan’s work, Two Worlds and In Between is a must for fans and collectors alike, as well as an unprecedented introduction to an author who, over the course of her career, has earned the praise of such luminaries as Neil Gaiman, Peter Straub, Charles De Lint, and Clive Barker.

    Freud's Todestrieb, his statement that ''libido has the task of making the destroying instinct innocuous, and it fulfils the task by diverting that instinct to a great extent outwards....The instinct is then called the destructive instinct, the instinct for mastery, or the will to power.'' Few authors have spun stories of Thanatos and Eros as skillfully and powerfully as Livia Llewellyn. In his introduction to this volume, Laird Barron writes ''Scant difference exists between exquisite pleasure and pain.'' An orphan girl with a mind for anthracite falls into the hands of a cult worshipping an entombed god. In the Pacific Northwest, evergreens lull prepubescent girls into their trunks to serve as wombs. A suburban housewife troubled by her present encounters the sixteen year-old girl she ached to touch in her dreams. These ten stories promise to indulge a reader's sensibilities, their fears and desires.

    His powerful dark fantasy, The Physiognomy, was a New York Times Notable Book of the Year; his novel, The Girl in the Glass, won the Edgar® Award, mystery and crime fiction’s most prestigious prize. Crackpot Palace is Ford’s fourth superb collection of short fiction, and in it, his prodigious talent shines as brightly as ever. Here are twenty tales both strange and wonderful, filled with mad scientists, vampires, lost souls, and Native American secrets, from an author who has been glowingly compared to Kafka, Dante, and Caleb Carr (The Alienist).

    P. Lovecraft, published his first story, the monstrosities that crawled out of his brain have become legend: the massive, tentacled Cthulhu, who lurks beneath the sea waiting for his moment to rise; the demon Sultan Azathoth, who lies babbling at the center of the universe, mad beyond imagining; the Deep Ones, who come to shore to breed with mortal men; and the unspeakably-evil Hastur, whose very name brings death. These creatures have been the nightmarish fuel for generations of horror writers, and the inspiration for some of their greatest works.This impressive anthology celebrates Lovecraft's most famous beasts in all their grotesque glory, with each story a gripping new take on a classic mythos creature and affectionately accompanied by an illuminating illustration. Within these accursed pages something unnatural slouches from the sea into an all-night diner to meet the foolish young woman waiting for him, while the Hounds of Tindalos struggle to survive trapped in human bodies, haunting pool halls for men they can lure into the dark. Strange, haunting, and undeniably monstrous, this is Lovecraft as you have never seen him before.Contents"Only the End of the World Again" by Neil Gaiman"The Bleeding Shadow" by Joe R. Lansdale"Love is Forbidden, We Croak & Howl" by Caitlín R. Kiernan"Bulldozer" by Laird Barron"A Quarter to Three" by Kim Newman"Inelastic Collisions" by Elizabeth Bear"That of Which We Speak When We Speak of the Unspeakable" by Nick Mamatas"Red Goat Black Goat" by Nadia Bulkin"Jar of Salts" and "Haruspicy" by Gemma Files"Black is the Pit From Pole to Pole" by Howard Waldrop and Steven Utley"I've Come to Speak with You Again" by Karl Edward Wagner"The Sect of the Idiot" by Thomas Ligotti"The Dappled Things" by William Browning Spencer"The Same Deep Waters as You" by Brian Hodge"Remnants" by Fred Chappell"Waiting at the Cross Roads" by Steve Rasnic Tem"Children of the Fang" by John Langan

    The nine stories in this volume exhibit Strantzas’s wide range in theme and subject matter, from the Lovecraftian “Thistle’s Find” to the Robert W. Chambers homage “Beyond the Banks of the River Seine.” But Strantzas’s imagination, while drawing upon the best weird fiction of the past, ventures into new territory in such works as “On Ice,” a grim novella of arctic horror; “One Last Bloom,” a grisly account of a scientific experiment gone hideously awry; and the title story, an emotionally wrenching account of terror and loss in the baked Mexican desert. With this volume, Strantzas lays claim to be discussed in the company of Caitlín R. Kiernan and Laird Barron as one of the premier weird fictionists of our time.Cover artwork by Santiago Caruso

    Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

     He has spent six years living the quiet life in the suburbs after losing his job as Lord of Hell and now he thinks it’s time to indulge in all that life has to offer. Whether it’s dating the older woman, demonstrating supreme loyalty to his local coffee shop or fighting the scourge of the lollipop lady, Clovenhoof knows how to enjoy himself to the fullest. Join Clovenhoof as he continues his year-long journey to tackle the big issues in life.

    And that's a scary place to be.

    Titled “The Final Reconciliation,” the album was expected to usher in a new renaissance of heavy metal, but it was shelved following a tragic concert that left all but one dead.The sole survivor of that horrific incident was the band’s lead guitarist, Aidan Cross, who’s kept silent about the circumstances leading up to that ill-fated performance—until now.For the first time since the tragedy, Aidan has granted an exclusive interview to finally put rumors to rest and address a question that has haunted the music industry for decades: What happened to The Yellow Kings?The answer will terrify you.Inspired by The King in Yellow mythos first established by Robert W. Chambers, and reminiscent of cosmic horror by H. P. Lovecraft, Laird Barron, and John Langan, comes The Final Reconciliation—a chilling tale of regret, the occult, and heavy metal by Todd Keisling.

    It presents eight new stories of intrigue and horror set against the backdrop of the Cthulhu Mythos of H. P. Lovecraft blended with modern conspiracy theory. Delta Green: Dark Theatres follows two award winning Role Playing Game sourcebooks, a novel and a previous short story anthology.

    Smell the faint aroma of rich tobacco smoke from an old man’s pipe on a shady boulevard. Listen to the gossip of small towns where everyone knows everyone’s business.Or do they?Sometimes, deadly secrets lurk out in the barn. Sometimes, unimaginable evil awaits us in the root cellar. Sometimes, we fall under the sway of the Shadows Over Main Street.Come inside and sit for a spell…---Foreword by Ramsey Campbell.Cover illustration by Luke Spooner.Interior illustrations by Paul Carrick, Vincent Chong, John Coulthart, Galen Dara and M. Fersner.Table of Contents:(Alphabetical by author name)Gary Braunbeck, The Friendless Bodies of Unburied MenChesya Burke, MountaintownJames Chambers, Odd QuahogsTim Curran, The Thing with a Thousand LegsT. Fox Dunham, The Flesh or the FatherBrian Hodge, This Stagnant Breath of ChangeKevin Lucia, The Black PyramidAdrian Ludens, EstrangedJosh Malerman, A Fiddlehead Party on Carpenter’s FarmNick Mamatas, Χταπόδι ΣαλάταRena Mason, Red HillLisa Morton, The OgreAaron Polson, UndergroundersMary SanGiovanni, The Floodgates of Willow HillLucy A. Snyder, The Abomination of FensmereCameron Suey, The CrisisJohn Sunseri, HomecomingRichard Thomas, White Picket FencesJay Wilburn, Boss CthulhuStephanie Wytovich, The 21st Century Shadow

    R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.

    A rebelling angel rewrites the Book of Judgement to protect the woman he loves. A young woman discovers the lost manuscript of Jane Austen written on the inside of her skin. A 747 populated by a dying pantheon makes the extraordinary journey to the beginning of the universe. Lyrical and tender, quirky and cutting, Helen Marshall’s exceptional debut collection weaves the fantastic and the horrific alongside the touchingly human in fifteen modern parables about history, memory, and cost of creating art.

    In this creepy tale, the twist comes with the very last word…