This is the lavishly illustrated, definitive account of The Phantom of the Opera, tracing the Phantom legend from its origins in historical fact through Gaston Leroux's heartrending classic novel and other artistic incarnations to the present day and Andrew Lloyd Webber's incredibly successful musical.

    That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.

    Taking place only months before the outbreak of World War One (and written during the conflict) it focuses on Hannay’s attempts to warn the government of an unfolding plot to steal Great Britain’s military plans. Throughout the book Hannay must escape from German spies and the British police, who falsely believe that he has murdered the very man who revealed the plot to him. The book would prove incredibly popular upon its release and has been cited as the first “man-on-the-run” style story which has been re-used in films in literature ever since. The novel itself has been adapted for the screen no less than four times.

    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?

    This classic comedy opens as a group of the guys assembled for cards in the apartment of divorced Oscar Madison. And if the mess is any indication, it's no wonder that his wife left him. Late to arrive is Felix Unger who has just been separated from his wife. Fastidious, depressed and none too tense, Felix seems suicidal, but as the action unfolds Oscar becomes the one with murder on his mind when the clean-freak and the slob ultimately decide to room together with hilarious results as The Odd Couple is born. "His skill is not only great but constantly growing...There is scarcely a moment that is not hilarious." - The New York Times "Fresh, richly hilarious and remarkably original. Wildly, irresistibly, incredibly and continuously funny." - New York Daily News

    

    In the play, Martin—a hugely successful architect who has just turned fifty—leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters.The playwright himself describes it this way: “Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    Popular from its first performance in 1878, this work contains some of Gilbert's most clever flashes of wit and a number of Sullivan's most charming melodies. Music scholars Carl Simpson and Ephraim Hammett Jones have drawn on original manuscripts and early sources to produce handsome, newly engraved plates closest to Gilbert and Sullivan's original intentions. This authoritative and inexpensive edition is sure to delight Gilbert and Sullivan fans, operetta lovers, musicians, and students.

    Surely one of the most acclaimed and beloved plays of all time, this modern classic is honored for the first time in a lavishly illustrated book. Here is the complete musical book by Joe Masteroff and all the words of the songs written by John Kander and Fred Ebb. It is illustrated with more than 100 photographs and drawings (including 74 in full color) of the original cast of the Roundabout 's smash Broadway production by Joan Marcus, never-before- published backstage photographs by Rivka Katvan, and archival photos of past productions. The accompanying text explores the evolution of the play in all its incarnations, from the 1930 stories of Christopher Isherwood to two films and three stage adaptations. Here are all the fantastic artists who have brought this play to life: Julie Harris (the original Sally Bowles), Joel Grey, Liza Minnelli, Natasha Richardson, Alan Cumming, Ron Rifkin, and directors Hal Prince, Bob Fosse, Sam Mendes, and Rob Marshall. Also featured are original drawings by costume designer William Ivey Long and set designer Robert Brill. For theatre lovers and film fans, for those who've seen the play and those who haven't, this book is an exclusive insider's glimpse into a stage and film phenomenon, one of the most astonishing artistic achievements of our time.

    Take in the atmosphere of the Great White Way in its heyday at a little speakeasy called Good Time Charley's. Here are thirty-two of Damon Runyon's best-loved, most "Runyonesque" stories, each woven around the mobsmen, chorus girls, gamblers, and racetrack hustlers of the Broadway he knew and loved. Runyon captures with an acute eye and ear the colorful lives and language of a bygone era, one that lives on in our imagination—and on stage.

    The same family appears in Act Two 25 years older and back in London, only now it’s 1979. Cloud 9 is about relationships between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, money, Queen Victoria, and Sex. Cloud 9 premiered in London at the Royal Court Theatre in 1979 and has since been staged all over the world.

    The complete vocal score to one of the most beloved American musicals of all time. Includes complete cast list, vocal ranges, instrumentation list plus an introduction about the famous collaboration that worked together on this project: Leonard Bernstein, Stephen Sondheim, Arthur Laurents, and Jerome Robbins.

    A returning victor, General Ezra Mannon (Agamemnon), is poisoned by his unfaithful wife Christine (Clytemnestra) and then avenged by his son Orin (Orestes) and daughter (Lavinia). With Orin's subsequent suicide, Lavinia (the Electra of the title) becomes a fatalistic recluse in the Mannon mansion.

    This engaging and beautiful book includes the complete Academy Award-winning script and Thompson's own diaries detailing the production of the film, reviewed by Stanley Kauffmann in The New Republic as "vivid, funny, and gamy"