Bounty Hunters, Forty Lashes Less One, and Gunsights comprise this collection of great western stories by the author of Get Shorty.

    Again and again, protected by the rope, he fell. He decided then that it would not be in climbing but in falling that he would embrace his fear--bathe in it, as he says, and move beyond it.A captivating exploration of the daredevil world of rock climbing, as well as a thoughtful meditation on the role of risk and fear in the author's own life.In the tradition of the wildly popular man-versus-nature genre that has launched several bestsellers, Andrew Todhunter follows the lives of world-class climber Dan Osman and his coterie of friends as he explores the extremes of risk on the unyielding surface of the rock.Climbing sheer rock faces of hundreds or thousands of feet is more a religion than a sport, demanding dedication, patience, mental and physical strength, grace, and a kind of obsession with detail that is crucial just to survive. Its artists are modern-day ascetics who often sacrifice nine-to-five jobs, material goods, and the safety of everyday life to pit themselves and their moral resoluteness against an utterly unforgiving opponent.In the course of the two years chronicled in Fall of the Phantom Lord, the author also undertakes a journey of his own as he begins to weigh the relative value of extreme sports and the risk of sudden death. By the end of the book, as he ponders joining Osman on a dangerous fall from a high bridge to feel what Osman experiences, Todhunter comes to a new understanding of risk taking and the role it has in his life, and in the lives of these climbers.Beautifully written, Fall of the Phantom Lord offers a fascinating look at a world few people know. It will surely take its place alongside Into Thin Air and The Perfect Storm as a classic of adventure literature.

    Unlike most boys portrayed in fiction he is not an ultrasensitive soul but an ordinary boy, occasionally cowardly, sometimes a liar, tough in his own eyes and often insecure in his dealings with others. In his evocation of the jingles, games, fantasies and nightmares of childhood, Waterhouse brings his tribe of street urchins so vividly to life that the book has taken on the status of a much-loved classic.

    Youth in Revolt is the three-volume journal of Nick Twisp, California's most precocious diarist, whose ongoing struggles to make sense out of high school, deal with his divorced parents, and lose his virginity result in his transformation from an unassuming fourteen-year-old to a modern youth in open revolt. Youth in RevoltAs his family splinters, worlds collide, and the police block all routes out of town, Nick must cope with economic deprivation, homelessness, the gulag of the public schools, a competitive Type-A father, murderous canines (in triplicate), and an inconvenient hair trigger on his erectile response--all while vying ardently for the affections of the beauteous Sheeni Saunders, teenage goddess and ultimate intellectual goad. Youth in BondageNick Twisp is living in a wasteland with his stingy father while the female object of his fantasies is away at school. But when the FBI picks up his trail, Nick must rely on his tough alter ego, Francois Dillinger. Youth in ExileHe didn't intend to burn half of Berkeley to the ground or create a media frenzy or enroll in high school dressed as a woman. However, he did, and it was just part of Nick Twisp's quest for sex and independence. He's smart, he's horny, he's resourceful, and he's on the loose.

    Unfortunately, that was before two dudes wielding high-tech gadgets made off with both his kegs and his brother. Now Clyde has to hunt down his sibling with only his most trusted lackey along to help. Will he manage to recover both his beer and Dougie? Will they survive the night as they unveil the mysterious secret of the kidnappers? Will the Earth be destroyed thanks to their bumbling incompetence? Probably that last one, but you’ll have to read it to find out.

    Scott Fitzgerald's first book of short stories, Flappers and Philosophers, published in 1920 after his debut novel, This Side of Paradise. The main character, Samuel Meredith, is a man who, as Fitzgerald says, "is certain that at various times in his life hitable qualities were in his face, as surely as kissable qualities have ever lurked in a girl's face." From boarding school to the business world, he gets into confrontations that lead to him being punched in the face, and these four major conflicts in his life lead him to be the type of man about whom the narrator eventually says, "At the present time no one that I know has the slightest desire to hit Samuel Meredith...."

    

    Fighter, thief, black marketeer, courageous leader, quiet dreamer...and a lyrical lover of women. Across China's most merciless land, aswarm with warlords, cut-throats, Japanese deserters, whores and nomads...Jake Dodds is running for his life!

    The Tafoyas include a physician philosopher, a radical daughter with a degree from Bryn Mawr, a clumsy, stupid son, and a governor of New Mexico. From these elements Bradford creates a story as funny and tender as RED SKY AT MORNING, also set in New Mexico, also well worth reading.

    Naked Pueblo, his absolutely maximalist, throw-everything-in-and-shake-it-up short story collection, buzzes like some kind of whacked-out fever dream." (Esquire)

    A force of nature. To know her is to love her, to love her is to hate her. Shes a woman who changes her name according to the ethnic flavor of the month, dabbles in Mormonism, and steals cleaning supplies from restaurant bathrooms. She is beautiful, excitable, contradiction as art form. Shes the kind of mom who reads her daughters diary, serves ketchup soup for dinner, and drags her girls from Utah to California to Wyoming in pursuit of one loser boyfriend after another. Her love for her daughters is fierce, smothering, neglectful. There is no other way than her. Does that sound extravagant? Or should I say there is no other place than her, observes Lucy, the endearing narrator of Nicole Stansburys very special debut novel, Places to Look for a Mother. In the tradition of Mona Simpsons Anywhere But Here and Larry McMurtrys Terms of Endearment, Places to Look for a Mother tells a tale of mostly maddening mother-daughter bonds. Forgiveness is always there, but its hard to find. And the Taylor family usually loses it. With lithe prose, pitch-perfect dialogue, and gloriously real characters, author Nicole Stansbury conjures a family that proves Tolstoy right once again: All happy families are alike; every unhappy family is unhappy in its own way. The Taylors are no exception, but Places to Look for a Mother is an exceptionally good novel.

    Product DescriptionPublishers Description:A Prohibition-era novel centering around the occurrence of a dust storm in southern Minnesota, Orchard of Dust follows the lives of a boy and his father as their town is invaded by a speakeasy.From the Back Cover:In the quiet born to the soil, the coming of a fresh generation quaked and rumbled as a people, displaced from their land, dreamed of once and tomorrow; they followed promised whispers of abundance through a desolation where men ripped at the land, wrenching what harvest the fields could spit until a protestation came against man, strangling the fields in dust; and this people broke their homes, shattering hearthstones against the collapsed shelter of forgotten desires that had turned to dead leaves.

    Recently, Kessinger Publishing's rare reprints has re-issued the book. The protagonist, Roger Stetworth, unwillingly joins a slave ship called the -Golden Hind- captained by Luke Chilton. (When Chilton demanded that Roger -sign aboard- he refused and was clubbed on the head and thrown overboard.) He is rescued by the -Hurst Castle- and doctored by a painfully stereotyped Irishman. The -Hurst Castle- is abandoned but does not founder in a gale and the crew, unable to get to him, are forced to leave Stetworth marooned aboard. The ship drifts into the center of the Sargasso Sea where Stetworth finds himself in a ships' graveyard in which survivors of previous shipwrecks still inhabit the forgotten ships. Stetworth must rely on his own ingenuity to get free from the choking sargasso weeds........ Thomas Allibone Janvier (July 16, 1849 - June 18, 1913) was an American story-writer and historian, born in Philadelphia of Provencal descent. Early life and marriage: Janvier received a public school education, then worked in Philadelphia for newspapers from 1870-81. In 1878 he married Catherine Ann Drinker (May 1, 1841- July 19, 1922), an artist who was the first woman teacher at the Pennsylvania Academy of the Fine Arts and first teacher to Cecilia Beaux. Later in life, she accompanied her husband on his travels while writing books and translating books from the Provencale language. Many of Janvier's published works would be dedicated -To C. A. J.- New York: Janvier went to New York in 1881. From 1884-94, he lived in the Washington Square district of New York. A few years after arriving, he published the Ivory Black Stories, tales of artist life, which were reprinted in book form in 1885 as Color Studies. In them he pictured the life and color of what was then considered the Latin quarter of the city, with the old-fashioned French restaurants, the artist colony to the north, and the studios in Tenth Street where Abbey, Millet, F. Hopkinson Smith, Laffan and others made the Tile Club famous. He published many stories and articles in Harper's Magazine.[2] Travels and death: Janvier spent several years in Colorado, New Mexico and Mexico, thereby gaining inspiration and material for much of his literary work. His travels in Mexico produced the Aztec Treasure House and his stories of Old New Spain. He and his wife also lived for three years in Avignon, Provence, France, where they became friends with Mistral and Felix Gras. Catherine A. Janvier's translations of the latter's work introduced him to English-speaking readers.His books from this period include An Embassy to Provence, Christmas Kalends of Provence and The South of France. He was made an honorary member of the Felibrige society in France, and of the Fol Lore Society of London, where he and his wife lived from 1897 to 1900, and the Century Club in New York. Janvier died in New York on June 18, 1913. He is interred in Moorestown, New Jersey. Literary family: Janvier's sister, Margaret Thomson Janvier (1844-1913), was born in New Orleans. Under the pen name Margaret Vandergrift she wrote many juveniles, among which are: The Absent-Minded Fairy, and Other Verses (1884); The Dead Doll, and Other Verses (1900); Under the Dog-Star (1900); and Umbrellas to Mend (1905). Janvier's niece, Emma P. Spicer, going by the stage name of Emma Janvier, was a well-known comedian on Broadway and elsewhere from the turn of the century until her death in the early 1920s. Janvier was also related to Philadelphia businessman and poet Francis De Haes Janvier.

    A. riots of the 1990s.Straight's brilliant story of the effects of violence in America on three generations of a family is told through the lives of the Thompsons, a large clan who live in Treetown, above downtown Rio Seco, California, and operate a car towing and repair business. Patriarch Hosea is a proud man, and a hardened one, whose father was killed in the violence that erupted in Tulsa many years earlier. All Hosea's memories come flooding black with ferocious force when the bodies of two white women are found engulfed in flames in an abandoned car on his property. These are the first signs that someone wants Hosea off his land; it is up to his son Marcus, the only one of the six children of Hosea and his half-Mexican wife who can negotiate with the white world, to help the family hold on to their home and their livelihood.But it is only when Marcus' nephew Motrice-a young man infatuated with guns and the power that they bring- comes back to Rio Seco from gang-ridden Los Angeles that the real secrets of the bodies found on Thompson land are revealed, as Rio Seco erupts in the same wave of trashing and looting that has engulfed the nearby metropolis.The Gettin Place is a powerful portrait of a family struggling to defend its turf in a changing world, to hold on to the gettin place, the source from which they derive the tools for survival.

    In print together for the first time in many years, and here in one volume, are all eight of Nancy Mitford's sparklingly astute, hilarious and completely unputdownable novels, with a new introduction by India Knight. Published over a period of 30 years, they provide a wonderful glimpse of the bright young things of the thirties, forties, fifties and sixties in the city and in the shires; firmly ensconced at home or making a go of it abroad; and what the upper classes really got up to in peace and in war. 'Entirely original, inimitable and irresistible' Spectator 'Deliciously funny' Evelyn Waugh 'Utter, utter bliss' Daily Mail Nancy Mitford (1904-1973) was born in London, the eldest child of the second Baron Redesdale. Her childhood in a large remote country house with her five sisters and one brother is recounted in the early chapters of The Pursuit of Love (1945), which according to the author, is largely autobiographical. Apart from being taught to ride and speak French, Nancy Mitford always claimed she never received a proper education. She started writing before her marriage in 1932 in order 'to relieve the boredom of the intervals between the recreations established by the social conventions of her world' and had written four novels, including Wigs on the Green (1935), before the success of The Pursuit of Love in 1945. After the war she moved to Paris where she lived for the rest of her life. She followed The Pursuit of Love with Love in a Cold Climate (1949), The Blessing (1951) and Don't Tell Alfred (1960). She also wrote four works of biography: Madame de Pompadour, first published to great acclaim in 1954, Voltaire in Love, The Sun King and Frederick the Great. As well as being a novelist and a biographer she also translated Madame de Lafayette's classic novel, La Princesse de Clèves, into English, and edited Noblesse Oblige, a collection of essays concerned with the behaviour of the English aristocracy and the idea of 'U' and 'non-U'. Nancy Mitford was awarded the CBE in 1972.